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      Federico Fiori Barocci

      1535 - 1612

      Quick Facts

      • Museums on APS:
        • The Louvre
        • Art Gallery of South Australia
        • Rijksmuseum
        • Galleria Borghese
        • Albertina
      • Born: 1535, Urbino, Italy
      • Best occasions:
        • statement
        • accent
      • Emotional tone:
        • reflective
        • melancholic
      • Works on APS: 110
      • Nationality: Italy
      • Top-ranked work: Francesco II della Rovere
      • Also known as:
        • Federico Barocci
        • il Baroccio
        • Federico Barochio
        • Federigo Baroccio
        • Federico Barrochio

      Early Life and Training

      • Born: Urbino, Italy (1535)
      • Died: 1612
      • Federico Fiori Barocci, an Italian Renaissance painter and printmaker, was born in 1535 in Urbino, Italy.
      • His original name was Federico Fiori, and he was nicknamed "il Baroccio," which means a two-wheel cart drawn by oxen in northwestern Italian dialects.
      • Barocci received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence.
      • He was then apprenticed with the painter Battista Franco in Urbino. This training laid the foundation for his future success.

      Artistic Career and Influences

      • Barocci's work was highly esteemed and influential, foreshadowing the Baroque style of Peter Paul Rubens.
      • He worked in the pre-eminent studio of Taddeo and Federico Zuccari in Rome, where he was exposed to various artistic influences.
      • His first notable work was a "St. Margaret" executed for the confraternity of the Holy Sacrament.
      • He was invited by Pope Pius IV to assist in the decoration of the Vatican Belvedere Palace at Rome, where he painted the Virgin Mary and infant, with several saints and a ceiling in fresco, representing the Annunciation.
      • Barocci's style was characterized by a mix of Mannerism and Baroque elements.

      Notable Works and Legacy

      • Five Studies of Male Figure and two of His Right Hand and Arm (Uffizi Gallery, Florence, Italy) - A testament to Barocci’s skill in capturing the human form.
      • Composition Study (for “Circumcision”, Paris, Musée du Louvre) – Demonstrates his ability to balance composition and emotion.
      • Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées Royaux des Beaux-Arts de Belgique) - Showcases Barocci's attention to detail and expression.
      • The Nativity (1597 oil painting at the Prado).
      • Madonna del Popolo (Uffizi Gallery, Florence, Italy).
      • The Madonna of the Cat (La Madonna del Gatto)
      • Annunciation (1582)

      Artistic Impact and Followers

      • Barocci's influence can be seen in the work of various artists, including Peter Paul Rubens, who was inspired by Barocci’s dramatic and emotive brushwork.
      • His legacy continues to be celebrated through his numerous works, now housed in museums such as the Uffizi Gallery (Florence, Italy) and the Musée du Louvre (Paris, France).

      Questions & Answers

      Where are Federico Fiori Barocci's artworks mapped by subject?

      The Subject Atlas of Federico Fiori Barocci is a page that maps the artist's artworks by their subjects.

      Is there a chronological account of Federico Fiori Barocci?

      Federico Fiori Barocci's career unfolds period by period on the artist's Chronicle page: a horizontal timeline of the artworks, grouped into career-period chapters.

      Can I browse Federico Fiori Barocci's works by medium?

      To find all works by Federico Fiori Barocci in a given medium, use the artist's All Medium page.

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What was Federico Barocci's nickname, reflecting his origins?
      Question 2:
      Under which artist did Barocci initially receive significant training in Urbino?
      Question 3:
      Which artistic style significantly influenced Federico Barocci's work, foreshadowing later developments in art history?
      Question 4:
      Who was a notable artist inspired by Barocci’s dramatic and emotive brushwork?