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      Limerick Stich (William Henry Bartlett)

      Limerick Stich comes from the hand of William Henry Bartlett (1809–1854).

      Limerick Stich by William Henry Bartlett
      Limerick Stich by William Henry Bartlett. Public domain.
      
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      Limerick Stich at a glance

      Title
      Limerick Stich
      Artist
      William Henry Bartlett (1809–1854)
      Artist born in
      London, United Kingdom

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      Limerick Stich by William Henry Bartlett
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      Public domain: the artist died in 1854.

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      Credit line

      William Henry Bartlett, Limerick Stich. Public domain.

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      What you may wonder about Limerick Stich

      Is "Limerick Stich" by William Henry Bartlett in the public domain?

      "Limerick Stich" by William Henry Bartlett is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

      Which artist is "Limerick Stich" attributed to?

      Why is the copyright status of "Limerick Stich" what it is?

      "Limerick Stich" by William Henry Bartlett is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1854.

      William Henry Bartlett, the painter

      William Henry Bartlett

      1809–1854, United Kingdom

      William Henry Bartlett

      A Topographical Visionary: The Life and Art of William Henry Bartlett Born in the bustling heart of Kentish Town, London, in 1809, William Henry Bartlett embarked on a career that would indelibly mark the landscape of nineteenth-century topographical illustration. His journey began not with brushes and palettes, but as an apprentice to John Britton, a prominent antiquarian and artist whose influence proved foundational. This early immersion into the world of historical documentation and artistic rendering instilled in Bartlett a meticulous attention to detail and a deep appreciation for the stories embedded within architecture and scenery – qualities that would define his life’s work. It was a formative period, shaping not just his technical skills but also his understanding of how art could serve as a powerful vehicle for preserving and communicating history.

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