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      1926

      Ploughing (Will Evans, 1926)

      Ploughing comes from the hand of Will Evans (1888–1957). It dates from 1926. It measures 102 × 128 cm.

      • 1926
      • 102 × 128 cm
      Ploughing by Will Evans, 1926
      Ploughing by Will Evans, 1926.
      
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      Ploughing at a glance

      Title
      Ploughing
      Artist
      Will Evans (1888–1957)
      Date
      1926
      Dimensions
      102 × 128 cm

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      Ploughing by Will Evans, 1926
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      Credit line

      Will Evans, Ploughing (1926).

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      What you may wonder about Ploughing

      When was "Ploughing" made?

      "Ploughing" dates from 1926. The date places the work within Will Evans's career and its era.

      What are the dimensions of the original "Ploughing" by Will Evans?

      The original "Ploughing" by Will Evans measures 102 x 128 cm.

      Is "Ploughing" by Will Evans in the public domain?

      The copyright answer for "Ploughing" by Will Evans: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

      Which artist is "Ploughing" attributed to?

      "Ploughing" is attributed to Will Evans.

      At what age did Will Evans make "Ploughing"?

      Will Evans was 38 years old when creating "Ploughing" in 1926. The age is computed from the artist's birth year, 1888.

      What explains the copyright situation of "Ploughing" by Will Evans?

      The copyright status of "Ploughing" - still protected by copyright - follows from the artist's death in 1957.

      Will Evans, the painter

      1888–1957

      Will Evans

      The Luminous Legacy of Will Evans In the vast tapestry of twentieth-century landscape art, few threads possess the quiet, evocative strength found in the works of Will Evans (1888–1957). A painter whose vision was deeply rooted in the rugged textures of the British landscape, Evans possessed a rare ability to translate the ephemeral qualities of light and atmosphere into enduring visual poetry. While his name may not carry the global fanfare of the high Impressionists, his contribution to the depiction of the natural world remains a profound testament to the beauty of the local and the sublime. His life’s work serves as a bridge between traditional topographical accuracy and a more modern, emotive interpretation of the environment.

      More light from Will Evans