アトリエ — 世界中へ送料無料 — お届けまで2〜6週間
      写真から絵画へ ウィッシュリスト カート
      ✕
      サイトについて お問い合わせ・ヘルプ
      JA USD
      設置イメージを表示 ARで試着 手描き複製画を注文する デジタル画像販売へ切り替え シェアする
      詳細を見る ガイドを表示 お気に入りに追加 ダウンロード 似ている作品 X線調査 スライドショーを表示 Q&A 統計情報
      Harry Watson

      Girl in a Tree

      Discover Harry Watson (1871-1936), a British artist known for evocative scenes of Victorian & Edwardian life – leisure, landscapes, and portraits. Explore his timeless paintings.
      詳細を表示

      ジークレー／アートプリント

      スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

      詳しく読む

      標準サイズ
      オーダーメイド
      CM
      INCH

      作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

      横幅
      高さ

      額縁や壁のスペースに合わせて、ご希望の幅と高さを入力してください。プリントはカットすることは可能ですが、元の画像より大きくすることはできないため、異なる比率のサイズを選択された場合は、画像の一部が欠けることになります。印刷を開始する前に、内容を確認していただくためのデジタルモックアップをお送りいたします。このページに表示されている画像は、実際のカット後の状態を示すものではありません。実際の仕上がりはモックアップにてご確認ください。

      詳しく読む

      詳しく読む

      詳しく読む

      世界中への配送（）は、標準の4〜5週間ではなく、2週間でお届けいたします。（3 11月）

      詳しく読む

      世界中へ無料エクスプレス配送
      高品質なリネンキャンバス
      配送時完全保険付
      関税・輸入税の払い戻し保証
      真の色彩再現に関する保証
      100日間返品保証（製造上の欠陥がある場合のみ）
      100% 全額返金保証
      まとめ買い割引のご案内
      詳しく読む

      合計金額

      ¥ 11057

      Girl in a Tree

      ジークレー／アートプリント

      複製画サイズ一覧

      -

      合計金額

      ¥ 11057

      関連作品

      Pine Forest — イワン・イヴァノヴィッチ・シシキン, Impressionism
      イワン・イヴァノヴィッチ・シシキン Pine forest
      The Cashmere Shawl — ジョン・シンガー・サージェント, Impressionistic Watercolor
      ジョン・シンガー・サージェント The Cashmere Shawl
      Gypsy Forest — フランク・ブラングウィン, Impressionism
      フランク・ブラングウィン Gypsy Forest
      Study Of A Tree — James Lawton Wingate, Impressionism
      James Lawton Wingate Study of a Tree
      Hemlock — ベンジャミン・ホーントン, Impressionism
      ベンジャミン・ホーントン Hemlock
      Girl Seated On A Tree, (1913) — Karl Albert Buehr, Impressionism
      Karl Albert Buehr Girl Seated on a Tree, (1913)

      作家プロフィール

      A Life Shaped by Light and Landscape

      Born in Scarborough, North Yorkshire, on 13 June 1871, Harry Watson moved through the world with a keen eye for the subtle shifts of natural light. His early years were marked by a brief residence in Winnipeg, Canada, between 1881 and 1883, before returning to the English coast to begin his formal studies. He gathered his technical foundation at the Scarborough School of Art, followed by periods of study at the Lambeth School of Art and the Royal College of Art. It was during these years, from 1889 to 1894, that he earned various medals and a travelling scholarship to Italy, an experience that likely deepened his understanding of classical form.

      Watson’s approach to the canvas was defined by a commitment to painting en plein air. He sought to capture the way sunlight interacted with its surroundings, a pursuit evident in works such as Sunlight Reflected Upon a Wide Riverscape and Reflected Light. His method often leaned toward an impressionistic style, utilizing loose brushwork to translate atmospheric conditions onto the surface of his oils and watercolours. This focus on the ephemeral qualities of light allowed him to bridge the gap between traditional representation and the more fluid techniques emerging in the early twentieth century.

      The Quietude of the English Scene

      While his training provided a rigorous structure, Watson’s subject matter often drifted toward the tranquil and the domestic. He possessed a particular affinity for the Scottish Highlands, where he documented the stillness of places like Loch Rannoch. In The Edge of Loch Rannoch, the artist employs subtle tonal variations to convey a sense of peace. His landscapes were rarely dramatic in a theatrical sense; instead, they offered a quiet observation of the natural world.

      This sensitivity extended to his portraiture and depictions of social life. He captured members of the upper middle class in moments of leisure, imbuing these scenes with a psychological depth that moved beyond mere likeness. In A Tale by the Way, he presents a window into the customs of the Victorian and Edwardian eras. His ability to render textures—seen clearly in the impasto of Study Of A Young Girl In A Pink Dress—complemented his skill in portraying the soft, unhurried rhythms of daily life.

      Professional Standing and Later Years

      Watson’s career was marked by steady recognition within the British art establishment. He began exhibiting at the Royal Academy in 1896 and maintained active memberships in several prestigious organizations:

      • The Royal Watercolour Society (R.W.S.) from 1915
      • The Royal West of England Academy (R.W.A.) from 1927
      • The Royal Institute of Oil Painters (R.O.I.) from 1932

      Beyond the easel, he contributed to the instruction of others, teaching life drawing at the Regent Street Polytechnic starting in 1913. His technical knowledge was also codified in his 1930 publication, Figure Drawing. Even as he participated in broader cultural events, such as the painting competition at the 1932 Summer Olympics, his work remained rooted in the observation of light and form. He passed away on 17 September 1936, leaving behind a body of work held in collections ranging from the Tate Gallery to the Scarborough Art Gallery.

      Harry Watson

      Harry Watson

      1871 - 1936 , United Kingdom

      プロフィール概要

      • Artistic Movement Or Style: Impressionism, Landscape and Portraiture
      • Artists Who Influenced This Artist: ['Frederic Leighton']
      • Full Name: Harry Watson
      • Nationality: English
      • Notable Artworks:
        • The Edge of Loch Rannoch
        • A Tale by The Way
        • Across The River
        • Study Of A Young Girl In A Pink Dress
      • Place Of Birth: Scarborough, United Kingdom
      • Date Of Birth: 1871
      • Date Of Death: 1936