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      Broomfield Park, Palmers Green

      寸法
      12.0 x 10.0 cm
      ¥ 42534

      手描き油彩複製画

      当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

      サイズ

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      標準サイズ
      オーダーメイド
      CM
      INCH

      作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

      横幅
      高さ

      フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。

      仕上げ

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      Corner sample of the WhiteWrap canvas edge finish, stretched on 無垢材 bars
      白の側面仕上げ ¥1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on 無垢材 bars
      エッジぼかし仕上げ ¥1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on 無垢材 bars
      回り込み仕上げ ¥1
      Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
      P118B ¥10
      Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
      P118H ¥10
      Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
      P118W ¥10
      Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
      P438Z ¥10
      Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
      P508JH ¥12
      Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
      P508YH ¥12
      Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
      P805H ¥10
      Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
      P805Z ¥10
      Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
      P919BZ ¥10
      Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
      P919G ¥10
      Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
      P919XJ ¥10
      Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
      P959ZH ¥10
      Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
      P968JZ ¥12
      Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
      W106C ¥8
      Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
      W218G ¥10
      Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
      W218JH ¥8
      Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
      W218Y ¥10
      Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
      W307PJ ¥10
      Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
      W316G ¥10
      Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
      W316PJ ¥8
      Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
      W316Y ¥10
      Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
      W398PJ ¥8
      Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
      W4111J ¥10
      Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
      W500HY ¥15
      Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
      W500JH ¥15
      Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
      W692G ¥12
      Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
      W849H ¥8
      Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
      W940BG ¥15
      Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
      W953PJ ¥8
      Corner sample of the H24-GOLD picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
      H24-GOLD ¥30
      Corner sample of the H24-SILVER picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
      H24-SILVER ¥30
      Corner sample of the H36-GOLD picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
      H36-GOLD ¥45
      Corner sample of the H36-SILVER picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
      H36-SILVER ¥45

      保護用の筒に入れてお届けしますので、お客様ご自身でフレーム(額縁)をご用意いただく形となります。

      105 cmを超えるサイズの場合、額縁は専門の額装業者向けのキットとして発送されます — 詳細はこちらをご覧ください。

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      世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(5 11月)。品質には一切妥協いたしません。

      保護用ワニス

      キャプション

      刻印入りブロンズプレートの詳細

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      透明アクリル銘板の詳細

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      黒アクリル製銘板の詳細

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      合計金額 ¥ 42534

      ガラスオプションは、110cm未満のサイズでのみご利用いただけます。

      • 世界中へ無料エクスプレス配送
      • 高品質なリネンキャンバス
      • 配送時完全保険付
      • 関税・輸入税の払い戻し保証
      • 真の色彩再現に関する保証
      • 100日間返品保証(製造上の欠陥がある場合のみ)
      • 100% 全額返金保証
      • まとめ買い割引のご案内

      作品解説

      Admire Edwin Charles Gardner’s ‘Broomfield Park, Palmers Green’ (1903). A serene landscape painting of a lush park scene featuring trees, water & benches. Hand-painted reproduction available.

      アーティストの略歴

      Discover Edwin Charles Gardner’s serene landscape paintings of Broomfield Park & more! Explore his Hudson River School style, capturing nature's beauty with meticulous detail.

      作品について
      作品の豆知識とアートクイズ
      Edwin Charles Gardnerについて

      作家プロフィール

      A Quiet Observer of the American Landscape: Edwin Charles Gardner

      Edwin Charles Gardner, a name perhaps less heralded than his contemporaries in the Hudson River School tradition, nevertheless occupies a significant place in the pantheon of American landscape painters. Born in 1831, Gardner’s life unfolded during a period of immense change and artistic ferment in the United States. While biographical details remain somewhat sparse, the enduring quality of his work speaks volumes about his dedication to capturing the subtle beauty of the natural world. He wasn't driven by dramatic spectacle or grandiose pronouncements; instead, Gardner found solace and inspiration in the quiet corners of rural life, particularly within the landscapes surrounding Broomfield Park, New Jersey. His paintings are not statements of conquest over nature, but rather intimate conversations with it—a gentle reverence for its enduring power and delicate details.

      Early Influences and Artistic Development

      Gardner’s artistic journey began in an era deeply influenced by the Barbizon School of France and, more directly, the Hudson River School painters like Thomas Cole, Frederic Church, and Asher B. Durand. These artists championed a distinctly American style of landscape painting, emphasizing realism, atmospheric effects, and a sense of national identity rooted in the unspoiled wilderness. While specific details regarding Gardner’s formal training are limited, it is evident that he absorbed these influences, developing a technique characterized by meticulous brushwork and a keen eye for light and shadow. He eschewed the more theatrical compositions favored by some of his peers, opting instead for scenes of understated elegance and harmonious balance. His early works demonstrate a commitment to accurate representation, but also hint at a growing sensitivity to mood and atmosphere—qualities that would become hallmarks of his mature style.

      Broomfield Park: A Muse and a Masterpiece

      The landscapes surrounding Broomfield Park in Essex County, New Jersey, became the central focus of Gardner’s artistic output. He didn't travel extensively seeking exotic vistas; instead, he immersed himself in the familiar beauty of his local surroundings. This dedication to a specific locale allowed him to develop an unparalleled understanding of its nuances—the changing seasons, the quality of light at different times of day, and the subtle variations in vegetation. His paintings of Broomfield Park are not merely depictions of a place; they are expressions of a deep emotional connection to it. “The Old Mill at Broomfield Park” (1903), for example, exemplifies his ability to imbue an ordinary scene with a sense of timeless tranquility. The composition is carefully balanced, the light softly diffused, and the details rendered with exquisite precision. It’s a painting that invites contemplation—a quiet moment of communion with nature.

      Technique and Style: A Legacy of Detail

      Gardner's technique reflects his dedication to realism and atmospheric effects. He employed a layering approach, building up the composition gradually through thin washes of color and meticulous brushwork. His palette is typically subdued, favoring earth tones, greens, and blues—colors that evoke a sense of harmony and naturalism. He was particularly adept at capturing the play of light on water and foliage, creating a luminous quality that distinguishes his work. Unlike some of his contemporaries who emphasized dramatic skies or imposing mountains, Gardner focused on the smaller details—the texture of bark, the delicate patterns of leaves, the subtle reflections in a stream. This attention to detail is not merely an exercise in technical skill; it’s a reflection of his deep respect for the natural world and his desire to capture its beauty in all its complexity.

      Historical Significance and Enduring Appeal

      While Gardner may not be as widely recognized as some of the more prominent figures of the Hudson River School, his work holds an important place in American art history. He represents a quieter, more introspective strand within the movement—a commitment to capturing the subtle beauty of everyday landscapes. His paintings offer a glimpse into a vanishing way of life, a time when rural America was still largely unspoiled and nature held a central place in people’s lives. Today, Gardner's work continues to resonate with viewers who appreciate his meticulous technique, his harmonious compositions, and his gentle reverence for the natural world.
      • His paintings provide valuable insights into the landscapes of New Jersey during the late 19th and early 20th centuries.
      • Gardner’s dedication to a specific locale—Broomfield Park—demonstrates the power of place in shaping an artist's vision.
      • His work serves as a reminder of the importance of preserving natural beauty for future generations.
      His legacy is one of quiet observation, meticulous detail, and enduring appreciation for the serene landscapes that surrounded him.
      Edwin Charles Gardner Broomfield Park, Palmers Green () · 額縁を含むサイズ: · リネンに油彩で手描き

      合計