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Student Artwork Guide

Night in Saint-Cloud

Name Class Date

Edvard Munch, Night in Saint-Cloud (1893). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edvard Munch topimpressionists.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1893
Medium
Oil On Canvas
Original size
70 x 57 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
19th Century
Artistic style
Impressionism
Influences
Van Gogh
Notable elements or techniques
Vertical perspective, Evocative light effects
Subject or theme
Interior scene, isolation

In context

Night in Saint-Cloud — Edvard Munch

How big is it?

The original measures 70 × 57 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Painted when the artist was 30. The artist lived to 81. 72 of the 410 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1893 every dated painting, decade by decade

First works: up to 1893 Main working years: 1893–1908 Late works: from 1908

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • The Scream, 1893 topimpressionists.com/en/art/edvard-munch-the-scream-8XXU48-en/
  • Melancholy, 1894 topimpressionists.com/en/art/edvard-munch-melancholy-8XXU3N-en/
  • Madonna, 1894 topimpressionists.com/en/art/edvard-munch-madonna-8YDETZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/edvard-munch-night-in-saint-cloud-D3HHKN-en/

Colours

Measured from the image

    Main colour

    Walnut #715137

    Catalogued palette

    • #715137
    • #94968B
    • #59626B
    • #3B424A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edvard Munch over the last twelve months — 87 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 24.4%
    2. 2 Spain 14.4%
    3. 3 France 8.7%
    4. 4 United States of America 5.9%
    5. 5 Singapore 4.2%
    6. 6 Hong Kong 4.1%
    7. 7 Italy 3.6%
    8. 8 Brazil 3.2%
    9. 9 Japan 2.4%
    10. 10 Germany 1.8%
    11. · 77 other countries 27.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Edvard Munch

    1. 1 The Scream, 1893 27.8%
    2. 2 Madonna, 1894 7.9%
    3. 3 Melancholy, 1894 6.8%
    4. 4 Near the bed of death (fever), 1915 2.0%
    5. 5 The Child and Death, 1899 1.8%
    6. 6 Kiss, 1897 1.3%
    7. 7 Ashes, 1894 1.1%
    8. 8 Girls on the Pier, 1904 1.0%
    9. 9 The Day After, 1895 1.0%
    10. 10 Christmas in the Brothel, 1905 0.9%
    11. 11 Jealousy, 1895 0.9%
    12. 12 The Dance of Life, 1899 0.7%
    13. 13 The Girls on the Bridge, 1901 0.7%
    14. 14 Madonna, 1894 0.7%
    15. 15 Self-Portrait, 1895 0.5%
    16. 16 Man and Woman I, 1905 0.5%
    17. 17 Cree (casein on cardboard) 2, 1893 0.5%
    18. 18 Jealousy, 1907 0.5%
    19. 19 To the Forest, 1897 0.4%
    20. 186 Night in Saint-Cloud, 1893 this painting 0.1%

    Together these works take 57.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 629 works by this artist, of which 476 were looked at at least once. This painting ranks 186 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Night in Saint-Cloud — Edvard Munch

    Night in Saint-Cloud: A Glimpse into Munch's Melancholy

    Edvard Munch’s Night in Saint-Cloud, painted in 1893, is more than just a depiction of an interior scene; it's a profound exploration of solitude, introspection, and the lingering weight of loss. This evocative oil painting, created during a period of personal turmoil for the artist, offers viewers a window into Munch’s inner world, rendered with his signature expressive style.

    Subject & Composition: A Nocturnal Encounter

    The artwork portrays a dimly lit interior, likely a hallway or corridor viewed through a window in a Parisian suburb. The scene is dominated by the verticality of the wall and window frame, contrasted by horizontal lines of the floor and receding passage. A solitary figure, silhouetted against the moonlight, stands within the room – believed to be Danish poet Emanuel Goldstein posing for Munch. This enigmatic presence adds an air of mystery and intrigue to the composition. The perspective is skillfully employed to create a sense of depth, drawing the viewer into the space beyond the window while simultaneously emphasizing the isolation of the figure.

    Style & Technique: Expressionism's Emerging Voice

    Night in Saint-Cloud exemplifies Munch’s burgeoning expressionistic style. Departing from strict representational accuracy, Munch prioritizes conveying emotion and atmosphere over precise detail. The color palette is deliberately muted – a blend of blues, grays, and browns – contributing to the painting's overall feeling of stillness and melancholy. Loose, expressive brushstrokes are evident throughout, eschewing sharp outlines in favor of an atmospheric quality. The use of impasto—thickly applied paint—around the window frame and wall adds physicality and texture, enhancing the immersive experience for the viewer. The lighting is minimal, with a strong vertical beam emanating from the window, casting dramatic shadows that further amplify the sense of isolation.

    Historical Context & Symbolism: Grief and Introspection

    Painted in Berlin in 1893, this version of Night in Saint-Cloud was created during a period when Munch frequently depicted nocturnal window scenes. The painting’s creation coincided with a time of personal grief for the artist; it followed closely on the heels of his father's death and reflected a broader sense of melancholy that permeated his life at the time. The figure silhouetted in the moonlight can be interpreted as representing introspection, perhaps even a symbolic representation of Munch himself grappling with loss and existential questions. The window itself acts as a barrier between the interior world – the realm of personal emotions and memories – and the exterior world, suggesting themes of isolation and longing.

    Emotional Impact & Legacy: A Timeless Reflection

    Night in Saint-Cloud resonates deeply with viewers due to its ability to evoke a profound sense of melancholy and introspection. The painting’s quiet intensity invites contemplation on themes of solitude, loss, and the human condition. Munch's masterful use of color, light, and composition creates an atmosphere that is both haunting and beautiful, solidifying its place as a significant work within the Expressionist movement and a testament to Munch's enduring artistic legacy.

    About Edvard Munch

    Birth Year: 1863

    Death Year: 1944

    Birth City: Adelsbruk

    Birth Country: Sweden

    Edvard Munch: Life and Legacy

    Edvard Munch was born on December 12, 1863, in Adelsbruk, Sweden, though he spent most of his life in Norway. His childhood was profoundly shaped by tragedy and instability. The early loss of his mother to tuberculosis when he was five years old, followed by the death of his favorite sister Sophie from the same disease nine years later, left an indelible mark on Munch’s psyche. He also battled a lifelong fear of inheriting the familial mental illness that plagued his father. These experiences instilled in him a deep preoccupation with mortality, sickness, and psychological distress – themes that would dominate his artistic output.

    Munch's early education at the Royal School of Art and Design in Kristiania (now Oslo) proved pivotal. There, he encountered nihilist philosopher Hans Jæger, who encouraged Munch to explore his inner turmoil and express it through art, rejecting conventional artistic norms.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shaped by Loss

    Edvard Munch arrived in the world in 1863, born into the stark landscapes of Norway. His early years were defined by a heavy presence of grief that would later find its way onto his canvases. The deaths of his mother and his sister, Sophie, both taken by tuberculosis, left a deep mark on his young mind. These losses created a preoccupation with mortality and the fragility of life that stayed with him forever. He grew up in a household where the shadows of sickness were never far away.

    His father, Christian, was a physician who struggled with intense religious devotion and mental instability. This atmosphere of dread and the vivid ghost stories told in his childhood helped shape his later visions. Munch did not merely paint what he saw; he sought to externalize his internal state. He called this approach soul painting. It was a way to translate psychological distress into visual form, using the colors and shapes of his own experience.

    The Path to Expressionism

    Munch began his formal studies at the Royal School of Art and Design in Kristiania, which is now known as Oslo. During this time, he moved within bohemian circles that challenged the strict rules of academic art. A significant influence was Hans Jæger, a nihilist who encouraged Munch to abandon conventional styles and instead focus on his own subjective emotions. This shift led him toward the development of Expressionism.

    Travels through Europe brought new perspectives to his work. In Paris, he encountered the techniques of artists like Paul Gauguin and Vincent van Gogh, particularly their use of color. In Berlin, his connections with figures such as August Strindberg further pushed his investigations into psychological themes. He began to move away from naturalistic representation, opting instead for distorted forms and rhythmic lines that could communicate the tremors of human existence.

    Themes and Lasting Impact

    Much of his work belongs to a series he called The Frieze of Life, where he explored the recurring cycles of love, fear, death, and anxiety. Some of his most recognized paintings include:

    The Scream: A work from 1893 that uses swirling, fiery landscapes to represent existential dread.

    Madonna: A piece that explores themes of sexuality and mortality.

    The Sick Child: A poignant reminder of the loss of his sister.

    Puberty: An exploration of the physical and psychological changes of youth.

    Munch was a highly active printmaker, using techniques like etching, lithography, and woodcut to expand his reach. He possessed over one thousand paintings at the time of his death in 1944. His ability to confront the darker aspects of the human condition helped pave the way for later movements like German Expressionism. Today, much of his legacy is preserved in the Munch Museum in Oslo, where his work continues to speak to the complexities of the human psyche.

    Where to read more

    Find this online

    QR code linking to the download page for Night in Saint-Cloud

    topimpressionists.com/en/art/download/edvard-munch-night-in-saint-cloud-D3HHKN-en/

    Cite this artwork

    MLA
    Munch, Edvard. Night in Saint-Cloud. 1893, https://topimpressionists.com/en/art/edvard-munch-night-in-saint-cloud-D3HHKN-en/
    APA
    Munch, Edvard (1893). Night in Saint-Cloud [Painting]. https://topimpressionists.com/en/art/edvard-munch-night-in-saint-cloud-D3HHKN-en/
    Chicago
    Edvard Munch. Night in Saint-Cloud. 1893. https://topimpressionists.com/en/art/edvard-munch-night-in-saint-cloud-D3HHKN-en/
    Harvard
    Munch, Edvard (1893) Night in Saint-Cloud. Available at: https://topimpressionists.com/en/art/edvard-munch-night-in-saint-cloud-D3HHKN-en/

    Look closely

    Night in Saint-Cloud — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: interior, nocturnal, window. Do you agree? What would you add, or take away?
    4. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Night in Saint-Cloud — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What year was the version of 'Night in Saint-Cloud' described in this information painted?

      • A 1890
      • B 1893
      • C 1900
    2. 2. According to the description, who posed for the figure silhouetted in the moonlight?

      • A Edvard Munch's father
      • B Emanuel Goldstein
      • C Hans Jæger
    3. 3. What is a dominant characteristic of the color palette used in 'Night in Saint-Cloud'?

      • A Vibrant and warm hues
      • B Cool and muted tones
      • C Bold primary colors
    4. 4. Which artistic movement is 'Night in Saint-Cloud' most closely associated with, based on its focus on atmosphere and fleeting moments?

      • A Realism
      • B Impressionism
      • C Cubism
    5. 5. What is suggested about the scene symbolically?

      • A Celebration of life
      • B Isolation, introspection, or a journey into the unknown
      • C A bustling social gathering

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How does "Night in Saint-Cloud" by Edvard Munch connect Expressionism to the artist's home country?

    The Expressionism work "Night in Saint-Cloud" was made by an artist born in Sweden.

    How does the subject of "Night in Saint-Cloud" relate to Edvard Munch's usual themes?

    Edvard Munch's recurring themes include post-impressionism (van gogh), trompe-l'oeil techniques, influence of old masters, part of nocturnal window scenes series, repeated motif in munch’s work, exploration of inner turmoil, reflects themes of anxiety & death, melancholy and introspection; "Night in Saint-Cloud" focuses on interior, nocturnal, window, melancholy, light, perspective, silhouette, atmosphere.

    Which room is "Night in Saint-Cloud" by Edvard Munch recommended for, given its colors?

    Considering its earthy colors, "Night in Saint-Cloud" is suggested for a living room.