Riverside Gardens, Hammersmith

Victor Pasmore: A Pioneer of British Abstraction

Early Life and Education

• Edwin John Victor Pasmore was born on December 3, 1908, in Chelsham, Surrey.
• He received his early education at Summer Fields School in Oxford and Harrow in West London.
• A turning point came with the death of his father in 1927, forcing him to take an administrative position at the London County Council.
• He pursued painting part-time at the Central School of Art and became associated with the Euston Road School.

Figurative Beginnings and Wartime Experiences

• Initially, Pasmore experimented with abstraction but later adopted a lyrical figurative style.
• His early works often depicted views of the River Thames from Hammersmith, reminiscent of J.M.W. Turner and James McNeill Whistler.
• A strong moral stance: During World War II, Pasmore was a conscientious objector.
• After being refused recognition by his local tribunal, he was called up for military service in 1942. He refused orders and was court-martialed, receiving a 123-day prison sentence.
• He successfully appealed this decision and gained unconditional exemption from military service.

The Shift to Abstraction

• Pasmore’s breakthrough into abstract art occurred around 1947, profoundly influenced by Piet Mondrian and Paul Klee.
• He was inspired by their writings on nature and the creation of dynamic harmony in art, believing it foreshadowed a future societal harmony.
• Key Influences: He also drew inspiration from Ben Nicholson and other artists associated with Circle.
• His abstract work often involved collage and construction of reliefs, pioneering the use of new materials and sometimes reaching large architectural scales.

Major Achievements and Architectural Integration

• Revolutionary Impact: Herbert Read described Pasmore’s new style as “the most revolutionary event in post-war British art.”
• In 1950, he was commissioned to create an abstract mural for a bus depot in Kingston upon Thames.
• He contributed a mural to the Festival of Britain in 1951, showcasing several British constructivists.
• The Apollo Pavilion: In 1955, he became Consulting Director of Architectural Design for Peterlee Development Corporation. The centerpiece of this project was the abstract public art structure, the Apollo Pavilion, which sparked considerable controversy but remains a significant landmark.

International Recognition and Later Life

• Pasmore represented Britain at the 1961 Venice Biennale and participated in Documenta II in Kassel (1959).
• He served as a trustee of the Tate Gallery, donating numerous works to its collection.
• Educational Contributions: He was a leading figure in promoting abstract art and reforming fine art education.
• From 1954 to 1961, he led the art course at King’s College, Durham (Newcastle upon Tyne), developing an influential general art and design course inspired by the Bauhaus.
• He moved to Malta in 1966 and died in Gudja on January 23, 1998, at the age of 89.

Legacy and Historical Significance

• Victor Pasmore’s work marked a turning point in British art, establishing abstraction as a vital force.
• His integration of art and architecture challenged conventional boundaries and influenced subsequent generations of artists and designers.
• The Victor Pasmore Gallery, inaugurated in Malta in 2014, houses a permanent exhibition of his works created during his time there.