L'opera d'arte visualizzata in questa pagina è protetta dalle leggi sul diritto d'autore, il che significa che non possiamo legalmente creare o vendere una riproduzione identica. Tale protezione è garantita da accordi internazionali quali la Convenzione di Berna e dalle leggi nazionali, incluse quelle stabilite da Legge sul copyright degli Stati Uniti - Titolo 17. Tutti i diritti riservati. Le immagini presenti su questo sito sono protette da copyright e non possono essere riprodotte o utilizzate senza l'autorizzazione scritta di WahooArt.com o dei rispettivi proprietari del copyright.
Questo metodo è pienamente conforme alle normative sul diritto d'autore poiché non prevede la copia o la duplicazione dell'opera protetta. Si tratta invece di una rielaborazione creativa: un nuovo dipinto che trae ispirazione dall'originale, senza tuttavia esserne identico.
Stampa giclée o su tela di qualità museale, con produzione rapida e diverse opzioni di finitura. ( Ordina la riproduzione dipinta a mano
Passa all'immagine digitale)
Scegli tra le nostre dimensioni predefinite, che rispettano le proporzioni originali dell'opera d'arte.
Inserisci la larghezza e l'altezza desiderate, per adattarle alla tua cornice o alla tua parete. Una stampa può essere solo ritagliata, mai resa più grande dell'immagine originale; pertanto, un formato con una forma differente comporterà la perdita di una parte dell'opera. Ti invieremo un mockup digitale da approvare prima di procedere con la stampa. L'immagine mostrata in questa pagina non rappresenta il ritaglio reale — solo il mockup lo mostra.
Consegna in tutto il mondo () in 2 settimane invece delle normali 4/5 settimane. (24 Ottobre)
Quartered Meteor
Dimensioni della riproduzione
Lynda Benglis’s “Quartered Meteor,” created in 1969, isn't merely a sculpture; it’s an excavation. Emerging from the fertile ground of post-minimalism, this monumental work confronts viewers with a primal energy—a suggestion of geological upheaval and the raw power of nature rendered in unexpected materials. The piece immediately establishes a dialogue between the familiar and the unsettling, inviting us to contemplate the collision of forces that shape our world. Benglis’s choice of cast lead and steel, combined with the deliberate fragmentation of the form, speaks volumes about her artistic philosophy: an exploration of materiality as both a physical substance and a vehicle for emotional expression.
The sculpture's genesis lies in a period of intense experimentation within American art. Following the austerity of Minimalism—characterized by geometric forms and a rejection of overt representation—artists began to seek new avenues for exploring human experience. Benglis, deeply influenced by figures like Barnett Newman and the tactile qualities of her upbringing in Louisiana, responded with works that embraced sensuality, physicality, and often, a touch of subversive commentary. “Quartered Meteor” embodies this shift perfectly, rejecting the cold objectivity of Minimalism in favor of a more visceral engagement with form and texture.
The title itself is profoundly evocative. "Meteor" immediately conjures images of celestial impact—a violent entry into our atmosphere, leaving behind a scar on the earth. Benglis’s sculpture doesn't depict this event literally; instead, it captures its essence through a carefully constructed arrangement of fragmented forms. The jagged edges and uneven surfaces suggest the shattered remnants of a colossal collision, while the dark, textured material—a dense amalgamation of lead and steel—evokes the weight and solidity of geological formations. It’s as if the sculpture is attempting to embody the memory of a cosmic event, translating it into a tangible, sculptural presence.
Interestingly, Benglis's choice of materials – lead and steel – adds another layer of meaning. Lead, historically associated with alchemy and transformation, carries connotations of both creation and destruction. Steel, representing industrial strength and technological advancement, provides a counterpoint to the organic forms, highlighting the tension between nature and human intervention. The combination speaks to a broader exploration of power dynamics—the forces that shape our world, both natural and artificial.
The sculpture’s composition is deceptively simple yet remarkably effective. Centrally positioned within its gallery space, “Quartered Meteor” dominates the lower portion of the room, creating a sense of immediate presence. The deliberate shadow cast by the piece extends upwards along the wall, deepening the sense of depth and suggesting an expansive, subterranean realm. The texture is crucial to the work’s impact; it's rough, uneven, and tactile—inviting viewers to reach out and explore its surface. This physicality contrasts sharply with the smooth, neutral walls of the gallery, further emphasizing the sculpture’s inherent materiality.
Furthermore, Benglis masterfully employs a strategy of “absence.” The work doesn't attempt to fill every space; instead, it leaves gaps and voids that encourage viewers to actively engage their imagination. This deliberate ambiguity—the suggestion of something hidden beneath the surface—contributes to the sculpture’s enduring power and invites multiple interpretations.
“Quartered Meteor” stands as a pivotal work in Lynda Benglis's oeuvre, marking a significant departure from earlier, more overtly figurative sculptures. It exemplifies her pioneering approach to materiality—a willingness to experiment with unconventional materials and embrace the inherent qualities of each substance. The sculpture’s enduring appeal lies not only in its striking visual impact but also in its profound exploration of themes such as power, transformation, and the relationship between humanity and the natural world. It remains a potent reminder of Benglis's innovative spirit and her lasting contribution to contemporary art.
I colori Neutrals di "Quartered Meteor" di Lynda Benglis si armonizzano con lo spazio consigliato: un/una Living Room.
La guida a "Quartered Meteor" è la pagina Schede didattiche dell'opera d'arte: una scheda informativa stampabile che presenta l'opera con la sua didascalia, i crediti e la tabella identificativa (artista, date, tecnica, dimensioni originali, collezione).
No - l'opera si trova all'estero. Il paese di nascita di Lynda Benglis è Stati Uniti d'America, mentre il museo che custodisce l'originale di "Quartered Meteor" si trova in Regno Unito.
1941 - , Stati Uniti d'America