Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat

      The Works of L. Pazzi

      The artistic record of L. Pazzi includes a variety of subjects spanning several centuries. Among the documented works are religious and mythological themes, such as the 1581 painting Venus and Cupid, which is held in the Dulwich Picture Gallery, London. Other notable pieces from the late sixteenth and early seventeenth centuries include the 1590 Crucifixion of Saint Andrew and Moses Strikes Water from the Rock, the latter of which is part of the Bavarian State Painting Collections, Munich. The collection also features The Rest on the Flight into Egypt from 1600, located in the Scottish National Gallery, Edinburgh, and the 1614 work Christ crucified.

      In addition to these earlier works, the catalog includes a later piece titled William Evans, Tonyrefail, dated 1868, which is held by the National Library of Wales, Aberystwyth. The known works of this painter are distributed across several prominent institutions:

      Küsimused ja vastused

      Kust leida L. Pazzi teoseid teemade järgi jaotatuna?

      Lehekorral Teemade ülevaade on L. Pazzi teosed jaotatud teema järgi.

      Kas saan külastada L. Pazzi teoste virtuaalset muuseumi?

      L. Pazzi teoseid saab vaadata 3D-galeriis tema 3D-galeria lehel.

      Kuidas saan vaadata kõiki L. Pazzi teoseid?

      Kõiki L. Pazzi teoseid see veebileht lehel saab vaadata artisti Kõik teosed lehelt.

      Kust leida L. Pazzi teoseid väripaleti järgi grupeerituna?

      L. Pazzi teoseid saab väripaleti järgi sirvida kunstniku Väripalettide järgi lehel.

      Väike kviss

      Iga küsimuse kohta on ainult üks õige vastus.

      Küsimus 1:
      In which year was the work 'Venus and Cupid' created?
      Küsimus 2:
      Which collection holds the painting 'The Rest on the Flight into Egypt'?
      Küsimus 3:
      Which of these works is dated 1590?
      Küsimus 4:
      Where is the painting 'William Evans, Tonyrefail' located?
      Küsimus 5:
      What is the occupation of L. Pazzi?