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StatisticheThat
Explore Milton Viola Fernandes’ surreal ‘That,’ a vibrant oil painting blending Expressionism & Surrealism. Discover layered figures, rich browns & reds, and symbolic imagery in this unique Brazilian artwork.
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Millôr Fernandes: un maestro satirico brasiliano noto per i suoi disegni ironici e le sue opere teatrali. Scopri la sua arte e il suo contributo alla cultura nazionale!
L'opera d'arte visualizzata in questa pagina è protetta dalle leggi sul diritto d'autore, il che significa che non possiamo legalmente creare o vendere una riproduzione identica. Tale protezione è garantita da accordi internazionali quali la Convenzione di Berna e dalle leggi nazionali, incluse quelle stabilite da Legge sul copyright degli Stati Uniti - Titolo 17. Tutti i diritti riservati. Le immagini presenti su questo sito sono protette da copyright e non possono essere riprodotte o utilizzate senza l'autorizzazione scritta di WahooArt.com o dei rispettivi proprietari del copyright.
Questo metodo è pienamente conforme alle normative sul diritto d'autore poiché non prevede la copia o la duplicazione dell'opera protetta. Si tratta invece di una rielaborazione creativa: un nuovo dipinto che trae ispirazione dall'originale, senza tuttavia esserne identico.
Giclée / Stampe d'arte
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P118B €10
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P118W €10
P438Z €10
P508JH €12
P508YH €12
P805H €10
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P919BZ €10
P919G €10
P919XJ €10
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P968JZ €12
W106C €8
W218G €10
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W218Y €10
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W316G €10
W316PJ €8
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W398PJ €8
W4111J €10
W500HY €15
W500JH €15
W692G €12
W849H €8
W940BG €15
W953PJ €8
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That
Giclée / Stampe d'arte
Dimensioni riproduzione
-
Prezzo finale calcolato
€ 62
A Visionary Descent into Paradise
In the evocative and swirling depths of "That," we encounter a masterpiece of surrealist storytelling that transcends the boundaries of traditional illustration. The artwork, inspired by Milton Viola Fernandes’s profound narrative “A Verdadeira História do Paraíso” (The True History of Paradise), presents a dreamlike tableau that is as much a psychological landscape as it is a visual one. At its heart lies a poignant central figure—a man with a magnificent, bushy beard cradling a small child—an image that immediately evokes themes of protection, lineage, and the tender weight of responsibility. This intimate moment is set against a backdrop of organized chaos, where stylized flora and vibrant, organic shapes surge around the protagonists, creating a sense of a world both blooming and overwhelming.
The composition is a masterclass in dynamic layering, eschewing strict linear perspective in favor of an emotional depth achieved through overlapping forms. The palette is dominated by rich, earthy browns and deep, brooding reds, which lend the piece a primal, grounded quality. However, these somber tones are punctuated by sudden, brilliant flashes of bright red and stark white, acting like rhythmic heartbeats within the visual narrative. This interplay of light and shadow creates an uneven, flickering luminosity that mimics the unpredictable nature of memory or a fever dream, drawing the viewer into a state of heightened sensory awareness.
The Language of Expressionism and Symbolism
Technically, the piece leans heavily into the traditions of Expressionism and Surrealism. The artist utilizes loose, gestural lines that imbue every element with a sense of kinetic energy; nothing in this paradise is static. The application of paint appears thick and impasto-like, suggesting a tactile, rugged surface where the physical struggle of the medium mirrors the complex narrative being told. This textured approach gives the artwork a sculptural presence, making the stylized plants and distorted figures feel as though they are emerging directly from the canvas itself.
Beyond its visual splendor, "That" is steeped in symbolic complexity. The surrounding vegetation, while beautiful, possesses an exaggerated, almost predatory quality, perhaps representing the temptations or the untamed nature of paradise itself. The integration of text into the very fabric of the composition further blurs the line between literature and fine art, turning the canvas into a living book cover. For the collector or interior designer, this piece offers more than mere decoration; it provides a profound focal point that invites contemplation on the duality of existence—the coexistence of peace and chaos, of innocence and the overwhelming complexity of the natural world.
For those seeking to elevate a curated space, a high-quality reproduction of this work brings with it an atmosphere of intellectual depth and artistic mystery. It is a piece designed for environments that value storytelling, where the art serves as a window into a beautifully distorted reality, sparking conversation and emotional resonance in any room it inhabits.
Domande e risposte
Quale emozione trasmette "That" di Milton Viola Fernandes?
"That" è associata a una sensazione Dramatic. Il tono emotivo descrive l'impressione che l'opera trasmette.
Quale dimensione è consigliata per "That" in un/una Coffee Shop?
Per un Coffee Shop, si consiglia di stampare "That" con una dimensione di Large.
Quale uso e quale spazio si consigliano per "That" di Milton Viola Fernandes?
"That" di Milton Viola Fernandes è consigliato per Conversation, idealmente in un Coffee Shop. L'uso e lo spazio aiutano a individuare l'ambiente ideale per una riproduzione.
Biografia dell'artista
Early Life and Career
Millôr Fernandes, known by his adopted name Millôr, was a Brazilian writer, journalist, cartoonist, humorist, and playwright whose distinctive style captivated audiences for decades. Born Milton Viola Fernandes on August 16, 1923, in Rio de Janeiro, Brazil, his birth certificate rendered the name “Millôr,” which he later embraced as his official moniker—a deliberate choice reflecting his rebellious spirit. From a humble upbringing in Meyer suburb, Millôr’s formative years instilled within him an unwavering dedication to observation and critique of societal norms. His journalistic journey commenced in 1938, securing positions at prominent Brazilian magazines like *O Cruzeiro* and *A Cigarra*, where he honed his craft as a satirist and storyteller. Immediately recognized for his acerbic wit and unparalleled ability to distill complex ideas into memorable aphorisms—he penned over ten thousand of them—Millôr quickly established himself as a voice of dissent and intellectual curiosity.Artistic Contributions
Fernandes’s artistic endeavors extended far beyond the realm of prose, profoundly impacting Brazilian visual culture. In 1956, he achieved international acclaim by sharing the first prize at the Buenos Aires International Caricature Exhibition with Saul Steinberg—a testament to his mastery of visual humor and symbolic representation. This recognition propelled him into a solo exhibition in Rio de Janeiro’s Museum of Modern Art (MASP) in 1957, showcasing his burgeoning talent as an illustrator. Notably, he co-founded *O Pasquim* in 1969 alongside Jaguar, Ziraldo, and others—a groundbreaking satirical newspaper that championed freedom of expression and challenged prevailing ideologies during the military dictatorship. His prolific output encompassed numerous plays exploring themes of social justice and human condition, demonstrating his versatility as a playwright. Furthermore, Millôr’s literary explorations included translations of classics like Shakespeare's *Hamlet*, cementing his legacy in Brazilian literature and enriching the cultural landscape. His participation in the Buenos Aires International Caricature Exhibition stands as an enduring symbol of his global recognition—a reflection of his unwavering commitment to artistic innovation and social commentary.Notable Works and Legacy
Millôr’s visual artistry is characterized by a distinctive blend of meticulous detail and playful exaggeration, capturing the essence of Brazilian society with astute observation and subversive humor. His drawings—over five thousand in total—were exhibited extensively throughout Brazil and internationally, solidifying his reputation as one of the nation's foremost illustrators. Among his most celebrated pieces are “Commodity Money” and “That,” which exemplify his ability to convey profound ideas through deceptively simple imagery. His influence extended beyond artistic circles, shaping public discourse and inspiring generations of writers and artists. Millôr’s unwavering belief in the power of satire—combined with his profound understanding of human psychology—continues to resonate today as a beacon of intellectual courage and creative expression. He died peacefully on March 27, 2012, in Rio de Janeiro, leaving behind an indelible mark on Brazilian culture and artistic heritage.
Milton Viola Fernandes
1923 - 2012 , Brasile
Dettagli rapidi
- Artistic Movement Or Style: Satirical Illustration
- Date Of Birth: August 16, 1923
- Date Of Death: March 27, 2012
- Full Name: Milton Viola Fernandes
- Nationality: Brazilian
- Notable Artworks:
- Commodity money
- That
- The advent of metal
- Place Of Birth: Rio de Janeiro, Brazil
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