Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos
Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (1 november)
Viznar 5
Reproduktsiooni suurus
Arne Haugen Sørensen's “Viznar 5,” painted in 1995, isn’t merely a depiction of battle; it’s a visceral exploration of primal instincts, religious allegory, and the inherent violence within humanity. Born in Copenhagen in 1932, Sørensen emerged from the vibrant Danish Expressionist scene, deeply influenced by masters like Munch and Kokoschka, whose ability to convey psychological depth through color and form resonated profoundly with his own artistic vision. He quickly established himself as a prolific artist, particularly renowned for his monumental religious commissions adorning over twenty-five churches across Denmark – works that often fuse figurative elements with abstract expressionist techniques.
The painting immediately commands attention with its dynamic composition and arresting color palette. Dominated by shades of deep blues, greens, and muted pinks, “Viznar 5” presents a chaotic scene of centaurs engaged in furious combat. These aren’t idealized heroes; they are raw, animalistic figures locked in a brutal struggle for dominance. The central focus is drawn to the two kneeling human figures positioned before a gun barrel – a jarring juxtaposition that speaks volumes about Sørensen's exploration of morality and violence within society. The geometric shapes—cylinders, rectangles, and planes—create a sense of rigidity and tension, mirroring the conflict unfolding before the viewer’s eyes. The artist masterfully employs impasto, building up thick layers of paint to create a palpable texture that adds to the painting's dramatic intensity.
The title “Viznar” refers to a small town in Andalusia, Spain, and the painting’s imagery draws heavily on Iberian mythology. The centaurs themselves are rooted in ancient Greek lore, representing both strength and savagery – primal forces unleashed within the human condition. Sørensen doesn't simply recreate a mythological scene; he imbues it with his own intensely personal interpretation. The kneeling figures, often interpreted as representations of humanity, evoke vulnerability and perhaps even despair against the backdrop of relentless conflict. The inclusion of the gun barrel introduces a modern element, suggesting a contemporary commentary on violence and its pervasive influence in society – a theme that was particularly relevant during Sørensen’s time.
Beyond the immediate depiction of battle, “Viznar 5” is rich with symbolic meaning. The stark contrast between the muscular, aggressive centaurs and the vulnerable human figures highlights the inherent duality within humanity – our capacity for both immense strength and profound weakness. The use of dark colors and angular lines contributes to a sense of unease and foreboding, reflecting Sørensen’s belief that life is often fraught with danger and struggle. The lone figure ascending a mountain path, reminiscent of figures in biblical narratives like Daniel, symbolizes the pursuit of truth and wisdom amidst chaos – a beacon of hope within a turbulent world. The painting's emotional impact is undeniably powerful, evoking feelings of anxiety, tension, and perhaps even a sense of moral reckoning.
Sørensen’s distinctive style—characterized by bold colors, dynamic brushstrokes, and textured surfaces—is the result of decades of experimentation and refinement. He frequently employed acrylic paints alongside oil, layering them to achieve remarkable depth and luminosity. His technique is marked by a deliberate use of impasto, applying thick layers of paint to create a palpable sense of physicality and movement. This approach not only enhances the visual impact of the painting but also reflects Sørensen’s belief in the importance of tactile experience for the viewer. “Viznar 5” stands as a testament to Sørensen's enduring legacy as one of Denmark’s most significant artists, his work continuing to inspire and provoke contemplation through its raw emotional intensity and profound symbolic depth.
Teos "Viznar 5" on seotud Melancholic tundega. Emotsionaalne toon kirjeldab teose tekitavat muljet.
Teose „Viznar 5“, autor Arne Haugen Sørensen soovituslik kasutusviis on Statement. Seda saab kasutada ka muudel eesmärkidel.
Originaalteos "Viznar 5" asub Taanika Parlament kogumuses ning teos on on endiselt autoriõiguse all under kaitse.
Arne Haugen Sørensen (1932-Present) stands as a singular figure in Danish art, recognized primarily for his prolific output of religious paintings adorning over twenty-five churches across Denmark. Despite lacking formal artistic training—he embarked on his creative journey independently—Sørensen swiftly gained prominence at the Kunstnernes Efterårsudstilling (Artists’ Autumn Exhibition) in 1953, establishing a career marked by unwavering dedication to conveying profound spiritual themes.
At the core of Sørensen's artistic practice lies a commitment to conveying emotion through visual language. He predominantly utilizes oil on canvas, favoring bold color palettes that pulsate with energy and intensity—often mirroring the fervor of religious iconography. His technique is marked by impasto, applying thick layers of paint onto the surface to create palpable textural depth and simulating the physicality of biblical events.
Among Sørensen's most celebrated creations is ‘Viznar 5,’ a monumental canvas depicting a clash between mythical figures in hues that command attention and convey palpable dynamism. This artwork resides within the National Gallery of Denmark’s collection, underscoring its artistic merit and enduring appeal.
Arne Haugen Sørensen's contribution to Danish art transcends mere aesthetic beauty; he represents a pivotal voice in articulating spiritual beliefs within the visual arts during the latter half of the 20th century. His distinctive style—characterized by boldness, conviction, and an unwavering dedication to conveying profound emotional resonance—continues to inspire artists and captivate audiences alike.
1932 - , Denmark