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Two Models

Explore Georg Mayer-Marton’s ‘Two Models,’ a haunting expressionist oil painting of nude figures in a dramatic, fragmented scene. Discover its muted tones & impasto texture.

Georg Mayer-Marton (1897-1960) was a Hungarian Jewish artist known for his oil, watercolor & graphic works in Vienna between the wars. He pioneered Byzantine mosaic in the UK and created poignant art reflecting themes of exile and loss.

Käsinmaalattu öljykopio

Käsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta. (Switch to Print Switch to PrintSwitch to Image Switch to Image)

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INCH

Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.

leveys
korkeus

Voit syöttää omat mitat sopimaan tiettyyn kehykseen tai tilaan. Jos valitsemasi koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme taideteoksen tai jatkamme maalausta käsin maalatuilla elementeillä. Digitaalinen esikatselu lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomioithan, että näytöllä oleva esikatselu ei vastaa todellista rajausta tai jatkamista. Vain digitaalinen mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka mittatilaustyöt ovat mahdollisia, suosittelemme valitsemaan mitan ennalta määritetystä listasta alkuperäisten mittasuhteiden säilyttämiseksi.

Esimerkkejä muutettavissa olevista asioista: Vaihda kasvot asiakkaan omaan valokuvaan; Lisää lemmikki (esim. korvaa kissa koiralla); Lisää piilotettu viesti taustaan; Muuta taustan maisemaa tai elementtejä.
Tilauksen jälkeen TopImpressionists.com -tiimi lähettää asiakkaalle ohjeet ja esikatselukuvan.

Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (28 heinäkuu). Laadusta ei tingitä.

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Määräalennus tarjous

Kokonaishinta

$ 344

reproduction

Two Models

Reproduktiotekniikka

Replikaatin koko

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Kokonaishinta

$ 344


Taiteilijan elämäkerta

George Mayer-Marton: A Hungarian Visionary Shaped by Exile and Byzantine Influence

Georg Mayer-Marton (1897–1960) was a Hungarian Jewish artist whose life’s journey—marked by artistic brilliance, personal tragedy, and profound engagement with the spiritual landscape of his time—established him as a pivotal figure in Viennese art between the first and second world wars. His distinctive style, characterized by expressive brushwork and a fascination with Byzantine mosaics, continues to resonate with collectors and scholars alike. Born in Győr, Hungary, Mayer-Marton’s formative years coincided with the waning days of Austro-Hungarian Empire. He served bravely in the Austro-Hungarian army during World War I, gaining invaluable experience that would later inform his artistic sensibilities. From 1919 to 1924, he pursued formal training at the Academy of Fine Arts Vienna and Munich, immersing himself in the avant-garde currents shaping European art. It was in Vienna that he established a career as an artist and secured a position as secretary, subsequently vice-president, within the Hagenbund—a prestigious society championing progressive artistic ideals. Despite facing challenges securing recognition through competitions like the 1928 Summer Olympics, Mayer-Marton’s dedication to his craft remained unwavering. The Anschluss of Austria in 1938 and the enactment of Hitler's Nuremberg Laws irrevocably altered Mayer-Marton’s trajectory. Forced into exile alongside his wife, he sought refuge in England, where he endured the harrowing ordeal of the London Blitz when his studio home was destroyed by an incendiary bomb—resulting in a devastating loss of irreplaceable artwork and personal possessions. Undeterred by adversity, he persevered in painting, resuming oil work only in 1948 after overcoming significant obstacles. The tragic fate of his parents – deported and murdered during the Holocaust – profoundly impacted Mayer-Marton’s artistic vision, inspiring him to create “Women with Boulders,” a poignant depiction reflecting themes of resilience and sorrow amidst bleak surroundings. His academic pursuits continued at Liverpool College of Art from 1952 onwards, where he lectured on painting and undertook significant mosaic commissions for the Roman Catholic Church in Northwest England, notably adorning Holy Rosary Church in Oldham with a monumental Byzantine-inspired mural—a testament to his pioneering technique and enduring legacy. Mayer-Marton’s artistic output spanned decades, reflecting both personal hardship and unwavering commitment to exploring spiritual themes through innovative visual language.
  • Notable Works: “Self Portrait,” “Llanthony Valley,” “Waterfall”
  • Style Characteristics: Expressionism, Byzantine Mosaic Technique
  • Influences: Viennese Avant-Garde Art Movements
Mayer-Marton’s artistic legacy extends beyond his individual creations. He stands as a symbol of Hungarian Jewish culture during the tumultuous period of European history and embodies the spirit of artistic perseverance in the face of unimaginable loss. His pioneering exploration of Byzantine mosaic—a technique rooted in ancient Christian iconography—transformed British art, establishing him as an innovator who bridged tradition and modernity. Today, his paintings continue to captivate audiences with their emotive power and profound contemplation of human experience.
georg mayer marton

georg mayer marton

1897 - 1960

Pikatiedot

  • Artistic Movement Or Style: Expressionism
  • Artists Or Movements Influenced By This Artist: ['Byzantine mosaic']
  • Artists Who Influenced This Artist: ['Franz Marc']
  • Date Of Birth: June 3, 1897
  • Date Of Death: August 8, 1960
  • Full Name: Georg Mayer Marton
  • Nationality: Hungarian
  • Notable Artworks:
    • Self Portrait
    • Llanthony Valley
    • Waterfall
  • Place Of Birth: Győr, Hungary
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