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StatsThe Smoker
Acrylic On Canvas- WallArt
- Post-Impressionist
1890
90.0 x 72.0 cm
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Post-Impressionist master Paul Cezanne bridged Impressionism and Cubism with Mont Sainte-Victoire. Explore his revolutionary works today.
Giclée / Art Print
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The Smoker
Giclée / Art Print
Reproduction Size
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Total Price
$ 70
The Smoker
Paul Cézanne's The Smoker is a captivating oil on canvas painting that exemplifies the artist’s unique style and contribution to the Post-Impressionist movement. Created in 1890, this work measures 90 x 72 cm and is currently housed at The State Hermitage Museum in Russia.A Profound Scene of Contemplation
The painting depicts a bearded man smoking a pipe, seated in front of a table adorned with apples, a bottle, and two wine glasses. A chair is positioned behind him, adding depth to the composition. The subject’s hands are clasped under his chin, conveying a sense of introspection and calmness. This seemingly simple tableau holds immense significance—it's not merely an observation of everyday life but a deliberate exploration of stillness and contemplation. Cézanne masterfully captures this mood through careful positioning and subtle tonal variations, inviting the viewer to share in the man’s quiet reverie.Artistic Influences and Style
Cézanne’s early influences included Romanticism and Realism, evident in works like the murals at Jas de Bouffan. However, he later developed a distinctive style by scrutinizing Impressionist techniques and incorporating elements of Cubism. This transition is reflected in The Smoker, where Cézanne’s use of bold colors and geometric forms creates a sense of structure and harmony. He rejected Impressionism's fleeting effects of light and color in favor of a more enduring representation of form—a revolutionary step that would reshape the landscape of modern art. The painting’s palette is dominated by earthy tones, punctuated by splashes of crimson and ochre, mirroring Cézanne’s fascination with geological strata and his desire to depict objects as they exist beneath the surface of perception.Post-Impressionist Movement
As a pioneering figure in Post-Impressionism, Cézanne played a crucial role in bridging the gap between 19th-century Impressionism and 20th-century Cubism. His innovative approach to art paved the way for future avant-garde movements, including Fauvism and German Expressionism. He didn’t aim to reproduce reality faithfully but rather to distill its essence—to capture the underlying structure of objects and convey their emotional impact. Cézanne's method involved layering brushstrokes to build up surfaces and creating a palpable sense of volume, anticipating the fragmentation characteristic of Cubist art.Relevance and Legacy
The Smoker is a testament to Cézanne’s enduring influence on modern art. The painting's themes of contemplation and everyday life continue to resonate with audiences today. For those interested in exploring more of Cézanne’s works, Still Life with Curtain and Flowered Pitcher is another notable piece by the artist—a similarly masterful depiction of domestic tranquility imbued with Cézanne’s signature geometric precision.- The Smoker by Paul Cézanne
- Smoker by Paul Cézanne
- Vincent van Gogh
Questions & Answers
What color leads the composition of "The Smoker" by Paul Cézanne?
espresso (#605934) is the leading color of "The Smoker" by Paul Cézanne.
Is there a factsheet about "The Smoker" by Paul Cézanne for students?
The Guide page of "The Smoker" by Paul Cézanne offers a printable two-sheet factsheet: the artwork with its identity table, a decade band placing it in the artist's lifetime, other works by the artist, the measured color palette, and ready-to-copy citations in four styles.
Is "The Smoker" by Paul Cézanne in the public domain, and why?
"The Smoker" by Paul Cézanne is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Paul Cézanne died in 1906.
Related Artworks
Artist Biography
The Architect of Form
Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.
The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.
A New Way of Seeing
Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.
His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.
- The Bathers (Les Grandes Baigneuses)
- Mont Sainte-Victoire series
- Still Life with Apples and a Pot of Primroses
- Portrait of Émile Zola
- The Card Players
A Lasting Influence
By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.
Paul Cézanne
1839 - 1906 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism
- Artists Or Movements Influenced By This Artist:
- Cubism
- Fauvism
- Pablo Picasso
- Henri Matisse
- Artists Who Influenced This Artist:
- Paul Gauguin
- Georges Seurat
- Full Name: Paul Cézanne
- Nationality: French
- Notable Artworks:
- The Pond at Jas de Bouffan
- Portrait of Émile Zola
- Mont Sainte-Victoire series
- Bathers
- Place Of Birth: Aix-en-Provence, France
- Date Of Birth: 1839
- Date Of Death: 1906
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