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      Symmetry (diptych)

      サイズ
      136.0 x 176.0 cm

      Explore the evocative world of Ian Howard’s art – intricate symmetry, dark narratives & surreal imagery. Discover his triptychs & captivating works exploring themes of myth and humanity.

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      The Symmetry (diptych) by Ian Howard is a thought-provoking oil painting that explores the themes of symmetry, contrast, and visual storytelling. Created in 1998, this diptych measures 136 x 176 cm and is currently housed at the Royal Scottish Academy of Art - Architecture in Edinburgh, United Kingdom.

      Composition and Symbolism

      The painting consists of two adjacent panels, each depicting a scene of horseback riders in a desert landscape. The left panel is rendered in black and white, while the right panel is a vibrant, colorful representation. This juxtaposition of monochrome and color creates a striking visual contrast, drawing the viewer's attention to the symmetry and balance that exist between the two panels. Scattered throughout both scenes are various objects, including bowls, cups, a clock, and a vase, which add layers of symbolism and meaning to the artwork.

      Artistic Influences and Style

      Ian Howard's style is reminiscent of other notable artists, such as Duncan Grant, known for his work The White Jug, and Pavel Filonov, who created Bourgeois in a Carriage. These artists, like Howard, explored the relationship between color, composition, and visual narrative. For more information on these artists and their works, visit Ian Howard: Symmetry (diptych) and Duncan Grant: The White Jug. Key aspects of Symmetry (diptych) include its use of symmetry to create a sense of balance and harmony, as well as the contrast between black and white and color to convey different moods and emotions. The inclusion of everyday objects adds a layer of complexity to the painting, inviting the viewer to interpret their significance.
      For those interested in learning more about Ian Howard and his work, or to explore other artists and paintings, such as Leon Bakst's helene de sparte act ii set design, visit Pavel Filonov: Bourgeois in a Carriage and Dasic Fernandez.
      • Symmetry (diptych) is a significant work by Ian Howard, showcasing his unique style and exploration of visual themes.
      • The painting's use of symmetry, contrast, and symbolism creates a rich and engaging visual experience.
      • Viewers can find more information on Ian Howard and other artists at TopImpressionists.com.

      よくあるご質問

      Ian Howardには他にどのような名で知られているものがありますか?

      Ian Howardは、Ian Porteus Howardという別名でも知られています。

      「Symmetry (diptych)」における光と影のバランスは、どのように表現されていますか?

      Ian Howard作「Symmetry (diptych)」の明るさはbalanced、輝度はGentle Luminanceと記録されています。

      拡張現実(AR)を使って、自分の部屋にIan Howard作「Symmetry (diptych)」を配置して見ることはできますか?

      Ian Howard作「Symmetry (diptych)」のARプレビューページでは、対応端末を使用し、拡張現実(AR)によって作品をご自身の空間に表示してご確認いただけます。


      アーティスト・プロフィール

      Ian Howard: Architect of Surreal Symmetry

      Ian Howard, born in Aberdeen, Scotland, in 1952, isn’t merely a painter; he's an architect of perception, meticulously constructing worlds where the familiar bends and distorts. His art, characterized by intricate symmetry, unsettling narratives, and a deep engagement with alchemical symbolism and hermeticism, has established him as one of Scotland’s most distinctive contemporary artists. Howard’s work isn’t about straightforward representation; it's an exploration of visual connections, inviting the viewer into a labyrinthine space where logic yields to intuition and the rational gives way to the enigmatic.

      Howard’s artistic journey began with formal training at Edinburgh College of Art (1970-1975), followed by a travelling scholarship to Italy in 1976. This formative period exposed him to Renaissance art, sparking an enduring fascination with its complex iconography and symbolic language. He later honed his skills as Head of Painting at Duncan of Jordanstone College of Art, Dundee, from 1984-1987, a role that allowed him to nurture the next generation of artists while simultaneously developing his own unique visual vocabulary. His career trajectory included significant roles within Scottish Arts Council and as Director of Dundee Contemporary Arts, demonstrating a commitment to both artistic creation and institutional leadership.

      The Alchemy of Form

      Howard’s artistic practice is deeply rooted in the principles of alchemy – not as a literal pursuit of turning lead into gold, but as a metaphor for transformation and the exploration of hidden connections. He draws heavily on alchemical illustrations from the 17th century, particularly those produced by Heinrich Khunrath and John Dee, finding within them a rich source of symbolic imagery and a framework for understanding the creative process. His paintings are often described as “heretical diagrams,” reflecting his deliberate subversion of traditional artistic conventions and his willingness to embrace ambiguity and contradiction.

      A key element of Howard’s work is the manipulation of symmetry – not in a simple, decorative sense, but as a tool for creating unsettling juxtapositions and revealing hidden structures. He frequently employs repeating patterns and mirrored forms, generating a sense of disorientation and inviting the viewer to question their own perceptions. This meticulous attention to detail, combined with his exploration of symbolic imagery, results in paintings that are both visually arresting and intellectually stimulating.

      Notable Works & Techniques

      Several of Howard’s works stand out as particularly compelling examples of his distinctive style. “Symmetry (diptych)” (2018) exemplifies his mastery of intricate patterns and unsettling juxtapositions, while "Bruno Consigned to the Flames" (1987) showcases his ability to evoke powerful emotions through carefully constructed imagery. His series of “Untitled” works, particularly those created in the late 1980s and early 1990s, are characterized by their enigmatic symbolism and exploration of psychological themes. Howard’s use of color is often muted and restrained, allowing the intricate patterns and symbolic imagery to take center stage.

      Beyond painting, Howard has also explored printmaking and drawing, further expanding his artistic repertoire. His prints, like “Rolling” (1988), demonstrate a similar commitment to meticulous detail and complex symbolism. He frequently incorporates elements of collage and assemblage into his work, creating layered surfaces that invite close examination.

      Influence & Legacy

      Ian Howard’s influence extends far beyond the confines of Scotland. His work has been exhibited internationally and is held in prominent collections around the world. He's a respected figure within the contemporary art scene, known for his intellectual rigor, artistic innovation, and unwavering commitment to exploring the boundaries of perception. Howard’s legacy lies not only in his individual artworks but also in his contribution to the development of contemporary Scottish art – he has inspired countless artists with his willingness to challenge conventions and embrace ambiguity.

      His academician status within the Royal Scottish Academy of Art and Architecture underscores his recognition as a leading figure in the field. Howard’s work continues to resonate with viewers today, prompting reflection on the nature of perception, symbolism, and the enduring power of art to transform our understanding of the world.

      Ian Howard

      Ian Howard

      1952 -

      略歴

      • Artistic Movement Or Style: Symmetry, Surrealism
      • Artists Or Movements Influenced By This Artist: ['Renaissance iconography']
      • Artists Who Influenced This Artist:
        • Alchemical symbolism
        • Hermeticism
      • Date Of Birth: 1952
      • Full Name: Ian Howard
      • Nationality: Scottish, British
      • Notable Artworks:
        • Bruno Consigned to the Flames
        • Untitled
        • Symmetry (diptych)
      • Place Of Birth: Aberdeen, Scotland