Informations sur l'œuvre: October

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Kenneth Noland (1924 – 2010)

Découvrez Kenneth Noland (1924-2010), pionnier américain du Color Field & de la Washington Color School ! Cercles vibrants, chevrons & toiles déformées—l'art abstrait redéfinissant couleur et espace.

October belongs to the first of Noland’s two extended explorations of the elemental shape of the circle. Placing the large canvas on his studio’s floor (in knowing emulation of Jackson Pollock’s method), he drew the edge of each circle with a pencil attached to a string and anchored in the center. The canvas’s dimensions determined the size of the outermost circle, suggesting Noland’s preoccupation with proportional relationships, a concern often associated with Minimalism. The painter accentuated the flatness of the unprimed canvas by diluting his acrylic paint so the weave would absorb it (a technique he adopted after seeing Helen Frankenthaler’s stained canvases). The concentric circles evoke a range of associations—a bull’s-eye, a globe, a giant eyeball—while the density near the center suggests a gravitational pull.

À propos de cette œuvre

Titre: October
Artiste: Kenneth Noland
Année: 1961
Dimensions originales: 239.0 x 234.0 cm
Format: Square
Statut du droit d'auteur: Sous droit d'auteur
Contexte de l'œuvre: mid-century abstraction , early op art influence
Palette de couleurs: Neutrals
Mots-clés: geometric shapes , hard-edge abstraction , kenneth noland
Saturation des couleurs: Balanced

October

Kenneth Noland (1924 – 2010)

À propos de cette œuvre

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