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統計情報A Greek Captive
- 73.0 x 92.0cm
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ジークレー／アートプリント
スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 (
手描き複製画を注文する デジタル画像販売へ切り替え)
P118B ¥10
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P919XJ ¥10
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P968JZ ¥12
W106C ¥8
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W218JH ¥8
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W307PJ ¥10
W316G ¥10
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A Greek Captive
ジークレー／アートプリント
複製画サイズ一覧
-
合計金額
¥ 11060
A Study in Silvery Blue and Crimson
A young girl sits centered in the frame, her gaze fixed upon a point just beyond the viewer. She is draped in a gown of deep, luminous blue, accented by gold embroidery that catches a soft light from the upper left. A crimson sash cinches her waist, and a matching red headband rests against her dark hair. Her hands hold a cluster of delicate, leafy greenery, the textures of the leaves rendered with fine, precise brushwork. The background remains a muted, shadowy grey, pushing her pale, smooth skin into sharp relief. There is a quiet stillness in her expression, a sense of vulnerability held within the folds of her silk-like attire.
The Weight of the Gaze
The portrait captures Maria Pasqua Abruzzesi, a child model of notable beauty, in a moment of introspective calm. The composition relies on a vertical, three-quarter length arrangement that emphasizes the subject's delicate proportions. Through the use of Academic Realism, the artist achieves a tactile quality in the following elements:
- The intricate, metallic sheen of the gold embroidery on the blue fabric.
- The soft, organic curves of the drapery falling around her figure.
- The contrast between the cool, silvery tones of the dress and the warm, saturated red of the sash.
- The subtle, three-dimensional modeling of the face through gentle shadows.
The Shadow of Orientalism
Painted in 1863, this work reflects the mid-19th-century fascination with the Eastern world. While the sitter is Italian, the title and the ornate, theatrical nature of her clothing place the scene within the Orientalist movement. The painting avoids the grand scale of historical epics, opting instead for a focused, intimate study of a single figure. The light falls across her features with a soft, controlled precision, creating a sense of depth that pulls the viewer into her silent, somber world. A single leaf rests against her hand.
Q&A
「A Greek Captive」の作者は誰ですか？
「A Greek Captive」はHenriette Browneによる作品です。このページでは、Henriette Browneのオリジナル作品についてご紹介しています。
Henriette Browne作「A Greek Captive」を異なる照明の下で見ることはできますか？
Henriette Browne作「A Greek Captive」のX線解析ページは、X線写真のような表示を含む、作品画像の11層にわたる光学レイヤーをスライドして閲覧できるインタラクティブ・ビューアです。
Henriette Browne作「A Greek Captive」の制作年はいつですか？
Henriette Browne作「A Greek Captive」の制作年は1863年です。
作家プロフィール
The Life and Art of Henriette Browne
Born in Paris, France, Sophie de Bouteiller pursued an artistic education under the guidance of her mother, who encouraged her to study music and drawing. Her formal training included studies with Monsieur Emile Perrin and later in the class of Charles Joshua Chaplin, where she learned to depict body proportions and movements through the study of live models. To maintain her social standing and separate her professional career from her personal life, she adopted the pseudonym Henriette Browne. This name, taken from her maternal grandmother, was used when she began exhibiting at the Paris Salon in 1853, a venue where she continued to show her work until 1878.
Her marriage to Henry Jules de Saux, a French diplomat, allowed her to travel extensively to locations including Italy, Holland, and Constantinople. These journeys provided her with firsthand experience of new environments, such as the Turkish harem, which informed her unique approach to Orientalist subjects. Her work often focused on genre scenes, religious themes, and portraits, characterized by a sense of realism and a focus on observable facts.
Artistic Style and Recognition
Browne’s work was noted for its scale and its tendency to place figures toward the front of the composition. Her early genre scenes often featured themes of religion and children, sometimes utilizing a division of the receding plane and centralized light reminiscent of 17th-century Dutch art. As her career progressed, she became highly regarded for her Orientalist paintings, particularly those depicting scenes of social interaction among women in the Eastern harem, as well as subjects involving schools and scholars.
Throughout her career, Browne achieved significant success and received recognition from various institutions and patrons:
Henriette Browne
1829 - 1901 , France
プロフィール概要
- Artistic Movement Or Style: Orientalism, Realism
- Artists Or Movements Influenced By This Artist: ['Female Orientalist painters']
- Artists Who Influenced This Artist:
- Charles Joshua Chaplin
- Émile Perrin
- Full Name: Sophie de Bouteiller
- Nationality: French
- Notable Artworks:
- Lecture de la Bible
- Ecole de Pauvres a Aix
- Les Puritaines
- Les Soeurs de Charité
- Une Visite
- Une Joueuse de Flute
- Place Of Birth: Paris, France
- Date Of Birth: 1829
- Date Of Death: 1901