Atelier — Besplatna dostava širom svijeta — Rok isporuke 2–6 tjedana
      Giovanni Francesco Barbieri, 1591 – 1666

      Giovanni Francesco Barbieri: 100 najpoznatijih slika

      Od svih djela Giovanni Francesco Barbieri, Pietà (1638) je najpoznatije; nalazi se u muzeju Musée Condé, Chantilly. Samo iza njih slijede St Peter and the angel (1650) i David with the Head of Goliath (1657). Od 367 djela umjetnika Giovanni Francesco Barbieri u našem katalogu, ovih 100 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.

      Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.

      Portret Giovanni Francesco Barbieri
      Giovanni Francesco Barbieri · 1591 – 1666
      Rođen · umro
      1591 – 1666, Cento
      Pokret
      Baroque
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      Najpoznatije
      Pietà (1638)
      Najviše djela u
      Bavarske državne slikopisne zbirke

      10 najpoznatijih djela umjetnika Giovanni Francesco Barbieri

      Pietà (1638) od Giovanni Francesco Barbieri
      1

      Pietà

      1638 · Oil On Canvas · Musée Condé, Chantilly

      This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.

      Hand-painted oil reproduction from $278 26 × 39 cm
      St Peter and the angel (1650) od Giovanni Francesco Barbieri
      2

      St Peter and the angel

      1650 · Acrylic On Canvas · Art Gallery of South Australia, Adelaide

      Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…

      Hand-painted oil reproduction from $178 38 × 26 cm
      David with the Head of Goliath (1657) od Giovanni Francesco Barbieri
      3

      David with the Head of Goliath

      1657 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

      A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…

      Hand-painted oil reproduction from $203 27 × 37 cm Same size as the original $1038 144 × 200 cm Order at original size →
      The Samian Sibyl with a Putto (1651) od Giovanni Francesco Barbieri
      4

      The Samian Sibyl with a Putto

      1651 · Oil On Canvas · National Gallery, London

      The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…

      Hand-painted oil reproduction from $203 28 × 36 cm Same size as the original $1351 180 × 219 cm Order at original size →
      Saint-Jean-Baptiste (1661) od Giovanni Francesco Barbieri
      5

      Saint-Jean-Baptiste

      1661 · Oil On Canvas · Musée Fabre, Montpellier

      The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.

      Hand-painted oil reproduction from $178 26 × 38 cm Same size as the original $1371 168 × 243 cm Order at original size →
      La Madonna del passero od Giovanni Francesco Barbieri
      6

      La Madonna del passero

      Oil

      In this intimate composition, we find a moment of profound stillness between a mother and her child. The Virgin Mary, draped in a deep red garment, holds the infant Jesus with a tenderness that feels both sacred and deeply human. A small sparrow rests near them, its presence drawing the gaze of both figures. This bird is not merely a casual addition to the scene; it acts as a focal…

      Hand-painted oil reproduction from $178 26 × 38 cm
      Painting and Drawing (1656) od Giovanni Francesco Barbieri
      7

      Painting and Drawing

      1656 · Oil On Canvas · Staatliche Kunstsammlungen Dresden, Dresden

      The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.

      Hand-painted oil reproduction from $228 28 × 36 cm Same size as the original $1450 181 × 231 cm Order at original size →
      Portrait of a Woman (1628) od Giovanni Francesco Barbieri
      8

      Portrait of a Woman

      1628 · Oil · Bavarske državne slikopisne zbirke, München

      Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $252 51 × 67 cm Order at original size →
      Christ and the Moneylender (1628) od Giovanni Francesco Barbieri
      9

      Christ and the Moneylender

      1628 · Oil · Bavarske državne slikopisne zbirke, München

      The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…

      Hand-painted oil reproduction from $203 28 × 36 cm Same size as the original $304 58 × 74 cm Order at original size →
      St Anthony of Padua with the Infant Christ od Giovanni Francesco Barbieri
      10

      St Anthony of Padua with the Infant Christ

      Oil On Canvas

      In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…

      Hand-painted oil reproduction from $178 27 × 36 cm

      Slike umjetnika Giovanni Francesco Barbieri rangirane od 11 do 100

      God the Father (1630) od Giovanni Francesco Barbieri
      #12

      God the Father

      1630 · Narodni muzej u Varšavi

      Guercino presents God the Father as a singular presence upon the canvas. This religious art piece captures a divine figure through the medium of oil on canvas. The…

      Neka je naslika ručno from $178 →
      Abraham and Hagar (1616) od Giovanni Francesco Barbieri
      #19

      Abraham and Hagar

      1616 · Statens Museum For Kunst

      The tension of a profound biblical moment unfolds within Abraham and Hagar, an oil on canvas that captures a heavy, emotional intersection of lives. Guercino, the artist behind…

      Neka je naslika ručno from $228 →
      The Persian Sybil (1628) od Giovanni Francesco Barbieri
      #21

      The Persian Sybil

      1628 · Bavarske državne slikopisne zbirke

      A single light source strikes the subject from the upper left, carving her form out of a dark, shallow void. She leans into a gentle diagonal, her head…

      Naručite ovo platno from $178 →
      Circé (1637) od Giovanni Francesco Barbieri
      #25

      Circé

      1637

      This Baroque oil painting, created in 1637, presents a dramatic depiction of the mythological figure Circé. The composition is centered on a female figure positioned slightly to the…

      Naručite ovo platno from $178 →
      Cleopatra (1621) od Giovanni Francesco Barbieri
      #35

      Cleopatra

      1621 · Nacionalna galerija Armenije

      In this 1621 oil painting, we encounter Cleopatra, a work by the Italian artist Guercino. The subject is rendered with a profound sense of psychological weight, capturing the…

      Unesite ovu svjetlost u svoj dom from $178 →
      Amnon and Tamar od Giovanni Francesco Barbieri
      #43

      Amnon and Tamar

      National Gallery of Art

      In the grand, sweeping theater of the Italian Baroque, few moments possess the psychological tension found in Guercino’s 'Amnon and Tamar'. Created between 1649 and 1650, this evocative…

      Neka je naslika ručno from $178 →

      Platna umjetnika Giovanni Francesco Barbieri po razdobljima

      Što je Giovanni Francesco Barbieri najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.

      Gdje se nalaze platna umjetnika Giovanni Francesco Barbieri

      8 muzeja u kojima se nalazi najviše djela s ove stranice.

      Muzej Grad Djela autora Giovanni Francesco Barbieri Slike iz ovog popisa
      Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 8 Portrait of a Woman, Christ and the Moneylender, The Persian Sybil
      National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 6 Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha
      Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 2 God the Father, Saint Francis with an angel playing violin
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 2 Study for St. William of Aquitaine, Bust of a Soldier in Armor
      National Gallery, LondonNational Gallery London 8 The Samian Sibyl with a Putto
      Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 4 Painting and Drawing
      Fitzwilliam MuseumFitzwilliam Museum 3 The Holy Family on the Flight meets the infant St John
      Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 3 The Virgin and Child with the Infant Saint John the Baptist

      Od desetljeća do desetljeća: najpoznatije platno umjetnika Giovanni Francesco Barbieri

      1. 1610s
        The Glory of All the Saints. Fragment (1613) od Giovanni Francesco Barbieri
        Platno 15 od 100

        The Glory of All the Saints. Fragment

        Godine 19 – 28

        In this fragment from 1613, we find ourselves drawn into a dense, crowded space where the boundaries between the earthly and the divine seem to dissolve. The composition…

      2. 1620s
        Portrait of a Woman (1628) od Giovanni Francesco Barbieri
        Platno 8 od 100

        Portrait of a Woman

        Godine 29 – 38 · Bavarske državne slikopisne zbirke

        Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her…

      3. 1630s
        Pietà (1638) od Giovanni Francesco Barbieri
        Platno 1 od 100

        Pietà

        Godine 39 – 48 · Musée Condé

        This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635…

      4. 1640s
        Mary Magdalene (1645) od Giovanni Francesco Barbieri
        26 od 100

        Mary Magdalene

        Godine 49 – 58

        This oil painting presents Mary Magdalene, a figure captured in a moment of quiet introspection. The work is attributed to the Italian artist Guercino, who was born in…

      5. 1650s
        St Peter and the angel (1650) od Giovanni Francesco Barbieri
        2 od 100

        St Peter and the angel

        Godine 59 – 68 · Art Gallery of South Australia

        Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes…

      6. 1660s
        Saint-Jean-Baptiste (1661) od Giovanni Francesco Barbieri
        Platno 5 od 100

        Saint-Jean-Baptiste

        Godine 69 – 75 · Musée Fabre

        The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as…

      Vaša pitanja o slikama umjetnika Giovanni Francesco Barbieri – odgovori

      Koje je najpoznatije djelo umjetnika Giovanni Francesco Barbieri?Pročitajte odgovor

      Pietà (1638), Musée Condé, Chantilly. Prate ih St Peter and the angel (1650) i David with the Head of Goliath (1657).

      Koliko je godina Giovanni Francesco Barbieri imao/la u vrijeme nastanka djela Pietà?Pročitajte odgovor

      Giovanni Francesco Barbieri, rođen/a 1591, imao/la je 47 godina: Pietà datira iz 1638.

      Po kojim deset platnena Giovanni Francesco Barbieri je najpoznatiji/a?Pročitajte odgovor

      Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender i St Anthony of Padua with the Infant Christ. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je poznatih slika umjetnika Giovanni Francesco Barbieri?Pročitajte odgovor

      U našem katalogu nalazi se 367 djela umjetnika Giovanni Francesco Barbieri, datiranih od 1613 do 1666.

      U kojim se muzejima čuvaju najpoznatija platna umjetnika Giovanni Francesco Barbieri?Pročitajte odgovor

      Većinom u Bavarske državne slikopisne zbirke (München), National Gallery of Ireland (Dublin) i Narodni muzej u Varšavi (Varšava); gornji popis navodi svaki muzej i njegova platna.

      U kojim je godinama Giovanni Francesco Barbieri naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1650s, koji obuhvaća 9 od ukupno 100 djela na ovoj stranici, među njima je i St Peter and the angel.

      Koja su prva i posljednja poznata platna umjetnika Giovanni Francesco Barbieri?Pročitajte odgovor

      Najstarije platno ovdje je iz The Glory of All the Saints. Fragment (1613) godine; najnovije je iz Virtuous Love (1666) godine.

      Koji se motivi najčešće pojavljuju u slikama umjetnika Giovanni Francesco Barbieri?Pročitajte odgovor

      Woman (19), Man (16) i Religious (10), kroz svih 100 djela na ovoj stranici.

      Što je Giovanni Francesco Barbieri obično koristio za slikanje?Pročitajte odgovor

      Oil On Canvas, korišteno u 22 od 100 djela na ovoj stranici.

      Pripada li Giovanni Francesco Barbieri kojem umjetničkom pokretu?Pročitajte odgovor

      Baroque, kao što pokazuju platna na ovoj stranici.

      Što mogu vidjeti od djela Giovanni Francesco Barbieri u muzeju Bavarske državne slikopisne zbirke?Pročitajte odgovor

      Muzej Bavarske državne slikopisne zbirke, München posjeduje 5 djela s ove stranice, među kojima su i Portrait of a Woman, Christ and the Moneylender i The Persian Sybil.

      Mogu li naručiti ručno oslikanu kopiju djela umjetnika Giovanni Francesco Barbieri?Pročitajte odgovor

      Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.

      Giovanni Francesco Barbieri: priča slikara

      Život u sjeni: Svijet Giovannija Francesca Barbierija, poznatog kao Guercino

      Giovanni Francesco Barbieri, svijetu poznatiji kao Il Guercino – “škiljavac” – ime je rođeno od fizičke karakteristike, ali sudbina mu je bila da oblikuje revolucionarnu viziju barokne umjetnosti. Rođen 1591. godine u Centu, malom gradu smještenom između Ferrare i Bologne, Guercinov put nije započeo u svečanim dvoranama formalnih akademija, već kroz samostalno istraživanje i rani staž kod Ludovica Carraccija. Ovaj formativni period postavio je temelje za stil koji će postati sinonim za intenzivne emocije, dramatični chiaroscuro i duboko razumijevanje realizma i idealizma. Za razliku od mnogih svojih suvremenika koji su tražili klasičnu savršenost, Guercinova umjetnost pulsirala je sirovom, ljudskom energijom, odražavajući burnu duhovnu klimu 17. stoljeća u Italiji. Njegov rani život obilježila je prirodna nadarenost koja je brzo nadišla konvencionalni trening; on nije samo kopirao stilove, već je klesao vlastiti put, osvijetljen urođenim razumijevanjem svjetla i sjene.

      Od karavagizma do klasične ljepote: Promjenjiva paleta

      Guercinov umjetnički razvoj nije bio linearna progresija, već fascinantan dijalog između različitih utjecaja i stilskih istraživanja. Njegova ranija djela duboko su bila utkana u revolucionarni naturalizam Caravaggia, prihvaćajući oštre kontraste i grubi realizam koji je šokirao i očarao publiku. Slike poput *Amnona i Tamare* primjer su ovog ranog razdoblja – potresna slika biblijske priče prikazana s nemilosrdnom iskrenošću i psihološkom dubinom. Međutim, Guercino nije bio zadovoljan da ostane samo u orbiti karavagizma. Ključna promjena dogodila se u njegovom stilu tijekom 1630-ih, potaknuta umjetničkom znatiželjom i zahtjevima diskretnih mecena. Počeo je omekšavati paletu boja, udaljavajući se od oštrog tenebrizma prema svjetlijem i uravnoteženijem pristupu. Ovaj prijelaz nije bio samo stilski hir; to je odražavalo dublje zanimanje za klasične ideale i želju za stvaranjem djela koja su bila ne samo emocionalno moćna, već i estetski profinjena. Ovo razdoblje obilježila je veća osjećaj prostorne dubine i skladnija kompozicija, što se vidi u remek-djelima poput *Povratka izgubljenog sina*.

      Biblijske priče i emocionalni odjek

      Tijekom cijele svoje karijere Guercino se neprestano vraćao biblijskim pričama za inspiraciju. Međutim, on nije samo ilustrirao te priče; obdario ih je dubokim smislom ljudske drame i emocionalnog odjeka. Njegove figure nisu idealizirani sveci, već nesavršeni pojedinci koji se bore s vjerom, sumnjom, kajanjem i otkupljenjem. *Poziv sv. Aloysija Gonzage* izvrstan je primjer – snažan prikaz religijskog buđenja izveden s zadivljujućom vještinom i osjetljivošću. Guercinova sposobnost da uhvati unutarnje živote svojih subjekata razlikovala ga je od mnogih njegovih suvremenika. Razumio je da prava pobožnost nije u vanjskim manifestacijama posvećenosti, već u unutarnjim borbama i žrtvama koje definiraju život posvećen vjeri. Ova psihološka dubina, u kombinaciji s njegovom majstorskom uporabom svjetla i sjene, stvorila je slike koje su bile vizualno zadivljujuće i emocionalno uvjerljive. Nije se bojao prikazivati teške ili nemirne trenutke, vjerujući da su oni bitni za razumijevanje složenosti ljudskog stanja.

      Trajno nasljeđe: Utjecaj i ponovno otkriće

      Guercinov utjecaj protezao se daleko izvan njegovog života. Njegova dramatična upotreba svjetla i sjene, u kombinaciji s njegovom sposobnošću da izazove snažne emocije, inspirirala je generacije umjetnika diljem Europe. Iako je njegova reputacija donekle jenjala u 18. i 19. stoljeću, obnovljena procjena njegovog rada pojavila se u 20. stoljeću, uglavnom zahvaljujući neumornim naporima povjesničara umjetnosti Sir Denisa Mahona. Mahonovo temeljito istraživanje i strastveno zalaganje pomogli su vratiti Guercina na njegovo pravo mjesto među majstorima baroknog razdoblja. Danas se njegove slike slave u prestižnim muzejima diljem svijeta – od Pinacoteca Nazionale u Ferari do Nacionalne galerije umjetnosti u Washingtonu D.C. – kao svjedočanstvo njegovog trajne umjetničke genijalnosti.
      • Muzeji i zbirke: Guercinova djela krase dvorane institucija poput Pinacoteca Nazionale (Ferrara), Palazzo Brignole-Sale (Genoa) i Galleria Spada (Rim).
      • Majstor chiaroscuroa: Njegova dramatična upotreba svjetla i sjene ostaje definiranom karakteristikom njegovog stila.
      • Biblijski pripovjedač: Oživio je biblijske priče s neusporedivom emocionalnom dubinom i psihološkim uvidom.
      Guercinovo nasljeđe nije samo o tehničkoj vještini ili stilskim inovacijama; to je o moći umjetnosti da nas poveže s našom zajedničkom ljudskošću, istražiti složenost vjere i sumnje te osvijetliti trajne misterije ljudskog srca.