Commander un tirage de Work-clothes quilt

Description de l'œuvre

Until the middle of the twentieth century, most of the quilts in Gee’s Bend were made from work clothes, which, in the rural South, were simply the clothes that everyone wore nearly every day. When other fabrics became available, many women felt relief over no longer needing to wrestle these thicker and tougher materials into their patterns. Others, like Bendolph, did not mind the challenge and appreciated the meanings encoded within the old-style remnants of heavier cotton, wool, and denim. For Bendolph, in particular, the transformation of old and worn fabrics into beautiful and comforting quilts became a metaphor for surviving hard times. According to her, “They remind you of where you have been and where the Lord have brought you from.”Throughout the lexicon of African American vernacular culture, castaway objects are often used to reaffirm life, as the reinvestment of creative energy in old and outworn things suggests the possibility of turning adversity into spiritual triumph and of redeeming the socially dispossessed or human castaways of the world. The tradition of the work-clothes quilt, perpetuated by Bendolph in many of her pieces, is part of that practice. Although her contemporary patchworks are no longer made from the pathos-ridden overalls of earlier times, her recycled-denim quilts continue to evoke the same notions of loss and redemption, despair and deliverance. In an especially intriguing example from 2002, Bendolph created a brooding patchwork composed almost entirely of worn blue jean scraps. But here and there within the dark, heavy ﬁeld are passages of brilliant red. Even more paradoxical is the appearance of a few other squares of cloth printed with a delicate pink flower pattern—a symbol of regeneration.

Biographie de l'artiste

Mary Lee Bendolph

Mary Lee Bendolph (née Louisiana Cassatt), born in Georgetown, Alabama, in 1935, is an American quilt maker whose work has profoundly impacted the field of textile art and garnered international recognition. Her artistic journey began amidst the vibrant traditions of Gee’s Bend, Alabama—a rural community renowned for its distinctive quilting heritage—where she absorbed the essence of ancestral techniques and storytelling passed down through generations. Bendolph's approach to quilting distinguishes itself from mainstream practices; rather than relying on commercially produced fabrics, she meticulously repurposes clothing remnants—primarily dresses donated by African American women—transforming them into breathtaking artworks imbued with layers of personal narrative and cultural significance. This commitment to honoring the "love and spirit" residing within discarded textiles reflects a deep connection to her community’s history and identity. Bendolph's quilts are celebrated for their improvisational designs, characterized by bold geometric patterns and vibrant color palettes that defy conventional aesthetic standards. Her distinctive style has captivated critics and collectors alike, earning her accolades from prominent institutions such as the Philadelphia Museum of Art and the Minneapolis Institute of Art. Notably, she was featured in a groundbreaking article published by The New York Times titled “Crossing Over,” which explored efforts to revitalize ferry service across Alabama River—a testament to Bendolph’s unwavering advocacy for preserving Gee’s Bend's cultural heritage. Her influence extends far beyond her own creations; Bendolph has mentored countless aspiring quilters and inspired a resurgence of interest in folk art traditions. Her pioneering use of repurposed fabrics challenged prevailing notions about artistic creativity, demonstrating that beauty can emerge from unexpected sources—namely, the echoes of past lives and the enduring power of collective memory. Bendolph’s legacy resides not merely in her stunning quilts but also in her role as a champion for preserving Gee’s Bend's cultural identity and fostering dialogue between tradition and innovation. She continues to inspire artists worldwide with her unwavering dedication to honoring the stories woven into every stitch—a testament to the transformative potential of art rooted in heritage and compassion.

Mary Lee Bendolph

1935 - , Alabama

En bref

Artistic Movement Or Style: Quilts de Gee's Bend
Artists Or Movements Influenced By This Artist: ['African American art']
Artists Who Influenced This Artist: ['Louisiana Bendolph']
Date Of Birth: 1935
Full Name: Mary Lee Bendolph
Nationality: Américaine
Notable Artworks:
- Untitled (quilt)
- Work-clothes quilt
Place Of Birth: Georgetown, États-Unis

Work-clothes quilt

Description de la pièce

Biographie de l'artiste

Reproduction à l'huile faite à la main

Options d'encadrement

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

Framed

Dimensions de la reproduction

Personnalisation de l'œuvre

Niveau de compétence de l'artiste

Plaques et supports

Détails de la plaque en bronze gravée

Détails de la plaque en acrylique transparent

Détails de la plaque en acrylique noir

Vernis de protection

Production express

Services inclus

Livraison express gratuite dans le monde entier

Toile de lin de haute qualité

Assurance transport complète

Garantie de remboursement des droits de douane

Garantie de fidélité des couleurs

Politique de retour de 60 jours (uniquement en cas de défaut)

Garantie de remboursement à 100%

Tarifs dégressifs sur quantité

Prix total

$ 269

Récapitulatif

Technique de reproduction

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Artiste de premier plan

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Options d'encadrement

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Cartel

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Vernis de protection

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Personnaliser mon œuvre

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Livraison express

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Livraison express

Inclus

Prix total final