Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos
Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (28 oktoober)
Mummification, Dress
Reproduktsiooni suurus
Iris van Herpen's "Mummification, Dress" isn’t merely a garment; it’s a meticulously crafted meditation on the cyclical nature of existence, a visual poem exploring themes of preservation, decay, and rebirth. Created in 2009 in collaboration with Neri Oxman, this piece transcends the boundaries of fashion, firmly establishing itself within the realm of sculptural art. The photograph captures a moment frozen in time – a dress seemingly emerging from an ancient tomb, its intricate layers hinting at rituals long past. The stark black background amplifies the work’s dramatic intensity, forcing the viewer to confront the sheer complexity and otherworldly beauty of the design.
Van Herpen's genius lies not just in her aesthetic vision but in her masterful integration of technology and traditional craftsmanship. The dress itself is a testament to this fusion – constructed from layers of shimmering fabrics, meticulously arranged beads, and perhaps even delicate metallic elements, all brought together through advanced fabrication techniques. Oxman’s influence is particularly evident in the piece's structural design; drawing inspiration from biological forms and processes, it evokes the intricate patterns found within fossilized remains or the protective shells of ancient creatures. The deliberate fragmentation of form mirrors the process of mummification itself – a careful layering and preservation intended to transcend mortality.
A close examination reveals a masterful manipulation of visual elements. Sharp, angular lines define the dress’s structural core, creating a sense of crystalline geometry that contrasts sharply with the flowing curves of the skirt. This juxtaposition speaks to the inherent tension between rigidity and fluidity – mirroring the delicate balance between preservation and decay. The shapes themselves are a captivating blend of organic and geometric forms; the layered elements suggest scales or overlapping petals, while the overall structure maintains a distinctly architectural quality. The surface is anything but smooth; it’s a rich tapestry of textures—a deliberate layering that invites tactile exploration even within the still image. This complexity isn't accidental; it reflects the intricate processes involved in both mummification and the creation of this extraordinary garment.
The lighting is crucial to the work’s impact, acting as a sculptor’s tool to highlight form and create atmosphere. The directional light source, positioned slightly above and in front of the dress, casts dramatic shadows that accentuate its three-dimensional structure. These shadows aren't merely absences of light; they actively shape our perception, emphasizing the intricate details and creating a sense of depth and mystery. The relatively straightforward perspective – a frontal view – allows the viewer to fully immerse themselves in the dress’s complexity, appreciating the sheer scale and detail of its construction. The photograph feels less like a simple portrait and more like a carefully staged tableau, inviting us to contemplate the story it silently tells.
The title, “Mummification, Dress,” immediately establishes a powerful symbolic connection to ancient Egyptian practices. It’s not simply about preserving clothing; it's about safeguarding memory, identity, and the essence of a life lived. The dress becomes a vessel for these intangible qualities, suggesting that beauty and artistry can transcend time itself. Furthermore, the work subtly references the concept of metamorphosis – the transformation from one state to another. This echoes the core principles of mummification, where the deceased were prepared for an afterlife journey, undergoing a profound physical and spiritual change. “Mummification, Dress” is therefore not just a beautiful object; it’s a poignant reminder of our own mortality and the enduring power of art to capture and preserve moments in time.
Teos "Mummification, Dress" ühendab oma looja sünneloolise piirkonna ja Holland läbi Avant-garde Fashion Photography suunaga.
Teose „Mummification, Dress“, autor Iris Van Herpen, Neri Oxman värvikompositsioon ühendab endas Serene kontrasti ja Discordant Palette harmooniat.
Teose „Mummification, Dress“, autor Iris Van Herpen, Neri Oxman luminants on Dark.
1984 - , Holland