アトリエ — 世界中へ送料無料 — お届けまで2〜6週間
ウィッシュリスト カート
手描き複製画を注文する 手描き複製画を注文する画像を 購入する 画像を 購入する シェアするシェアする
詳細を見る詳細を見る お気に入りに追加 お気に入りに追加 ダウンロードダウンロード 似ている作品似ている作品 X線調査X線調査 スライドショースライドショー

Kynance

  • 制作日1888
  • 寸法18.0 x 36.0 cm

Explore John Brett's stunning Pre-Raphaelite landscapes & seascapes! Known for scientific detail & moral themes, he painted Wales & the Mediterranean.

ジークレー/アートプリント

迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。

Standard
custom
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(22 7月)

why_choose_icon
世界中へ無料エクスプレス配送
why_choose_icon
高品質なリネンキャンバス
why_choose_icon
配送時完全保険付
why_choose_icon
関税・輸入税の払い戻し保証
why_choose_icon
忠実な色彩再現保証
why_choose_icon
60日間返品保証(製造上の欠陥のみ)
why_choose_icon
100% 全額返金保証
why_choose_icon
まとめ買い割引のご案内

合計金額

-

reproduction

Kynance

ジークレー/アートプリント

複製画のサイズ

-

合計金額

-


アーティストの略歴

John Brett: Pioneer of Scientific Landscape Painting

John Brett (1831–1902) stands as a pivotal figure in the Pre-Raphaelite movement, celebrated primarily for his breathtakingly detailed landscapes that embody both artistic innovation and moral contemplation. Born near Reigate on December 8th, 1831, he descended from a military family, fostering an early appreciation for observation and precision – qualities that would define his artistic vision. His sister, Rosa Brett, was equally devoted to art, establishing a collaborative studio in 1851 where their shared passion fueled creative exploration. Brett’s artistic journey commenced with lessons under James Duffield Harding, a landscape painter who instilled in him the importance of accurate representation and tonal harmony. Further honing his skills with Richard Redgrave solidified his foundational technique. Entering the Royal Academy Schools in 1853 marked a turning point, exposing him to the radical ideas championed by John Ruskin and William Holman Hunt – figures whose unwavering belief in scientific observation as a pathway to spiritual understanding profoundly impacted Brett’s artistic sensibilities. Through the connections forged with Coventry Patmore, he embraced Ruskin's vision of landscape painting as a conduit for moral enlightenment. Inspired by Hunt’s aesthetic ideals, Brett undertook a transformative voyage to Switzerland in 1858, dedicating himself to capturing the grandeur of alpine vistas. This experience cemented his commitment to scientific rigor and brought him into contact with John William Inchbold, whose influence further refined Brett's approach. The culmination of this dedication arrived with “The Stonebreaker,” an artwork that catapulted him to fame in 1858. Depicting a young laborer diligently constructing a road surface amidst a vividly rendered landscape—a scene bathed in luminous light and infused with meticulous botanical detail—the painting served as a powerful counterpoint to Henry Wallis’s contemporaneous depiction of the same subject. Ruskin lauded Brett's achievement, predicting that he would ascend to artistic greatness if he ventured into Italy. Funding from Ruskin enabled Brett’s pilgrimage to Val D’Aosta in 1859 where he produced another masterpiece, “The Glacier of Rosenlaui,” which garnered considerable acclaim and secured a purchase by Ruskin himself. Critics acknowledged Brett's unwavering dedication to scientific accuracy but noted that some found his work lacking the fervor associated with Ruskinian idealism. Throughout the 1860s, Brett continued to explore coastal landscapes and seascapes—subjects he mastered due to his ownership of a substantial schooner, Viki—always prioritizing meticulous observation and conveying moral significance as advocated by Ruskin. Brett’s artistic legacy extends beyond individual paintings; he championed the Art Workers Guild, advocating for accessible art education and fostering a collaborative spirit within the creative community. His unwavering belief in the transformative power of nature's beauty and his commitment to portraying it with scientific precision cemented his place as one of the most influential landscape painters of the Victorian era—a testament to his enduring contribution to Pre-Raphaelite artistic heritage.
john brett

john brett

1831 - 1902

基本情報

  • Artistic Movement Or Style: Pre-Raphaelite
  • Artists Or Movements Influenced By This Artist: ['Post-Ruskinism']
  • Artists Who Influenced This Artist:
    • James Duffield Harding
    • Richard Redgrave
    • John William Inchbold
    • Ruskin
  • Date Of Birth: 1831
  • Date Of Death: 1902
  • Full Name: John Edward Brett
  • Nationality: British
  • Notable Artworks:
    • A View of Whitby from the Moors
    • The Glacier of Rosenlaui
  • Place Of Birth: Reigate, England
© © TopImpressionists.com All Rights Reserved  ·  100% 手描き · 満足保証 · 全世界送料無料
VISA MASTERCARD