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The Spring

  • Dimenzije20.0 x 29.0 cm

Swiss painter Barthélemy Menn (1815-1893) pioneered plein-air & intimate landscapes, influenced by Ingres & Corot. Discover his serene scenes & legacy!

Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade.

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Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

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The Spring

Giclée / Umjetnički otisak

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Biografija umjetnika

Early Life and Education

  • Born: Geneva, Switzerland (1815)
  • Died: 1893
  • Parents: Louis John Menn (confectioner) and Charlotte-Madeleine-Marguerite Bodmer.
  • Early artistic training began at age twelve with Jean Duboi.
  • Studied at the Geneva Arts Society drawing school.
  • In 1833, entered the studio of Ingres in Paris, receiving formal academic training.
  • During his time in Paris, he copied works by Raphael, Titian, Veronese and Rubens.
  • Spent time studying classical antiquities from Pompeii.

Artistic Development and Influences

  • Early Travels: Visited Milan, Venice, Padua, Bologna, Florence, and Rome (1834-1838).
  • Influence of Corot & Barbizon School: Became friends with Camille Corot and was influenced by the Barbizon school painters.
  • Introduction to Plein Air Painting: Began practicing plein air painting during his time in Italy, a significant departure from traditional studio practices.
  • Paysage Intime: Developed a style known as "paysage intime" (intimate landscape), characterized by simple, understated scenes of rural life.
  • Destruction of Early Works: Between 1880 and 1890, Menn destroyed many of his earlier works, seeking to refine his artistic vision.

Major Themes and Style

  • Focus on Nature: Menn's work primarily depicted landscapes, often featuring scenes from the Swiss countryside.
  • Quiet Observation: His paintings emphasized quiet observation and a sense of tranquility.
  • Rejection of Grandiloquence: Avoided dramatic or theatrical compositions, preferring understated realism.
  • Influence of Classical Masters: Continued to study and copy works by classical masters like Raphael, demonstrating his respect for artistic tradition.
  • Emphasis on Authenticity: Art historian Fritz Schmalenbach described Menn's style as characterized by authenticity and a disregard for superficial appearances.

Teaching Career and Legacy

  • Professor at Geneva Art School (1850-1893): Held the position of director for 42 years, training two generations of Swiss painters.
  • Notable Students: Among his most famous students were Eugène Burnand, Pierre Pignolat, Édouard Vallet and Ferdinand Hodler.
  • Hodler's Influence: Hodler credited Menn as a pivotal influence in his artistic development, stating he "owed everything" to him.
  • Emphasis on Individual Development: As an instructor, Menn encouraged students to develop their own unique artistic voices.
  • Historical Significance: Recognized for introducing plein air painting and the paysage intime into Swiss art, paving the way for later generations of landscape painters.

Key Works

  • Cherries: A Group of Young Women in a Landscape, One of Them Holding a Basket of Cherries (1855)
  • Catching Frogs
  • Children Playing with a Lamb (1850)
  • The Spring
  • Farm at Coinsins, Switzerland (1865)
Barthélemy Menn

Barthélemy Menn

1815 - 1893 , Switzerland

Osnovne informacije

  • Artistic Movement Or Style: Plein-air painting, Paysage intime
  • Artists Or Movements Influenced By This Artist: ['Ferdinand Hodler']
  • Artists Who Influenced This Artist:
    • Ingres
    • Corot
    • Raphael
    • Titian
  • Date Of Birth: May 20, 1815
  • Date Of Death: October 10, 1893
  • Full Name: Barthélemy Menn
  • Nationality: Swiss
  • Notable Artworks:
    • Cherries A Group of Young Women
    • Catching Frogs
    • Farm at Coinsins, Switzerland
  • Place Of Birth: Geneva, Switzerland
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