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      Der Ausgang - Karl

      A vibrant Neo-Expressionist masterpiece featuring a distorted figure in bold yellow and blue by Georg Baselitz, offering a powerful presence for any collection that invites you to explore his revolutionary style.

      Explore the powerful & provocative work of Georg Baselitz (b. 1938), a leading Neo-Expressionist known for his upside-down figures, challenging perspectives on German history, destruction, and the artifice of painting. Discover his sculptures & graph

      Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.

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      Giclée / Kunstiprint

      Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Telli käsitsi maalitud reproduktsioon Ülemineku digitaalse pildi müügi kanalisse)

      Corner sample of the P118B picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: tammepuu või massivpuit, 5 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: tammepuu või massivpuit, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: tammepuu või massivpuit, 7 cm wide and 5 cm thick
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      Corner sample of the W692G picture frame: tammepuu või massivpuit, 8 cm wide and 4 cm thick
      W692G €12
      Corner sample of the W849H picture frame: tammepuu või massivpuit, 5 cm wide and 3 cm thick
      W849H €8
      Corner sample of the W940BG picture frame: tammepuu või massivpuit, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the W953PJ picture frame: tammepuu või massivpuit, 6 cm wide and 3.5 cm thick
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      € 61

      Der Ausgang - Karl

      Giclée / Kunstiprint

      Reproduktsiooni mõõtmed

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      € 61

      Teave teose kohta

      • Notable elements or techniques: Distorted figure, checkered pattern
      • Artistic style: Neo-Expressionist
      • Year: 1987
      • Medium: Oil on canvas
      • Dimensions: 162 x 200 cm

      Kunstiteaduse kvartett

      Iga küsimuse kohta on ainult üks õige vastus.

      Küsimus 1:
      What is the title of this painting by Georg Baselitz?
      Küsimus 2:
      In which year was 'Der Ausgang - Karl' created?
      Küsimus 3:
      What are the predominant colors used in this painting?
      Küsimus 4:
      What is the medium used for this artwork?
      Küsimus 5:
      What are the dimensions of the painting?

      A Figure in Yellow and Blue

      A man stands within the frame, his form caught in a moment of heavy gesture. He wears a black suit and a tie, yet his shape is distorted, pulled by an unseen tension. His arms reach upward, breaking the stillness of the composition. The canvas holds him in a clash of primary tones, where deep blues meet a sharp, bright yellow. A checkered pattern cuts through the scene, adding a fractured rhythm to the space around him.

      The Weight of the Brush

      The oil on canvas carries a thick, physical presence. In this 1987 work, the paint does not merely sit upon the surface; it builds a landscape of texture and movement. The colors collide with a restless energy, characteristic of the Neo-Expressionist approach. Every stroke contributes to a sense of instability, as if the figure might shift or dissolve back into the blue and yellow light.

      Fragments of an Era

      Created in Munich and Imperia, this piece reflects a period of intense visual experimentation. The subject is stripped of a clear narrative, leaving only the raw impact of color and distorted anatomy. It captures a sense of dislocation, where the human form becomes a vessel for movement and chromatic friction.

      The exit remains uncertain.

      Küsimused ja vastused

      Kui vana oli Georg Baselitz, kui ta loos 1987 aastal teose "Der Ausgang - Karl"?

      Kui teos "Der Ausgang - Karl" loodi aastal 1987, oli Georg Baselitz (sündinud aastal 1938) 49 aastane.

      Mille nimetatud või alternatiivsete nimed on Georg Baselitz?

      Teised Georg Baselitz jaoks kirjutatud nimed, teose "Der Ausgang - Karl" looja, hõlmavad ka Hans-Georg Bruno Kern.

      Millist kontrasti näitab teos „Der Ausgang - Karl“, autor Georg Baselitz?

      Teose "Der Ausgang - Karl" valgus-varjundite kontrast on Statement. Kontrast kirjeldab, kui teravalt erinevad heeled ja tumedad alad.


      Kunstniku elulugu

      A Life Forged in the Shadows of History

      Born Hans-Georg Bruno Kern on January 23, 1938, in the small German village of Deutschbaselitz, the artist who would become known to the world as Georg Baselitz was a child of profound transition and upheaval. Growing up in the Upper Lusatia region amidst the literal and metaphorical rubble of World War II, his early consciousness was inextricably linked to themes of destruction, displacement, and the fractured order of a shattered society. This formative environment—marked by the loss of community and the lingering trauma of occupation—became the bedrock of his artistic vision. The devastation he witnessed did not merely provide subject matter; it instilled in him an urgent, lifelong need to question established conventions and to explore the very nature of perception through the lens of a world that had been turned upside down.

      His early artistic inclinations were nurtured by a deep intellectual curiosity and significant cultural encounters. The influence of his father, an elementary school teacher, fostered a disciplined approach to observation, while the profound writings of Jakob Böhme provided a spiritual and philosophical complexity to his worldview. A pivotal moment in his development occurred when he encountered Louis-Ferdinand von Rayski’s Wermsdorfer Wald at a local school assembly. This masterpiece of realism ignited a fascination with capturing visual truth, leading him to produce portraits, religious subjects, and landscapes that, even in his youth, hinted at a more futuristic and unsettling vision.

      The Revolution of Inversion and Neo-Expressionism

      As the art world moved toward the sterile intellectualism of Minimalism and Conceptual Art in the 1960s, Baselitz staged a visceral rebellion. He became a leading voice of Neo-Expressionism, a movement that sought to reclaim the raw power and emotional intensity of figurative painting. However, his contribution was far from a simple return to tradition. In 1969, Baselitz introduced one of the most radical innovations in modern art: the technique of painting his subjects upside down. This deliberate inversion was not a mere gimmick; it was a profound attempt to strip the subject of its representational, content-driven character. By turning the figure on its head, he forced the viewer to confront the artifice of the painting itself—to look past the "what" of the image and focus instead on the texture, color, and the physical reality of the paint on canvas.

      This period saw the emergence of works that challenged the very boundaries of the medium. His compositions often oscillated between recognizable figuration and a chaotic, feverish energy. In monumental pieces like Supper in Dresden, he reimagined historical narratives through a lens of disarray and chromatic collision, using striking shades of pink, blue, and black to create a sense of restless, uncontainable energy. His work during this era functioned as an excavation of the human condition, utilizing distortion to express vulnerability and the inherent instability of memory and identity.

      A Lasting Legacy of Provocation

      Throughout his prolific career, Baselitz’s artistic language has been a complex tapestry woven from myriad influences, ranging from the starkness of Socialist Realism and the dramatic tension of Mannerism to the primal rhythms of African sculpture. This eclectic synthesis allowed him to create a body of work that feels both deeply rooted in German history and universally resonant in its exploration of existential struggle. Whether through his commanding oil paintings, his evocative sculptures, or his intricate graphic works, Baselitz has remained steadfast in his commitment to a style characterized by unsettling honesty.

      The historical significance of Georg Baselitz lies in his ability to transform the trauma of the past into a revolutionary aesthetic for the future. He did not merely document destruction; he used it as a tool to rebuild the language of painting. His achievements include:

      • Redefining Figuration: Breaking the reliance on narrative content through the radical use of inversion.
      • Mastery of Neo-Expressionism: Leading a global revival of emotional, visceral painting in an era of conceptual dominance.
      • Exploration of Identity: Using distorted forms to grapple with the complexities of post-war German identity and the fragility of the human form.
      • Technical Innovation: Integrating diverse cultural influences into a singular, unmistakable artistic voice that continues to influence generations of painters and sculptors.

      Today, Baselitz stands as one of the most influential figures of the twentieth century, a painter whose work remains a powerful testament to the resilience of creativity in the face of chaos.

      Lühikest infot

      • Artistic Movement Or Style: Neo-Expressionism
      • Artists Or Movements Influenced By This Artist:
        • Soviet era illustration art
        • Mannerist period
        • African sculptures
      • Artists Who Influenced This Artist:
        • Louis-Ferdinand von Rayski
        • Jakob Böhme
      • Date Of Birth: 1938
      • Full Name: Georg Baselitz
      • Nationality: German
      • Notable Artworks:
        • Der hirte
        • Supper in Dresden
        • Da. Portrait (Franz Dahlem)
      • Place Of Birth: Deutschbaselitz, Germany
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