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Student Artwork Guide

An acrobat

Moïse Kisling, 1919

Name Class Date
Moïse Kisling, An acrobat (1919). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Moïse Kisling topimpressionists.com/en/artists/moise-kisling/
Artist’s dates
1891 – 1953
Painted
1919
Medium
Oil On Canvas
Original size
54 x 64 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Period
Modern
Artistic style
Post-Impressionism
Influences
Vincent Van Gogh, Edvard Munch
Notable elements or techniques
Bold colors and expressive brushstrokes
Subject or theme
Portrait of a woman on a red couch

Copyright This work is in the public domain. Moïse Kisling died in 1953; copyright lasts 70 years after the artist’s death, so it ended in 2023.

Source: TopImpressionists.com — accessed Sept. 27, 2026

An acrobat — Moïse Kisling Part 1 · The artwork

In context

An acrobat — Moïse Kisling

How big is it?

The original measures 54 × 64 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Painted when the artist was 28. The artist lived to 62. 9 of the 43 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Moïse Kisling (1891–1953) ▲ this work, 1919 every dated painting, decade by decade

First works: up to 1920 Main working years: 1920–1942 Late works: from 1942

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/moise-kisling-an-acrobat-8XYKT6-en/

Colours

Measured from the image

    Main colour

    Bronze #cc7523

    Catalogued palette

    • #CC7523
    • #853921
    • #331A16
    • #B93F23

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Vivid Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Moïse Kisling over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 85.3%
    2. 2 Singapore 5.9%
    3. 3 United States of America 5.9%
    4. 4 France 2.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Moïse Kisling

    1. 1 Still Life with News Paper [Nature Morte au Journal], 1913 5.7%
    2. 2 Kiki de Montparnasse, 1927 5.7%
    3. 3 untitled (560) 5.7%
    4. 4 untitled (3369) 5.7%
    5. 5 Mimosas, 1952 2.9%
    6. 6 Portrait of Mrs. Renée Kisling [Portrait de Madame Renée Kisling], 1920 2.9%
    7. 7 Portrait of Renee Kisling 2.9%
    8. 8 Portrait of Marcel Chantal, 1935 2.9%
    9. 9 Bust of blonde girl, 1948 2.9%
    10. 10 Renee Kisling, 1928 2.9%
    11. 11 Tyniec, 1912 2.9%
    12. 12 Grand bouquet of tulips, 1952 2.9%
    13. 13 Portrait of Madeleine Sologne, 1936 2.9%
    14. 14 Lying nude, 1927 2.9%
    15. 15 Female portrait 2.9%
    16. 16 not identified, 1913 2.9%
    17. 17 The hands 2.9%
    18. 18 not identified, 1952 2.9%
    19. 19 not identified, 1948 2.9%
    20. — An acrobat, 1919 this painting 0.0%

    Together these works take 66.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 142 works by this artist, of which 31 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: TopImpressionists.com — accessed Sept. 27, 2026

    An acrobat — Moïse Kisling Part 2 · In context

    About this artwork

    An acrobat — Moïse Kisling

    A Poetic Encounter with Post-Impressionism

    In the evocative masterpiece "An Acrobat," painted in 1919 by the Polish-born French virtuoso Moïse Kisling, we are invited into a moment of profound stillness amidst the vibrant energy of the early twentieth century. This oil on canvas, measuring an intimate 54 x 64 cm, serves as a window into the soul of Post-Impressionism. The painting captures a woman seated upon a rich, red couch, her legs crossed in a posture that suggests both grace and deep contemplation. Her pensive expression draws the viewer into her internal world, creating an immediate emotional resonance that transcends the mere depiction of a figure. As she rests against the warmth of a golden-yellow background, the composition achieves a delicate balance between the physical presence of the subject and the psychological depth of her silent reflection.

    The artistry of Kisling is masterfully displayed through his use of bold colors and expressive brushstrokes, hallmarks of the École de Paris movement. The interplay between the deep crimson of the couch and the sun-drenched yellow of the wall creates a chromatic tension that breathes life into the scene. This technique does more than just define shapes; it imbues the atmosphere with a palpable warmth, making the canvas feel less like a static image and more like a living, breathing memory. The subtle presence of partially obscured figures in the periphery adds layers of narrative complexity, suggesting a larger, bustling world that exists just beyond the frame of this intimate portrait.

    The Legacy of the École de Paris

    To understand "An Acrobat" is to understand the vibrant, bohemian spirit of Montmartre during the interwar period. Moïse Kisling, having traveled from the Krakow Academy of Fine Arts to the heart of Paris, became a vital part of a community that redefined modern art. His work sits in a fascinating lineage alongside masters like Vincent Van Gogh and Edvard Munch, sharing their ability to use color as a vehicle for emotion rather than mere representation. While Van Gogh might use swirling strokes to convey turbulence, Kisling utilizes structured yet expressive applications of paint to create a sense of poised, modern elegance.

    For the discerning collector or interior designer, this painting offers much more than aesthetic beauty; it provides a historical anchor. The piece embodies the transition from the classical traditions of the 19th century to the avant-garde explorations of the 20th. Its presence in a curated space brings an air of sophisticated intellect and timelessness. Whether placed in a contemporary gallery setting or a classic study, the painting’s ability to evoke nostalgia and curiosity makes it a centerpiece of enduring value.

    A Timeless Addition to the Modern Collection

    Investing in a high-quality reproduction of "An Acrobat" allows one to possess a fragment of art history. These hand-painted oil reproductions are meticulously crafted to honor Kisling's original technique, ensuring that every expressive stroke and every nuanced shade of red and gold is preserved with fidelity. For those seeking to inspire guests or create a sanctuary of thought within their homes, this artwork serves as a perfect focal point.

    The emotional impact of the piece lies in its duality: it is both a striking visual spectacle and a quiet, meditative companion. It invites the viewer to pause, much like the subject herself, and find beauty in the pensive moments of life. As an element of interior decoration, it bridges the gap between historical significance and modern stylistic elegance, making it an essential acquisition for anyone passionate about the enduring power of Post-Impressionist mastery.

    Source: TopImpressionists.com — accessed Sept. 27, 2026

    An acrobat — Moïse Kisling Part 3 · About this artwork

    Artist and museum

    Artist

    Moïse Kisling

    Born in Krakow, Croatia

    A Life Forged in Transition

    Moïse Kisling, born Mojżesz Kisling in 1891 Kraków, a city then pulsating within the Austro-Hungarian Empire, was an artist whose life mirrored the tumultuous currents of the early twentieth century. From his earliest days, a clear artistic sensibility bloomed, leading him to enroll at the Krakow Academy of Fine Arts at just fifteen years old. Mentored by Józef Pankiewicz, he received encouragement to seek inspiration in Paris – a city already establishing itself as the epicenter of modern art. In 1910, Kisling embarked on this pivotal journey, immersing himself within Montmartre’s vibrant artistic community and forging connections with fellow émigrés and avant-garde thinkers. This initial period was formative, exposing him to a multitude of styles that would subtly shape his own unique voice. He wasn't merely absorbing influences; he was beginning a lifelong process of synthesis and innovation. The bohemian atmosphere of Montmartre, with its shared studios and fervent debates, proved an ideal crucible for the young artist’s developing talent.

    The Shaping of a Style: Between Cubism and Expression

    Kisling’s artistic development wasn't defined by rigid adherence to any single school, but rather by a fluid exploration of diverse influences. Early works hinted at the structural innovations of Paul Cézanne and the bold chromaticism of André Derain, with subtle Cubist tendencies emerging – as evidenced in pieces like Portrait of Andre Salmon (1912). However, the outbreak of World War I proved a turning point. As Europe descended into chaos, Kisling’s style underwent a significant shift towards Expressionism. This manifested in bolder colors, more expressive brushwork, and an increasing focus on emotional intensity. He developed a distinctive approach that balanced precise draftsmanship with a vibrant palette, often depicting the human form with clarity and grace. The elegance of rounded forms became a hallmark of his work, frequently echoing the influence of Amedeo Modigliani – a close friend whose elongated necks, almond-shaped eyes, and delicately rendered lips resonated within Kisling’s own portraits. Yet, he infused these characteristics with a unique sensibility, mastering the manipulation of light and shadow to create intricate contrasts that brought his figures to life with remarkable depth and nuance. This period wasn't simply about adopting a new style; it was about finding a visual language capable of conveying the anxieties and uncertainties of a world at war.

    Recognition Amidst War and Exile

    Despite the disruptions of war, Kisling steadily gained recognition within the Parisian art world. A pivotal moment arrived in 1919 with an exhibition at Galerie Druet, which showcased his evolving style and garnered critical attention. His talent did not go unnoticed by collectors; in 1923, Albert Barnes acquired several of his paintings, a testament to their quality and artistic merit. Kisling became a central figure within the Parisian art scene, known for hosting weekly lunches that brought together a diverse array of creatives – writers, poets, painters, and sculptors – fostering an atmosphere of intellectual exchange and collaboration. His service in the French Foreign Legion during World War I, culminating in wounds sustained at the Battle of the Somme and subsequent French citizenship in 1915, underscored his commitment to his adopted homeland. This experience profoundly impacted him, shaping not only his personal identity but also informing the emotional depth present within his art. The looming shadow of World War II forced Kisling into exile. He emigrated to the United States, exhibiting his work in New York City and Washington D.C., seeking refuge from the escalating persecution in Europe. This period of displacement was undoubtedly challenging, yet it allowed him to connect with a new audience and further refine his artistic vision.

    A Lasting Legacy: The School of Paris and Beyond

    Following the war’s conclusion, Kisling returned to France in 1946, settling in Sanary-sur-Mer where he continued to paint until his death in 1953. A residential street in Sanary-sur-Mer now bears his name, a lasting tribute to his contribution to the local community and the art world at large. Kisling’s work embodies the spirit of Post-Impressionism and early Expressionism, contributing significantly to the vibrant tapestry of the School of Paris – a diverse collective of artists who collectively reshaped modern art. His innovative style, characterized by its unique blend of precision and emotional intensity, continues to inspire artists and captivate audiences today. Large Nude Josan on Red Couch, painted in 1953, stands as a powerful example of his mature style – a sensual masterpiece showcasing vibrant colors and expressive brushwork. The Musée du Petit Palais in Geneva holds the largest collection of his works, serving as a testament to his enduring legacy and artistic vision. Moïse Kisling’s paintings remain powerful reminders of a pivotal era in art history, reflecting both the beauty and the anxieties of a world in transition – a world he navigated with courage, sensitivity, and an unwavering dedication to his craft. His ability to synthesize diverse influences into a uniquely personal style ensures his place as a significant figure within the canon of modern art.

    Key Characteristics & Influences

    Influences: Paul Cézanne, André Derain, Amedeo Modigliani, Marc Chagall.

    Style: A blend of Post-Impressionism and Expressionism, characterized by vibrant colors, expressive brushwork, and a focus on the human form.

    Subjects: Portraits (often featuring elongated figures reminiscent of Modigliani), nudes, landscapes.

    Technique: Masterful manipulation of light and shadow to create depth and nuance; balanced draftsmanship with a vibrant palette.

    Historical Context: A life deeply impacted by the political and social upheavals of the early 20th century, including both World Wars and the rise of anti-Semitism.

    Where to read more

    Find this online

    QR code linking to the download page for An acrobat

    topimpressionists.com/en/art/download/moise-kisling-an-acrobat-8XYKT6-en/

    Cite this artwork

    MLA
    Kisling, Moïse. An acrobat. 1919, https://topimpressionists.com/en/art/moise-kisling-an-acrobat-8XYKT6-en/
    APA
    Kisling, Moïse (1919). An acrobat [Painting]. https://topimpressionists.com/en/art/moise-kisling-an-acrobat-8XYKT6-en/
    Chicago
    Moïse Kisling. An acrobat. 1919. https://topimpressionists.com/en/art/moise-kisling-an-acrobat-8XYKT6-en/
    Harvard
    Kisling, Moïse (1919) An acrobat. Available at: https://topimpressionists.com/en/art/moise-kisling-an-acrobat-8XYKT6-en/

    Source: TopImpressionists.com — accessed Sept. 27, 2026

    An acrobat — Moïse Kisling Part 4 · Artist and museum

    Look closely

    An acrobat — Moïse Kisling

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, woman, post-impressionism. Do you agree? What would you add, or take away?
    4. Look back at Still Life with News Paper [Nature Morte au Journal] (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: TopImpressionists.com — accessed Sept. 27, 2026

    An acrobat — Moïse Kisling Part 5 · Look closely

    Questions & Answers

    For whom is "An acrobat" by Moïse Kisling a good gift?

    "An acrobat" is suggested for anniversary as a present, with focal in mind.

    How can "An acrobat" by Moïse Kisling be used in home decor?

    "An acrobat" is suggested for focal, and the recommended space is a living room.

    What national origin stands behind the Post-Impressionism of "An acrobat"?

    "An acrobat" was created by Moïse Kisling, born in Croatia, within the Post-Impressionism movement. The artist's origin links the work to Post-Impressionism as practiced by artists from Croatia.