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The Wave
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Charles Cary Rumsey (born Charles Cary Rumsey, later known as Charles Cary) was a multifaceted American figure of the late 19th and early 20th centuries. He distinguished himself not only as a talented sculptor but also as an accomplished athlete and military officer. Born into a prominent Buffalo family with roots in tanning, railroads, and architecture, Rumsey’s life reflected a blend of privilege, artistic passion, and dedication to both sport and service.
Rumsey's early exposure to art was significant; his uncle, George Cary, was a noted architect. He began sculpting at a young age, demonstrating remarkable talent. His formal training commenced with studies at the Boston Art School before he journeyed to Paris in 1902 to study at the École des Beaux-Arts. This period proved crucial, as he studied under renowned animalier sculptors Paul Weyland Bartlett and Emmanuel Fremiet. These masters instilled in him a deep appreciation for capturing movement and vitality in his depictions of animals, particularly horses.
Rumsey’s artistic style was rooted in the Beaux-Arts tradition, characterized by its monumental scale and classical influences. However, he also demonstrated an openness to modern trends, as evidenced by his inclusion in the 1913 Armory Show. His most celebrated works include:
His work often blended mythological themes with realistic portrayals, resulting in sculptures that were both powerful and elegant.
During World War I, Rumsey served as a Captain with the 77th Infantry Division and the 40th Engineers. His brother, Laurence Dana Rumsey Jr., was a pilot in the Lafayette Escadrille, highlighting the family’s commitment to service during wartime. Beyond his military contributions, Rumsey remained an avid polo player, achieving recognition as an eight-goal player—a testament to his athleticism and skill. Tragically, his life was cut short in 1922 when he died in an automobile accident at the age of 43.
Charles Cary Rumsey’s legacy rests on his ability to capture the dynamism and beauty of horses and their riders. His sculptures, particularly his equestrian works, are admired for their technical skill and artistic merit. While rooted in the Beaux-Arts tradition, he demonstrated a willingness to experiment with modern styles, foreshadowing later developments in American sculpture. His contributions to public art, such as the Manhattan Bridge frieze, ensured that his work would be seen by generations of New Yorkers. Today, Rumsey’s sculptures can be found in museums and private collections, continuing to inspire appreciation for his talent and vision.
1879 - 1922 , United States of America
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