Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa

      1637 - 1666

      Pähkinänkuoressa

      • Museums on this site:
        • Staatliche Kunstsammlungen Dresden
        • Statens Museum for Kunst
        • Varsovan kuninkaallinen linna
        • National Portrait Gallery of Sweden
      • Works on this site: 4
      • Top-ranked work: Portrait of Stefan Czarniecki, Field Hetman of the Crown
      • Lifespan: 29 years
      • Also known as:
        • Broder Matthiesen
        • Broder Matthisen
        • Broderus Matthisen
      • Top 3 works:
        • Portrait of Stefan Czarniecki, Field Hetman of the Crown
        • Vanitas
        • Still Life with a Bird of Paradise and Other Things

      A Portraitist of the Seventeenth Century

      Brodero Matthisen operated within the specific, rigid demands of mid-seventeenth-century portraiture. Born in 1637 in Flensburg, his career was brief, ending with his death in Husum in 1666. He was a German painter and printmaker whose output was defined by the necessity of capturing status and military authority. His work does not rely on abstract emotion but on the precise rendering of the subjects who commissioned him, specifically those navigating the complex political landscapes of Northern Europe.

      His technical identity is anchored by his ability to translate the likeness of high-ranking officials into lasting visual records. In 1659, he produced a significant work: the Portrait of Stefan Czarniecki, Field Hetman of the Crown. This piece, likely executed during the presence of Polish troops in Denmark, demonstrates his role as a courtly documentarian. His signature, Brodero Matthisen fecit anno 1659, confirms a direct, professional engagement with his subjects during a period of intense military movement.

      The Mechanics of Status

      Matthisen’s significance lies in his function as a visual historian for the nobility. He was not a painter of landscapes or religious allegories, but a specialist in the human face and the regalia of power. His connection to the Danish court, specifically as a painter associated with the circle of Frederick III, placed him at the center of European diplomatic and military circles. This was not a matter of creative whim; it was a professional requirement to document the men who held command.

      The survival of his work is tied to its utility. His portrait of Stefan Czarniecki remains a primary reference for the appearance of the Polish commander. The existence of copies and the preservation of his work in locations like the Royal Castle in Warsaw and Frederiksborg Castle prove that his output served a specific, functional purpose. He provided the visual evidence required by states to assert the legitimacy and presence of their leaders.

      Kysymykset ja vastaukset

      Miten löydän tietyn teeman mukaisia Brodero Matthisen teoksia?

      Löytääksesi tiettyyn teemaan liittyviä Brodero Matthisen teoksia, käytä taiteilijan Avainsanojen mukaan -sivua, joka ryhmittelee teokset avainsanojen mukaan.

      Mistä löydän Brodero Matthisen's teokset ryhmiteltynä väripaletin mukaan?

      Brodero Matthisen'n teoksia voi selata väripaletin mukaan taiteilijan Väripalettien mukaan -sivulla.

      Voinko selata Brodero Matthisen teoksia tekniikan mukaan?

      Brodero Matthisen:n teoksia voi selata tekniikan mukaan artistin Kaikki tekniikat -sivulla.

      Mistä voin nähdä Brodero Matthisen's teokset 3D-galleriassa?

      Brodero Matthisen-taiteilijan 3D-galleria esittelee taiteilijan teoksia virtuaalisessa kolmiulotteisessa galleriassa.

      Pieni tietovisa

      Jokaisessa kysymyksessä on vain yksi oikea vastaus.

      Kysymys 1:
      In which city was Brodero Matthisen born?
      Kysymys 2:
      In what year was the portrait of Stefan Czarniecki painted?
      Kysymys 3:
      What was Brodero Matthisen's profession?
      Kysymys 4:
      In which city did Brodero Matthisen die?
      Kysymys 5:
      Who was the subject of the 1659 portrait by Matthisen?