The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Switch to Digital Image)
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (23 October)
Untitled (21)
Reproduction Size
“Untitled (21),” painted in 1955 by Willem de Kooning, stands as a cornerstone of Abstract Expressionism, embodying the movement's core tenets: spontaneity, emotional intensity, and a rejection of representational conventions. This monumental canvas—measuring approximately 200.7 cm x 175.3 cm—immediately commands attention with its vibrant palette dominated by fiery reds and oranges, punctuated by subtle greens that contribute to an overall sense of dynamism.
“Untitled (21)” emerged against a backdrop of postwar anxieties and intellectual ferment. Following World War II, American artists sought to grapple with trauma and disillusionment through art that prioritized emotion over rational thought. De Kooning’s work aligns perfectly with this ethos, reflecting the psychological complexities inherent in navigating a world scarred by conflict.
As Nicholas Mirzoeff eloquently observes in “How to See the World,” the woman's gaze—implied but not explicitly rendered—suggests an inward focus, mirroring the broader preoccupation with subjectivity during the era. This subtle detail speaks volumes about De Kooning’s artistic ambition: to convey profound emotional resonance without resorting to conventional visual representations.
The color choices – red and orange – are deliberately assertive, conveying passion and vitality. Simultaneously, the green hues introduce a counterpoint of tranquility and growth, hinting at themes of nurturing and resilience. The woman’s embrace of the child symbolizes protection and unconditional love—powerful concepts that resonate across cultures and generations.
"Untitled (21)" continues to captivate viewers with its visceral energy and uncompromising honesty. It stands as a testament to Willem de Kooning’s mastery of abstraction, demonstrating how artistic innovation can transcend mere visual aesthetics to communicate profound emotional truths. Its enduring appeal lies in its ability to provoke contemplation and inspire awe—qualities that define the very essence of great art.
"Untitled (21)" shares with Willem de Kooning's other works its Abstract Expressionism style and the recorded themes: de kooning’s expressionist style, psychological intensity & emotion, bold color, dynamic gestures, exploring female figure symbolism, reflection of artistic dialogue.
Hand-painted copies of "Untitled (21)" by Willem de Kooning are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.
"Untitled (21)" is available as a high-resolution digital image download, purchased directly on its Digital Image page.
1904 - 1997 , Netherlands