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Musée de l’Université des femmes Ewha

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Description de l'œuvre

Standing alongside Ahn Jung-sik, Jo Seok-jin was one of the two greatest master painters of the enlightenment period, and a professor at Seohwa Misulhoe. This painting has a close distance view, middle distance view, and a far distance view; which creates of three levels composition. The mountains and rocks are depicted in a gentle and calm manner of Pimajun, or the hemp-fiber strokes, portraying the figure of a person in a pavilion in the style of Namjong Literati Painting. The strong brush strokes of the tree branches represent the chilliness and lonely mood of autumn.

Biographie de l'artiste

Lee Sang-beom: Bridging Tradition and Modern Vision

Lee Sang-beom (1897 – 1972) stands as a pivotal figure in Korean modern art, embodying the harmonious fusion of classical ink wash painting traditions with burgeoning contemporary sensibilities. Born in Seoul during a period of significant social upheaval—the early 20th century saw Korea grappling with colonial rule and striving for national identity—Sang-beom’s artistic journey mirrored this turbulent landscape, ultimately yielding a distinctive oeuvre characterized by serene landscapes imbued with subtle emotional depth.

Early Life & Artistic Training:

Influenced profoundly by Confucian Philosophy & Japanese Impressionism From his earliest years, Lee Sang-beom absorbed the tenets of Confucianism—a bedrock of Korean culture—which instilled in him an unwavering belief in balance, harmony, and contemplative reflection. This philosophical grounding permeated his artistic sensibilities, shaping his worldview and informing his creative process. Simultaneously, he encountered the stylistic breakthroughs originating from Japanese Impressionism, particularly the captivating works of Hiroshi Yoshida. Yoshida’s depictions of majestic mountainous vistas captivated Sang-beom with their masterful use of color and light—a technique that would become integral to his own artistic approach. He honed his skills in *sumukhwa*, mastering the meticulous conventions of traditional ink wash painting while subtly injecting expressive gestures that transcended mere replication, demonstrating an exceptional command of technique.

The Landscape Tradition Revisited:

Exploring Abstract Expressionism: The Prison Paintings Sang-beom’s artistic trajectory was marked by a deliberate reconsideration of Korea's rich landscape tradition. However, recognizing the limitations of replicating nature faithfully, he embarked on a daring experiment—the creation of “Prison Paintings.” These canvases represent a bold departure from his earlier serene landscapes and embody the spirit of abstract expressionism. Faced with confinement during the Korean War, Sang-beom channeled his inner turmoil onto the canvas, utilizing expansive brushstrokes, vibrant hues, and gestural marks to convey profound emotion. Despite the stark contrast between subject matter and artistic style, these paintings retain an underlying sense of serenity—a testament to Sang-beom’s unwavering commitment to artistic integrity amidst adversity. They stand as a powerful symbol of resilience and introspection, reflecting the artist's ability to transform personal experience into universal themes.

Legacy & Recognition: A Korean Master’s Enduring Influence

Lee Sang-beom cemented his place among Korea’s most revered painters, securing international acclaim for his stylistic innovation and philosophical depth. His landscapes continue to inspire viewers today, reminding us of the enduring power of tradition reimagined through the lens of modern artistic vision. Museums like Lee Ungno Museum showcase his remarkable collection, allowing visitors to experience firsthand the beauty and complexity of his artistic legacy—a legacy that transcends time and continues to resonate with audiences worldwide. He is remembered as a pioneer who successfully bridged the gap between Eastern philosophical ideals and Western artistic experimentation, establishing himself as an icon of Korean art history.

Lee Sang-beom

1897 - 1972 , Corée du Sud

En bref

Artistic Movement Or Style: Ink wash painting
Artists Who Influenced This Artist: ['Hiroshi Yoshida']
Date Of Birth: 1897
Full Name: Lee Sang-beom
Nationality: Korean
Notable Artworks: ['Landscape']
Place Of Birth: Seoul, South Korea

Landscape

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Biographie de l'artiste

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Description de l'œuvre

Biographie de l'artiste

Lee Sang-beom: Bridging Tradition and Modern Vision

Early Life & Artistic Training: