Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print
Switch to Digital Image)
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.
Shipped in a protective tube, ready for your own framer.
Above 105 cm the frame is shipped as a kit for a professional framer — read the details.
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (2 November). No compromise on quality.
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
An influential American portrait painter and etcher known for his delicate Victorian-era works like Portrait of Mrs. J. Coleman Drayton, his masterful use of light invites you to discover the elegance of his classic style.
Stephen James Ferris's etching, “Mrs. Philip Nicklin,” stands as a testament to the enduring influence of Gilbert Stuart—a figure whose portraiture style captivated the Victorian era and continues to inspire artists today. Executed sometime after 1880, this artwork captures Julianna Chew’s likeness with remarkable precision and sensitivity, embodying the aesthetic ideals prevalent during Queen Victoria's reign.
Ferris skillfully employs etching techniques, utilizing acid resistance on a copper plate to transfer tonal variations onto paper. This process allows for nuanced shading and texture, mirroring Stuart’s masterful manipulation of light and shadow—a hallmark of his approach to portraiture. The resulting print showcases exceptional clarity and depth, reflecting the artist's dedication to capturing the essence of his subject.
Gilbert Stuart's portraits dominated the American art scene during the mid-19th century, establishing him as the foremost portraitist of his time. Stuart championed a humanist ideal—celebrating dignity and character rather than superficial beauty—a philosophy that profoundly influenced subsequent artists like Ferris. “Mrs. Nicklin” embodies this legacy, presenting Chew not merely as an individual but as a woman imbued with grace and intellect.
Provenance: The artwork originates from the National Gallery of Art’s collection, transferred in 1971. It represents a significant contribution to American art history."Mrs. Philip Nicklin" transcends its formal representation, conveying an atmosphere of quiet contemplation and understated elegance. Ferris's meticulous rendering captures Chew’s gaze—a subtle expression of inner reflection—inviting viewers to contemplate the complexities of human experience. Like Stuart before him, Ferris elevates portraiture beyond mere likeness, transforming it into a vehicle for exploring themes of identity and social standing.
Within the Impressionist Landscape movement, "Mrs. Philip Nicklin" has a recognized popularity level.
"Mrs. Philip Nicklin" depicts scottish landscape, woman portrait, etching technique, romantic era, figure composition, light & atmosphere, detailed rendering, while Stephen James Ferris's recorded themes are romanticism’s landscape vision, stuart influence, dignity, detailed observation style, scottish tradition echoes, portrait mastery skill. Comparing the two shows how the work relates to the artist's usual subjects.
"Mrs. Philip Nicklin" by Stephen James Ferris is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.
1835 - 1915, United States of America
Stephen James Ferris stands as a distinguished figure in the landscape of American art, particularly within the vibrant artistic community of Philadelphia. An influential painter and etcher, his work is characterized by a profound dedication to portraiture and figure studies. His artistic journey was shaped by rigorous training, having studied at the Pennsylvania Academy and later refining his craft in Paris under the guidance of Jean Leon Gerome. This exposure to European traditions allowed him to bring a sophisticated level of technical mastery back to the United States, where he established a considerable reputation for his ability to capture both the physical likeness and the inner character of his subjects.
The essence of Ferris's work often lies in its delicate execution and its connection to the aesthetic ideals of his era. As an etcher, he possessed a remarkable ability to manipulate light and shadow, utilizing techniques such as multi-plate etching on copper to achieve complex tonal gradations. His etchings, such as the Portrait of Mrs. J. Coleman Drayton, demonstrate a masterful command of texture and atmosphere, echoing the subtle influences of Impressionism while maintaining a sense of Victorian elegance. Through his meticulous use of acid resistance and fine lines, he could render the soft glow of skin or the intricate details of floral arrangements with an almost poetic sensitivity.
The development of Ferris's style was deeply intertwined with the masters who preceded him. In his portraiture, one can observe a profound reverence for the legacy of Gilbert Stuart, particularly in his pursuit of idealized realism. Much like Stuart, Ferris sought to transcend mere superficial likeness, aiming instead to imbue his subjects with a sense of dignity and grace. This approach is evident in works like Mrs. Philip Nicklin, where the artist employs precise etching techniques to capture a subject that feels both present and timeless, embodying the refined aesthetic values prevalent during the reign of Queen Victoria.
Beyond his technical skill, Ferris's life was deeply embedded in the fabric of the American art world. His contributions extended beyond the studio; for many years, he shared his expertise as a teacher at the Philadelphia School of Design for Women. This role as an educator highlights his commitment to the continuity of artistic excellence and his broader interest in the cultivation of design and fine art. His work remains a significant contribution to American art history, preserved in esteemed institutions such as the Smithsonian American Art Museum and the National Gallery of Art, serving as a testament to his enduring impact on the portraiture tradition.
Total