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      Peeling Apples

      Admire 'Peeling Apples' by Evert Pieters – a realistic 19th-century Dutch painting of domestic life. Explore this warm, detailed artwork & its historical context.

      Dutch painter Evert Pieters (1856-1932) excelled in landscapes & interiors, influenced by Dutch masters. Known for beach scenes, florals & bohemian style.

      Ručno rađena uljana reprodukcija

      Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. ( Prebacite na prodaju printova Prebacite na digitalnu prodaju slika)

      Corner sample of the P118B picture frame: ližani polistiren, 5 cm wide and 3 cm thick
      P118B 10
      Corner sample of the P118H picture frame: ližani polistiren, 5 cm wide and 3 cm thick
      P118H 10
      Corner sample of the P118W picture frame: ližani polistiren, 5 cm wide and 3 cm thick
      P118W 10
      Corner sample of the P438Z picture frame: ližani polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z 10
      Corner sample of the P508JH picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
      P508JH 12
      Corner sample of the P508YH picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
      P508YH 12
      Corner sample of the P805H picture frame: ližani polistiren, 5 cm wide and 3.5 cm thick
      P805H 10
      Corner sample of the P805Z picture frame: ližani polistiren, 5 cm wide and 3.5 cm thick
      P805Z 10
      Corner sample of the P919BZ picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
      P919BZ 10
      Corner sample of the P919G picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
      P919G 10
      Corner sample of the P919XJ picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
      P919XJ 10
      Corner sample of the P959ZH picture frame: ližani polistiren, 5 cm wide and 3 cm thick
      P959ZH 10
      Corner sample of the P968JZ picture frame: ližani polistiren, 6 cm wide and 4 cm thick
      P968JZ 12
      Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W106C 8
      Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218G 10
      Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218JH 8
      Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W218Y 10
      Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W307PJ 10
      Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316G 10
      Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316PJ 8
      Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
      W316Y 10
      Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W398PJ 8
      Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
      W4111J 10
      Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500HY 15
      Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
      W500JH 15
      Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
      W692G 12
      Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
      W849H 8
      Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
      W940BG 15
      Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
      W953PJ 8

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      Ukupna cijena

      € 235

      Peeling Apples

      Tehnika izrade

      Veličina reprodukcije

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      Ukupna cijena

      € 235


      Biografija umjetnika

      From Humble Apprenticeship to Artistic Refinement

      Evert Pieters’ journey began not in the gilded halls of an academy, but within the practical, tactile world of a house painter’s apprenticeship. Born in Amsterdam in 1856 to a family of modest means, his early exposure to the raw elements of pigment and surface would later lend a profound, grounded quality to his brushwork. This foundational discipline paved the way for a more formal pursuit of beauty, leading him to the Academy of Amsterdam and eventually toward the vibrant artistic landscape of Antwerp. In the late 1870s, Pieters sought the mentorship of masters like Charles Verlat and Theodoor Verstraete, finding in their guidance a bridge between his technical training and the burgeoning movements of European art.

      The Golden Light of Flanders and the Barbizon Spirit

      As his talent blossomed, Pieters’ work began to capture the soul of the landscape, deeply influenced by the traditions of the Old Dutch Masters and the atmospheric sensibilities of the Barbizon School. His time in Belgium was marked by significant triumphs, most notably his recognition at the Second International Exhibition in Antwerp, where his evocative depiction of a Flemish wheatfield earned him a prestigious medal. This period of his life was characterized by a deep connection to the earth and sky, as he moved between Paris and the tranquil environs of Barbizon, honing a style that balanced classical structure with an emerging softness.

      • The mastery of light: His ability to render the subtle shifts of sunlight across rural scenery.
      • A connection to tradition: Drawing inspiration from the textures and compositions of 17th-century Dutch landscapes.
      • Narrative interiors: The introduction of human elements into domestic settings, creating a sense of quiet intimacy.


      An Impressionistic Legacy in Coast and Color

      In his later years, Pieters’ palette underwent a luminous transformation. Moving to Katwijk aan Zee, he turned his gaze toward the rhythmic beauty of the coast, where his brushstrokes became more fluid and impressionistic. The tranquil beach scenes, featuring sailboats and riders against muted blues and sandy tones, showcased a master at peace with the changing tides of art history. Even as his work embraced the loose, energetic textures of Impressionism—often focusing on the delicate beauty of floral still-lifes—the core of his artistry remained rooted in that initial, profound observation of nature. His life, which came to an abrupt end in Laren, left behind a legacy of light, texture, and a timeless devotion to the Dutch landscape.
      Evert Pieters

      Evert Pieters

      1856 - 1932 , Netherlands

      Brzi pregled

      • Full Name: Evert Pieters
      • Nationality: Dutch
      • Date Of Birth: 1856
      • Date Of Death: 1932
      • Place Of Birth: Netherlands
      • Notable Artworks:
        • Zelfportret
        • Peeling Apples
        • Aan Het Strand
      • Artistic Movement Or Style: Barbizon School
      • Artists Who Influenced This Artist: ['Gustave Loiseau']
      • Artists Or Movements Influenced By This Artist: ['Dutch Masters']
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