At Night when Mice Scream Painted by hand in oil, brushstroke by brushstroke

Early Life and Education

María Lassnig, born September 8, 1919, in Kappel am Kraffeld, Austria, experienced a formative childhood shaped by her mother’s turbulent relationship with an older man—a dynamic that instilled in Lassnig a profound understanding of familial complexities. Raised primarily by her grandmother, this early environment would become a recurring motif in her artistic explorations. Lassnig pursued her education at the Academy of Fine Arts in Vienna during World War II, where she honed her skills and established her distinctive artistic style.

Artistic Career and Contributions

Lassnig’s artistic trajectory is characterized by groundbreaking innovations that propelled her into the forefront of Austrian art history. Notably, she spearheaded the introduction of Informalism and Tachisme—styles that rejected traditional representational conventions—into the postwar landscape. Her involvement with the Hundsgruppe (“Dog Pack”), alongside fellow artists Arnulf Rainer, Ernst Fuchs, and Wolfgang Hollegha, solidified her position as a pivotal figure in shaping Viennese artistic discourse during the 1950s. Perhaps Lassnig’s most enduring contribution lies in her concept of “Body Awareness,” articulated in 1948—a theory that revolutionized portraiture by advocating for depicting only body parts felt during the creative process, resulting in strikingly original self-portraits featuring missing limbs or unconventional colors.

Awards and Legacy

Lassnig received widespread recognition for her artistic achievements, culminating in the Grand Austrian State Prize in 1988—the first female artist to honorably claim this prestigious accolade. In 2005, she was bestowed with the Austrian Decoration for Science and Art, acknowledging her profound impact on both artistic expression and intellectual inquiry. Her crowning accomplishment arrived at the 55th Venice Biennale in 2013, where she garnered the Golden Lion Award for Lifetime Achievement—a testament to her enduring legacy as one of Austria’s most influential painters.

Notable Works and Exhibitions

Lassnig's oeuvre encompasses a diverse range of captivating artworks that continue to inspire admiration and scholarly discussion. Among her seminal creations is “Selfportrait with Telephone,” housed at the Lentzos Kunstmuseum Linz, which exemplifies her pioneering approach to self-representation—a piece that captures the essence of introspection and vulnerability through masterful use of light and shadow. Her works have graced numerous exhibitions across Austria and internationally, including those at the Kunsthistorisches Museum and Museum of Applied Arts in Vienna, cementing her place as a cornerstone of modern Austrian art history.

Teaching and Later Life

Lassnig dedicated herself to artistic mentorship and scholarly pursuits until her passing in 2014, serving as Professor at the Vienna University of Applied Arts since 1980—a role that nurtured generations of aspiring artists. Her later explorations continued to grapple with themes of “Body Awareness” and self-portraiture, reflecting a lifelong commitment to artistic innovation and personal introspection. Lassnig’s influence extends beyond her own creations; she inspired filmmakers like Bernhard Eichinger, who captured her spirit in the biographical film *Sleeping with a Tiger*, and playwright Franziska Baumgartner, whose theatrical adaptation *Alte Meisterin. Lassnig/Beresin/Bitzan* brought her artistic vision to the stage.