Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo
Prebacite na digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (31 Listopad)
Bird Land-Chrysler
Veličina reprodukcije
In the vibrant and often dreamlike realm of contemporary Korean art, Kim Joon stands as a master of digital storytelling, weaving intricate tapestries of desire and memory. His work, Bird Land-Chryslam, is a breathtaking testament to this ability, presenting a visual feast that defies the boundaries of reality. At first glance, the viewer is swept into a kaleidoscopic universe where the distinction between the organic and the manufactured begins to dissolve. The canvas is alive with a rhythmic dance of creatures—fish gliding through unseen currents, birds poised in mid-flight, and horses captured in moments of grace—all set against a striking palette of deep blues and fiery reds. This chromatic tension creates an immediate emotional pull, drawing the eye into a complex landscape where every corner holds a new discovery.
The composition is a masterful exercise in controlled chaos. Scattered throughout this menagerie are various bottles, their diverse shapes and sizes acting as anchors within the swirling motion of the animals. These objects introduce a layer of domesticity and stillness that contrasts sharply with the kinetic energy of the fauna. This juxtaposition is a hallmark of Kim Joon’s unique aesthetic; he possesses a singular talent for taking disparate elements—from Western pop culture icons to delicate porcelain motifs—and fusing them into a cohesive, albeit surreal, narrative. The presence of these vessels suggests a sense of containment or perhaps a collection of memories, much like specimens preserved in time, inviting the viewer to contemplate the fragility of the beauty on display.
While the visual impact of Bird Land-Chrysler is profoundly painterly, its soul resides in the precision of digital printing. Kim Joon utilizes the digital medium not merely as a tool for reproduction, but as a primary site of creation. This allows for an unprecedented level of detail, where the subtle textures of a feather or the glint of light on glass can be rendered with hyper-realistic clarity. The artist’s ability to manipulate imagery enables him to construct "fabricated compositions" that feel both impossible and intensely tangible. By layering digital elements, he achieves a depth of field that mimics the complexity of a classical oil painting while embracing the limitless possibilities of the modern age.
For the discerning collector or interior designer, this piece offers more than just visual splendor; it provides a profound intellectual engagement. The artwork serves as a bridge between tradition and modernity, echoing the delicate elegance of historical porcelain through a lens of contemporary digital innovation. It is a work that demands attention in any space, acting as a sophisticated focal point that sparks conversation and invites deep introspection. Whether placed in a minimalist gallery setting or a richly textured residential interior, Bird Land-Chrysler radiates an aura of curated wonder, making it an exquisite choice for those looking to infuse their environment with the spirit of contemporary Korean mastery.
Uz svoj Playful ugođaj, djelo "Bird Land-Chrysler" preporučuje se za Coworking.
"Bird Land-Chrysler" je izvedeno u tehnici Digital i u svom izvornom obliku ima dimenzije 2100 x 1200 cm.
Kim, Joon je djelu "Bird Land-Chrysler" pristupio u dobi od 42 godina. Umjetnik je rođen 1966, a datum stvaranja djela je 2008.
1966 - , South Korea