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      Self Portrait (9)

      Discover Paul Cézanne's iconic 'Self Portrait (9)' – a pivotal post-impressionist work from 1862. Witness the birth of modern art through this striking self-portrait of the revolutionary artist, capturing his serious gaze and innovative use of form.

      Post-Impressionist master Paul Cezanne bridged Impressionism and Cubism with Mont Sainte-Victoire. Explore his revolutionary works today.

      Hand Made Oil Reproduction

      Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

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      Total Price

      $ 269

      Self Portrait (9)

      Reproduction Medium

      Reproduction Size

      -

      Total Price

      $ 269

      Quick Facts

      • Title: Self-Portrait
      • Movement: Post-Impressionism
      • Location: Private Collection
      • Year: 1862
      • Medium: Oil on canvas

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      Paul Cézanne’s ‘Self-Portrait with Beard’ was painted in which artistic movement?
      Question 2:
      The painting ‘Self-Portrait with Beard’ primarily utilizes which technique?
      Question 3:
      What is a key characteristic of Cézanne’s approach to depicting form in this work?
      Question 4:
      In what year was ‘Self-Portrait with Beard’ created?
      Question 5:
      The subject's attire in ‘Self-Portrait with Beard’ reflects which aspect of the artist’s life?

      A Window into the Soul: Examining Cézanne’s ‘Self Portrait’

      Paul Cézanne's “Self Portrait” of 1862 is more than a simple likeness; it’s a pivotal moment in art history, a hesitant yet resolute declaration of an artist forging his own path. Painted during a period of intense experimentation and self-discovery for the young painter, this work offers a rare glimpse into the burgeoning artistic vision that would eventually revolutionize painting itself. The portrait isn't polished or idealized; rather, it possesses a raw honesty that immediately draws the viewer in, inviting contemplation about the artist’s inner world.

      Paul Cézanne Self Portrait (9)

      (Placeholder image - Replace with an actual image of the artwork)

      The Impressionist’s Precursor: Style and Technique

      While often considered a precursor to Post-Impressionism, “Self Portrait” reveals Cézanne's early engagement with the core tenets of Impressionism. The brushstrokes are visible, capturing a fleeting moment in time – a characteristic of the movement focused on depicting light and atmosphere. However, unlike the purely optical concerns of many Impressionists, Cézanne immediately begins to manipulate form and perspective. Note the deliberate flattening of space; he doesn’t attempt a traditional illusionistic depth, instead prioritizing the representation of volume through color and texture. The use of oil paint is masterful, layering thick impasto in areas – particularly around the face and hands – creating a tactile quality that adds to the portrait's intensity. The dark suit and tie, meticulously rendered, provide a stark contrast against the softer tones of his skin, further emphasizing his features.

      A Symbol of Ambition and Uncertainty

      Painted in 1862, this self-portrait reflects a crucial juncture in Cézanne’s life. He was grappling with conflicting desires – his father's expectations for him to pursue a legal career versus his burgeoning passion for art. The serious expression on his face, the formal attire, and the confident gaze all speak of ambition and determination, yet there’s also an undeniable sense of vulnerability. The meticulous detail in his clothing can be interpreted as a conscious effort to project an image of professionalism and seriousness, perhaps even a defense against criticism or doubt. The bow tie, a small but significant element, adds a touch of formality and self-awareness.

      Historical Context: A World on the Brink

      Cézanne’s “Self Portrait” was created during a period of immense social and artistic change in France. The Industrial Revolution was transforming society, while artists were increasingly rejecting academic traditions and seeking new ways to represent reality. Impressionism, with its focus on capturing fleeting moments and subjective experiences, was challenging the established norms of the Salon. Cézanne’s early experimentation with these ideas – evident here – positioned him at the forefront of this artistic revolution, laying the groundwork for movements like Cubism that would profoundly impact 20th-century art.

      Emotional Resonance: A Portrait of Introspection

      Ultimately, “Self Portrait” transcends a simple depiction of an individual. It’s a powerful meditation on identity, ambition, and the struggle to find one's place in the world. The portrait’s enduring appeal lies in its ability to evoke empathy and invite viewers to contemplate their own experiences of self-discovery. It is a testament to Cézanne’s early courage – his willingness to challenge convention and pursue his artistic vision with unwavering conviction, a quality that would define his extraordinary career.

      Questions & Answers

      What style does "Self Portrait (9)" belong to?

      "Self Portrait (9)" is a work of Post-Impressionism. The movement indicates the artistic tradition the work is part of.

      What mood would "Self Portrait (9)" bring to a space?

      "Self Portrait (9)" by Paul Cézanne has an elegant atmosphere and is recommended for a living room. The mood is what the work brings to the space around it.

      Which room is "Self Portrait (9)" by Paul Cézanne recommended for?

      A reproduction of "Self Portrait (9)" fits well in a living room.


      Artist Biography

      The Architect of Form

      Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.

      The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.

      A New Way of Seeing

      Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.

      His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.

      • The Bathers (Les Grandes Baigneuses)
      • Mont Sainte-Victoire series
      • Still Life with Apples and a Pot of Primroses
      • Portrait of Émile Zola
      • The Card Players

      A Lasting Influence

      By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.

      Paul Cézanne

      Paul Cézanne

      1839 - 1906 , France

      Quick Facts

      • Artistic Movement Or Style: Post-Impressionism
      • Artists Or Movements Influenced By This Artist:
        • Cubism
        • Fauvism
        • Pablo Picasso
        • Henri Matisse
      • Artists Who Influenced This Artist:
        • Paul Gauguin
        • Georges Seurat
      • Full Name: Paul Cézanne
      • Nationality: French
      • Notable Artworks:
        • The Pond at Jas de Bouffan
        • Portrait of Émile Zola
        • Mont Sainte-Victoire series
        • Bathers
      • Place Of Birth: Aix-en-Provence, France
      • Date Of Birth: 1839
      • Date Of Death: 1906
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