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      25L

      寸法
      240.0 x 280.0 cm

      Explore Alberto Tadiello’s ‘25L’ sculpture: an industrial-inspired installation of orange PVC pipes & a dark grey megaphone. Abstract, chaotic, and evocative – a unique piece for art collectors.

      Explore Alberto Tadiello's innovative art blending technology & everyday life. Discover his unconventional sculptures, installations, & sound pieces.

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      合計金額

      ¥ 11068

      25L

      ジークレー/アートプリント

      複製画サイズ一覧

      -

      合計金額

      ¥ 11068

      Can a sound undermine? To hurt? Kill? Is there a sound that can ward off, reject, bump? Which vibrations and which sonic pressures are bearable by the human body? Have you ever seen an acoustic cannon? It is said to have been used against pirates. And there is talk of murderous murders and shouts capable of pushing away. Perhaps the next great war will be fought just like that. HL (2009), 25 L (2010) and LK100A (2010) are three works that differ in part due to their assumed form and used materials, but all three start from a common base: that of study and research concerning acoustic weapons. These are works that are filled with air, loading it in the compressor basins like in a big belly. They hold their breath to the limit of the possible and then release it violently, strongly. The vocal cords of the horns, solicited, vibrate. The tubes then release that forced breath, lead it and amplify it, adding strident and rustling. The final funnels, like very elegant mouths, allow the breathing with grace and decision. The download. The outburst. Until the end. Until silence. When they are silent, they can be confused with attractive shrubs. From cylindrical stems and large trumpet flowers. Resistant to frost. Prosthesis, to hit. Toxic.

      Q&A

      「25L」の色は、どの程度の光を反射しているように見えますか?

      Alberto Tadiello作「25L」 の輝度は Luminous です。輝度とは、色がどれほど光を反射しているかを表す指標です。

      Alberto Tadiello作「25L」 に近い雰囲気の作品を探すには?

      Alberto Tadiello作「25L」に似た作品は、こちらの関連作品ページでご覧いただけます。

      「25L」は、Alberto Tadielloの作品群の中でどのような位置を占めているのでしょうか?

      「25L」は、Alberto Tadielloの他の作品と同様に、Contemporary Sculpture様式と、一貫して描かれてきたテーマであるtechnological critique, echoes industrial, sound as material, sonic exploration, deconstructed forms, fragmented voice, post-war anxieties, societal breakdownを共有しています。


      作家プロフィール

      Alberto Tadiello: Sculpting the Echoes of Industry and Nature

      Born in 1983 in Montecchio Maggiore, Italy – a town nestled at the foot of the majestic Dolomites – Alberto Tadiello’s artistic journey is inextricably linked to his surroundings. His early life amidst this rugged landscape, coupled with a formal education rooted in visual arts and design at the IUAV University of Venice, has profoundly shaped his distinctive approach to sculpture, installation, and sound art. Tadiello doesn't simply create; he interrogates – questioning the relationship between technology, industry, and the natural world through meticulously crafted works that often feel both familiar and unsettlingly alien.

      His studio, an old bakery transformed into a creative haven, serves as a crucial element of his practice. This deliberate choice—working within a space historically associated with domesticity and sustenance—immediately introduces a layer of complexity to his art. It’s a juxtaposition of the mundane and the monumental, mirroring the core themes he explores: the repurposing of industrial materials, the manipulation of electronic devices, and the unexpected beauty found in discarded objects.

      The Alchemy of Materials

      Tadiello's work is immediately recognizable for its unconventional material choices. He frequently employs salvaged industrial components – PVC pipes, metal fragments, circuit boards – transforming them into evocative sculptures that defy easy categorization. These aren’t simply assemblages; they are carefully considered interventions, imbued with a sense of history and decay. The use of orange PVC pipes in pieces like ‘25L’, for example, creates an immediate visual impact, reminiscent of both industrial infrastructure and the vibrant hues of autumn foliage. This deliberate blending of aesthetics speaks to his broader interest in disrupting conventional notions of beauty and value.

      He’s not merely assembling; he's actively manipulating these materials, often incorporating electronic elements – speakers, sensors, and microcontrollers – to generate soundscapes that accompany or amplify the visual experience. This integration of technology isn’t gratuitous; it serves as a means of exploring the dialogue between human ingenuity and the mechanical world.

      Recognition and Artistic Evolution

      Tadiello's artistic trajectory has been marked by critical recognition and numerous awards, including the prestigious Furla Award in 2009 and the ALA Art Prize in 2022. These accolades underscore the growing appreciation for his unique vision and technical skill. His work has been exhibited extensively throughout Italy and internationally, solidifying his position as a significant voice within contemporary art.

      His residency programs – including stints at ISCP New York, HIAP Helsinki, and Villa Arson Nice – have provided invaluable opportunities for experimentation and collaboration. These experiences undoubtedly contributed to the evolution of his practice, exposing him to diverse artistic perspectives and pushing the boundaries of his creative exploration. The “Natura Naturans/Naturata” residency in Buenos Aires further demonstrates a commitment to exploring themes of nature and its relationship with technology.

      Sound, Space, and Disruption

      A defining characteristic of Tadiello’s work is the incorporation of sound. His installations often generate layered sonic environments that interact with the visual elements, creating immersive experiences for the viewer. Pieces like ‘Backmasking’ (2023) in Rome exemplify this approach, utilizing a megaphone to distort and amplify sounds, generating an unsettling yet captivating atmosphere. This deliberate disruption of auditory expectations is central to his artistic strategy – challenging our perceptions and prompting us to reconsider the ways we engage with space and sound.

      His exploration extends beyond mere sonic manipulation; he frequently utilizes “variable intensity rain gradient aloft” techniques, referencing early experimental audio practices, further demonstrating a deep engagement with art history and a willingness to push the boundaries of his medium. Ultimately, Alberto Tadiello’s work is a testament to the power of unconventional materials, technological integration, and a profound interrogation of our relationship with the world around us.

      Alberto Tadiello

      Alberto Tadiello

      1983 - , Italy

      プロフィール概要

      • Full Name: Alberto Tadiello
      • Nationality: Italian
      • Date Of Birth: 1983
      • Place Of Birth: Montecchio Maggiore, Italy
      • Notable Artworks:
        • 25L
        • Backmasking
        • Chlamydomonas Nivalis
        • Flanger
        • Nenia
        • Sciolto Lo Sguardo Nel Rarefarsi Di Uno Spazio Eccedente
      • Artistic Movement Or Style: Tech art installations