Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos
Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (30 oktoober)
Variations on a Six Sided Object
Reproduktsiooni suurus
This striking artwork, created in 1967 by the visionary artist Alvin D. Loving Jr., offers a compelling glimpse into the heart of his pioneering work within fabric abstraction. The painting immediately captivates with its bold geometric forms—a vibrant red triangle asserting itself on the left, a calming green square anchoring the central space, and a luminous yellow circle radiating warmth from the right. Smaller triangles punctuate the composition near the center, adding layers of visual interest, while a rich purple diamond introduces an element of luxurious depth towards the bottom left corner. The interplay of these shapes isn't merely decorative; it’s a carefully considered exploration of color relationships and spatial dynamics – a direct response to the influence of Josef Albers’ famed “Squares within Squares” technique.
Loving’s approach, as evidenced in "Variations on a Six Sided Object," was rooted in a rigorous investigation of color theory and formal composition. While the precise materials used remain unspecified, it's highly probable that Loving employed acrylic paints, a medium he favored for its versatility and ability to achieve intense, saturated hues. The application technique – likely layering and blending—creates subtle gradations within each shape, preventing them from appearing flat or static. This meticulous attention to detail contributes significantly to the painting’s overall luminosity and tactile quality. The artist's deliberate use of hard-edged shapes speaks to a desire to strip away representational imagery, focusing instead on the pure essence of color and form.
"Variations on a Six Sided Object" was produced during a pivotal moment in American art history – the late 1960s. This period witnessed a surge of experimentation within abstract expressionism, fueled by a desire to break free from traditional representational modes and explore new avenues for artistic expression. Alvin Loving Jr. stands as a key figure in this movement, particularly within the subgenre of “fabric abstraction.” This style, characterized by its emphasis on geometric forms, bold color combinations, and explorations of surface texture, sought to evoke the qualities of textiles – their patterns, folds, and tactile properties – through purely abstract means. Loving’s work aligns with a broader trend among artists seeking to redefine the boundaries of painting and engage with contemporary concerns about materiality and perception.
Beyond its formal qualities, "Variations on a Six Sided Object" invites contemplation regarding the symbolic potential of color and shape. The deliberate selection of primary colors – red, green, yellow – carries associations with primal energy, growth, and illumination respectively. The geometric forms themselves can be interpreted as representing fundamental building blocks of visual experience. Loving’s use of these elements suggests a desire to communicate directly with the viewer's subconscious, bypassing rational thought and engaging with emotions on a visceral level. The six-sided object itself adds an intriguing layer of complexity, hinting at mathematical precision and perhaps even a subtle nod to architectural design.
"Variations on a Six Sided Object" by Alvin D. Loving Jr. is more than just a painting; it’s a testament to the power of abstract art to provoke thought, evoke emotion, and transform our perception of the world. A hand-painted reproduction offers an exceptional opportunity to bring this iconic work into your home or office. Its vibrant colors and dynamic composition will undoubtedly serve as a focal point, adding sophistication and visual interest to any space. Consider framing it with a simple black border to further enhance its impact, or incorporating it into a larger collection of modern art. This piece is an investment in artistic legacy – a reminder of Alvin Loving Jr.’s groundbreaking contribution to the landscape of American art.
Teose „Variations on a Six Sided Object“, autor Alvin D. Loving Jr. domineeriv värv on Mahogany (#ae4107).
Teos "Variations on a Six Sided Object" kuulub Alvin D. Loving Jr. loomingulise karjääri perioodi Late Period. See klassifikatsioon seostab teose kunstniku loovliku arenguga.
"Variations on a Six Sided Object" on kallutunud Amber to Saffron toonile.
1935 - 2005 , United States of America