Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat

      1820 - 1893

      Ülevaade

      • Top 3 works:
        • Half-length Portrait of a Woman
        • Portrait of the Art Historian Carl Schnaase
      • Copyright status: Public domain
      • Lifespan: 73 years
      • Top-ranked work: Half-length Portrait of a Woman
      • Art period: 19th Century
      • Works on this site: 2

      A Life in Brushstrokes

      Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.

      In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.

      The Subjects of Her Canvas

      Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.

      Beyond stories, she was a painter of people and quiet moments. Some of her known works include:

      • A Venetian Lady
      • A Young Girl with Roses
      • A French Woman of 1792
      • Portrait of Karl Schnasse

      Recognition and Legacy

      Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.

      She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.

      Küsimused ja vastused

      Kui palju Marie Wiegmann teoseid on kataloogis vaatamiseks saadaval?

      Lehelt Kõik teosed saab vaadata 2 teost teost kunstnikult Marie Wiegmann.

      Kas saan Marie Wiegmann teoseid värvi järgi sorteerida?

      Lehekülg Värvitoonide indeks koondab Marie Wiegmann teosed värvide järgi.

      Kuidas saan vaadata kõiki Marie Wiegmann teoseid?

      Kõiki Marie Wiegmann teoseid see veebileht lehel saab vaadata artisti Kõik teosed lehelt.

      Milliseid värve kasutas Marie Wiegmann kõige sagedamini?

      Marie Wiegmann Palettide genoom on leht, mis esitab kunstniku teoskogumi väriprofiili.

      Väike kviss

      Iga küsimuse kohta on ainult üks õige vastus.

      Küsimus 1:
      In which city did Marie Wiegmann become a pupil of the Düsseldorf Academy in 1841?
      Küsimus 2:
      Which artist was one of Marie Wiegmann's teachers?
      Küsimus 3:
      Marie Wiegmann was a painter specializing in which two genres?
      Küsimus 4:
      Between 1843 and 1845, Marie Wiegmann took a study trip to which country?
      Küsimus 5:
      Which of these artworks is attributed to Marie Wiegmann?