Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Telli käsitsi maalitud reproduktsioon
Ülemineku digitaalse pildi müügi kanalisse)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka differentse vormiga suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojekttsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (26 oktoober)
Untitled
Reproduktsiooni mõõtmed
Born in Klagenfurt, Katharina Gruzei has emerged as a profound voice within the contemporary art landscape, weaving a complex tapestry of media that spans photography, film, video, installation, and sound. Her artistic practice is not merely about capturing images but about exploring the deep-seated societal tendencies and socio-cultural issues that define our modern existence. Moving between the industrial echoes of Linz and the vibrant cultural hubs of Vienna, Gruzei utilizes a unique crossover language to decode the political and sociological layers of her environment. Her work often functions as a bridge between the tangible reality of urban spaces and the intangible nuances of human experience, ranging from gender-related themes to the intricate dynamics of public space.
The foundation of her aesthetic sensibility was forged through rigorous academic pursuit. She studied Fine Arts in the class for Experimental Audiovisual Arts and Cultural Studies at the University of Art and Industrial Design Linz, Austria. This formative period was expanded by international perspectives gained during her studies abroad at the University of California, Santa Barbara (UCSB) and at the Berlin University of the Arts, where she studied in Katharina Sieverding's class for Visual Cultural Studies. These diverse educational environments allowed her to refine a conceptual approach that treats media as both a political tool and a sociological lens, enabling her to navigate between different disciplines with seamless fluidity.
A significant hallmark of Gruzei’s oeuvre is her ability to find the poetic within the industrial. In her celebrated series “Bodies of Work,” she turned her lens toward the Linz shipyard ÖSWAG, documenting the construction of a large ferry over several months. Through her photography, the relationship between man and machine becomes a site of intense negotiation, where the "working body" serves as a canvas for discussing the changing nature of labor. By capturing the shipyard during both active production and the quiet, nocturnal hours when the machines fall silent, she transforms a documentary subject into an evocative meditation on time and space, where the defamiliarized scenery reveals novel aspects of reality.
Her photographic work often transcends simple representation to reach a state of nocturne reflection. In pieces such as “Untitled 1,” Gruzei employs a masterful use of black and white photography to create a sense of profound stillness. Through careful tonal gradation and composition, she invites viewers into a contemplative space—one that explores themes of solitude and the yearning for connection. Whether her subject is a solitary figure under a starlit sky or the complex textures of an urban environment, her technique emphasizes the subtle nuances of light and shadow to convey deep emotional resonance.
Throughout her career, Katharina Gruzei has achieved significant institutional recognition, marking her as a vital contributor to contemporary visual culture. Her journey has been punctuated by prestigious milestones, including:
With accolades such as the Theodor Körner Prize and the Ö1 Talents Award, Gruzei continues to push the boundaries of what it means to be an independent artist in the 21st century. Her ability to integrate sound, objects, and media-performances into a cohesive conceptual framework ensures that her work remains a vital subject of study for those interested in the intersection of art, sociology, and the evolving urban landscape.
1982 - , Austria