Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos
Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (5 november)
Natalia
Reproduktsiooni suurus
Born in Piraeus, Greece, Stefanos Daskalakis has dedicated his life to the pursuit of intensity and the profound exploration of presence within the canvas. His artistic journey began with rigorous formal training at the Athens School of Fine Arts between 1970 and 1974, where he studied under the guidance of Giorgos Mavroïdes. This foundational period in Greece was later enriched by international exposure, as he pursued further studies in Lyon and Paris from 197 and to 1981. During his time in France, he had the privilege of attending the studio of Leonardo Cremonini at the École Nationale Supérieure des Beaux-Arts, an experience that undoubtedly deepened his understanding of the painterly craft. His connection to the Greek tradition was further solidified through his role as an assistant and model for the legendary Yannis Tsarouchis, a relationship that spanned nine years until 1989.
Daskalakis’s work is characterized by a deep-seated belief that painting is not merely an image, but a tangible substance and texture. He views his practice as a form of resistance against the increasingly conceptual nature of contemporary art, choosing instead to focus on the raw reality of the moment. To achieve this, he systematically works from live models, whether for portraits, human figures, or still lifes, aiming to capture the direct contact between the sitter and themselves. Through the application of many layers of paint, he builds an impasto surface that possesses a physical "flesh," bearing the very memory of his creative act. His technique often merges an austere, almost photographic precision with a warm, sensitive use of color, creating works that feel both grounded in reality and elevated by emotion.
The trajectory of Daskalakis’s career reflects a fascinating evolution from the realistic depictions of his early solo exhibitions to more complex, existential explorations. In his initial years, particularly around his 1982 debut at the Syllogi Gallery in Athens, his work focused on still lifes and interior spaces rendered with traditional oil techniques and warm palettes. As time progressed, his compositions grew more intricate, not only in their use of space and color but also in their underlying meaning. His later works began to touch upon the inevitable ravages of time, themes of loneliness, and the quiet weight of abandonment. In recent years, his focus has shifted toward female portraits and nudes, where a more dramatic painting style serves to make his existential reflections even more palpable.
His contribution to the Greek art scene is marked by his involvement in an informal artistic team that championed a "return to painterliness," alongside peers such as Irini Iliopoulou, Giorgos Rorris, Edouard Sacaillan, and Maria Filopoulou. This movement sought to re-establish the importance of the painterly language in a period of shifting artistic values. The significance of his work is recognized through several prestigious honors and placements in esteemed collections:
Ultimately, the work of Stefanos Daskalakis remains a constant investigation into the wealth found within the simple view of things. By sharpening the gaze through the tight margins of his technique, he defines an artistic identity that celebrates the enduring power of the visible world.
1952 - , Greece