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      Moïse Kisling, 1891 – 1953

      Moïse Kisling's 100 Most Famous Paintings

      Still Life with News Paper [Nature Morte au Journal] (1913) is the painting Moïse Kisling is best remembered for; it belongs to the Nagoya City Art Museum, Nagoya. Portrait of Marcel Chantal (1935) and Large red nude (1949) complete the trio of best-loved canvases. Our catalogue counts 149 works by Moïse Kisling. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Moïse Kisling
      Moïse Kisling · 1891 – 1953
      Born · died
      1891 – 1953, Kraków
      Movement
      Post-impressionism
      Works in our catalogue
      149
      Most famous
      Still Life with News Paper [Nature Morte au Journal] (1913)
      Most works at
      Nagoya City Art Museum

      The ten best-loved paintings by Moïse Kisling

      Still Life with News Paper [Nature Morte au Journal] (1913) by Moïse Kisling
      1

      Still Life with News Paper [Nature Morte au Journal]

      1913 · Acrylic On Canvas · Nagoya City Art Museum, Nagoya

      故国ポーランドの美術学校で絵画の基礎を学んだキスリングが初めてパリを訪れたのは1910年、彼が19歳の時だった。同級生の多くがウィーンやミュンヘンへの留学をめざしたこの時期、彼だけは師パンキエヴィッツの教えを守り、「セザンヌとルノワールの国」に向かったのである。しかし彼がパリに到着した1910年、印象派はすでに過去の存在となり、若い芸術家たちの関心はもっぱら新しい美学「キュビスム」に向けられていた。キスリングの作風も瞬く間にその影響を受けることになる。おまけに彼はパリ到着後すぐに、この美学の主導者であるピカソ、ブラックの二人と懇意になり、しばしば制作をともにする機会を持った。だが、キスリングは単なる追随者、模倣者ではなかった。ピカソと共に南仏セレで制作中、あれこれと後輩の絵に注文をつけようとするピカソに対して、キスリングは「これはあくまでも自分の絵だ」と反論する自負を持っていた。 キュビスムの最盛期に描かれたこの作品には、一方でこの画家が終生敬愛したセザンヌの影響も顕著である。瓶が載っている新聞には「GIL B」の文字が見えるが、これはこの新聞の名前「GIL BLAS(ジル・ブラス)」を意味している。この新聞は、1908年のブラックの個展の際、その展評に「キューブ」の言葉を最初に掲載したことにより、美術の歴史にその名を残している。(出典: 名古屋市美術館展示解説カード)

      Moïse Kisling: canvases 11 to 100 of the ranking

      Provence landscape (1918) by Moïse Kisling
      #14

      Provence landscape

      1918

      In Moïse Kisling's Provence landscape, the eye moves through a serene expanse of land that feels alive with the quiet rhythm of the earth. The foreground is anchored…

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      Still Life with News Paper [Nature Morte au Journal] (1913) by Moïse Kisling
      #41

      Still Life with News Paper [Nature Morte au Journal]

      1913 · Nagoya City Art Museum

      故国ポーランドの美術学校で絵画の基礎を学んだキスリングが初めてパリを訪れたのは1910年、彼が19歳の時だった。同級生の多くがウィーンやミュンヘンへの留学をめざしたこの時期、彼だけは師パンキエヴィッツの教えを守り、「セザンヌとルノワールの国」に向かったのである。しかし彼がパリに到着した1910年、印象派はすでに過去の存在となり、若い芸術家たちの関心はもっぱら新しい美学「キュビスム」に向けられていた。キスリングの作風も瞬く間にその影響を受けることになる。おまけに彼はパリ到着後すぐに、この美学の主導者であるピカソ、ブラックの二人と懇意になり、しばしば制作をともにする機会を持った。だが、キスリングは単なる追随者、模倣者ではなかった。ピカソと共に南仏セレで制作中、あれこれと後輩の絵に注文をつけようとするピカソに対して、キスリングは「これはあくまでも自分の絵だ」と反論する自負を持っていた。 キュビスムの最盛期に描かれたこの作品には、一方でこの画家が終生敬愛したセザンヌの影響も顕著である。瓶が載っている新聞には「GIL B」の文字が見えるが、これはこの新聞の名前「GIL BLAS(ジル・ブラス)」を意味している。この新聞は、1908年のブラックの個展の際、その展評に「キューブ」の言葉を最初に掲載したことにより、美術の歴史にその名を残している。(出典: 名古屋市美術館展示解説カード)

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      Mimosas (1952) by Moïse Kisling
      #42

      Mimosas

      1952 · Marubeni Gallery

      Moïse Kisling's “Mimosas,” painted in 1952, is more than just a still life; it’s a vibrant testament to the artist’s enduring fascination with beauty and abundance. This captivating…

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      An acrobat (1919) by Moïse Kisling
      #68

      An acrobat

      1919

      In the evocative masterpiece "An Acrobat," painted in 1919 by the Polish-born French virtuoso Moïse Kisling, we are invited into a moment of profound stillness amidst the vibrant…

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      What Moïse Kisling painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Moïse Kisling's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Moïse Kisling Paintings from this list
      Nagoya City Art Museum, NagoyaNagoya City Art Museum Nagoya 5 Still Life with News Paper [Nature Morte au Journal], Portrait of Marcel Chantal, Portrait of Marcel Chantal
      Museum Ludwig, CologneMuseum Ludwig Cologne 1 Portrait of Renee Kisling
      Israel Museum, JerusalemIsrael Museum Jerusalem 1 Self Portrait with a Pipe
      Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 1 Woman at the table
      Murauchi Art Museum, TokyoMurauchi Art Museum Tokyo 1 Woman in green skirt
      Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 1 Still Life
      Marubeni Gallery, TokyoMarubeni Gallery Tokyo 1 Mimosas
      Chimei Museum, TainanChimei Museum Tainan 1 Kiki de Montparnasse

      Moïse Kisling's most famous canvas, decade after decade

      1. 1910s
        Still Life with News Paper [Nature Morte au Journal] (1913) by Moïse Kisling
        Ranked 1 of 100

        Still Life with News Paper [Nature Morte au Journal]

        Age 19 – 28 · Nagoya City Art Museum

        故国ポーランドの美術学校で絵画の基礎を学んだキスリングが初めてパリを訪れたのは1910年、彼が19歳の時だった。同級生の多くがウィーンやミュンヘンへの留学をめざしたこの時期、彼だけは師パンキエヴィッツの教えを守り、「セザンヌとルノワールの国」に向かったのである。しかし彼がパリに到着した1910年、印象派はすでに過去の存在となり、若い芸術家たちの関心はもっぱら新しい美学「キュビスム」に向けられていた。キスリングの作風も瞬く間にその影響を受けることになる。おまけに彼はパリ到着後すぐに、この美学の主導者であるピカソ、ブラックの二人と懇意になり、しばしば制作をともにする機会を持った。だが、キスリングは単なる追随者、模倣者ではなかった。ピカソと共に南仏セレで制作中、あれこれと後輩の絵に注文をつけようとするピカソに対して、キスリングは「これはあくまでも自分の絵だ」と反論する自負を持っていた。 キュビスムの最盛期に描かれたこの作品には、一方でこの画家が終生敬愛したセザンヌの影響も顕著である。瓶が載っている新聞には「GIL B」の文字が見えるが、これはこの新聞の名前「GIL BLAS(ジル・ブラス)」を意味している。この新聞は、1908年のブラックの個展の際、その展評に「キューブ」の言葉を最初に掲載したことにより、美術の歴史にその名を残している。(出典: 名古屋市美術館展示解説カード)

      2. 1920s
      3. 1930s
        Portrait of Marcel Chantal (1935) by Moïse Kisling
        2 of 100

        Portrait of Marcel Chantal

        Age 39 – 48 · Nagoya City Art Museum

        The artwork titled Portrait of Marcel Chantal is a painting by the artist Moïse Kisling. Created in 1935, this oil on canvas work depicts a woman named Marcel…

      4. 1940s
      5. 1950s
        Mimosas (1952) by Moïse Kisling
        Ranked 42 of 100

        Mimosas

        Age 59 – 62 · Marubeni Gallery

        Moïse Kisling's “Mimosas,” painted in 1952, is more than just a still life; it’s a vibrant testament to the artist’s enduring fascination with beauty and abundance. This captivating…

      Moïse Kisling's canvases, question by question

      Which canvas is Moïse Kisling most remembered for?Read the answer

      Still Life with News Paper [Nature Morte au Journal] (1913), Nagoya City Art Museum, Nagoya. Portrait of Marcel Chantal (1935) and Large red nude (1949) follow.

      Still Life with News Paper [Nature Morte au Journal]: how old was Moïse Kisling when it was painted?Read the answer

      Moïse Kisling, born in 1891, was 22 years old: Still Life with News Paper [Nature Morte au Journal] dates from 1913.

      What are Moïse Kisling's ten most famous canvases?Read the answer

      Still Life with News Paper [Nature Morte au Journal], Portrait of Marcel Chantal, Large red nude, not identified, Portrait of Renee Kisling, Self Portrait with a Pipe, Woman at the table, Woman in green skirt, Boy in Blue and Children of Dr. Tas. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Moïse Kisling create?Read the answer

      149 works by Moïse Kisling are in our catalogue, dated 1912 to 1952.

      Where do Moïse Kisling's most famous canvases hang today?Read the answer

      Mostly in Nagoya City Art Museum (Nagoya), Museum Ludwig (Cologne) and Israel Museum (Jerusalem); the list above names each museum and its canvases.

      When did Moïse Kisling paint the most famous canvases?Read the answer

      In 1920s, which gave 15 of the 100 works on this page, Portrait of Renee Kisling among them.

      Which famous Moïse Kisling canvas came first, and which came last?Read the answer

      The earliest canvas here is Tyniec (1912); the latest is Mimosas (1952).

      Which subjects did Moïse Kisling paint most?Read the answer

      Women (18), Portrait (12) and Nudes (8), across the 100 works on this page.

      Which medium appears most in Moïse Kisling's paintings?Read the answer

      Oil On Canvas, used in 6 of the 100 works on this page.

      Which movement is Moïse Kisling associated with?Read the answer

      Post-impressionism, as the canvases on this page show.

      Which paintings by Moïse Kisling are held by the Nagoya City Art Museum?Read the answer

      The Nagoya City Art Museum, Nagoya holds 5 of the works on this page, among them Still Life with News Paper [Nature Morte au Journal], Portrait of Marcel Chantal and Portrait of Marcel Chantal.

      Where can I buy a reproduction of a Moïse Kisling painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Moïse Kisling

      A Life Forged in Transition

      Moïse Kisling, born Mojżesz Kisling in 1891 Kraków, a city then pulsating within the Austro-Hungarian Empire, was an artist whose life mirrored the tumultuous currents of the early twentieth century. From his earliest days, a clear artistic sensibility bloomed, leading him to enroll at the Krakow Academy of Fine Arts at just fifteen years old. Mentored by Józef Pankiewicz, he received encouragement to seek inspiration in Paris – a city already establishing itself as the epicenter of modern art. In 1910, Kisling embarked on this pivotal journey, immersing himself within Montmartre’s vibrant artistic community and forging connections with fellow émigrés and avant-garde thinkers. This initial period was formative, exposing him to a multitude of styles that would subtly shape his own unique voice. He wasn't merely absorbing influences; he was beginning a lifelong process of synthesis and innovation. The bohemian atmosphere of Montmartre, with its shared studios and fervent debates, proved an ideal crucible for the young artist’s developing talent.

      The Shaping of a Style: Between Cubism and Expression

      Kisling’s artistic development wasn't defined by rigid adherence to any single school, but rather by a fluid exploration of diverse influences. Early works hinted at the structural innovations of Paul Cézanne and the bold chromaticism of André Derain, with subtle Cubist tendencies emerging – as evidenced in pieces like *Portrait of Andre Salmon* (1912). However, the outbreak of World War I proved a turning point. As Europe descended into chaos, Kisling’s style underwent a significant shift towards Expressionism. This manifested in bolder colors, more expressive brushwork, and an increasing focus on emotional intensity. He developed a distinctive approach that balanced precise draftsmanship with a vibrant palette, often depicting the human form with clarity and grace. The elegance of rounded forms became a hallmark of his work, frequently echoing the influence of Amedeo Modigliani – a close friend whose elongated necks, almond-shaped eyes, and delicately rendered lips resonated within Kisling’s own portraits. Yet, he infused these characteristics with a unique sensibility, mastering the manipulation of light and shadow to create intricate contrasts that brought his figures to life with remarkable depth and nuance. This period wasn't simply about adopting a new style; it was about finding a visual language capable of conveying the anxieties and uncertainties of a world at war.

      Recognition Amidst War and Exile

      Despite the disruptions of war, Kisling steadily gained recognition within the Parisian art world. A pivotal moment arrived in 1919 with an exhibition at Galerie Druet, which showcased his evolving style and garnered critical attention. His talent did not go unnoticed by collectors; in 1923, Albert Barnes acquired several of his paintings, a testament to their quality and artistic merit. Kisling became a central figure within the Parisian art scene, known for hosting weekly lunches that brought together a diverse array of creatives – writers, poets, painters, and sculptors – fostering an atmosphere of intellectual exchange and collaboration. His service in the French Foreign Legion during World War I, culminating in wounds sustained at the Battle of the Somme and subsequent French citizenship in 1915, underscored his commitment to his adopted homeland. This experience profoundly impacted him, shaping not only his personal identity but also informing the emotional depth present within his art. The looming shadow of World War II forced Kisling into exile. He emigrated to the United States, exhibiting his work in New York City and Washington D.C., seeking refuge from the escalating persecution in Europe. This period of displacement was undoubtedly challenging, yet it allowed him to connect with a new audience and further refine his artistic vision.

      A Lasting Legacy: The School of Paris and Beyond

      Following the war’s conclusion, Kisling returned to France in 1946, settling in Sanary-sur-Mer where he continued to paint until his death in 1953. A residential street in Sanary-sur-Mer now bears his name, a lasting tribute to his contribution to the local community and the art world at large. Kisling’s work embodies the spirit of Post-Impressionism and early Expressionism, contributing significantly to the vibrant tapestry of the School of Paris – a diverse collective of artists who collectively reshaped modern art. His innovative style, characterized by its unique blend of precision and emotional intensity, continues to inspire artists and captivate audiences today. Large Nude Josan on Red Couch, painted in 1953, stands as a powerful example of his mature style – a sensual masterpiece showcasing vibrant colors and expressive brushwork. The Musée du Petit Palais in Geneva holds the largest collection of his works, serving as a testament to his enduring legacy and artistic vision. Moïse Kisling’s paintings remain powerful reminders of a pivotal era in art history, reflecting both the beauty and the anxieties of a world in transition – a world he navigated with courage, sensitivity, and an unwavering dedication to his craft. His ability to synthesize diverse influences into a uniquely personal style ensures his place as a significant figure within the canon of modern art.

      Key Characteristics & Influences

      All 149 works by Moïse Kisling →