設置イメージを表示
シェアする
シェアする
詳細を見る
ガイドを表示
ダウンロード
似ている作品
X線調査
スライドショーを表示
Q&A
統計情報Amelia Earhart
- 24.0 x 19.0 cm
詳細を表示
このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。
この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。
ジークレー／アートプリント
スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 (
手描き複製画を注文する デジタル画像販売へ切り替え)
標準サイズ
オーダーメイド
CM
INCH
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
Loading sizes...
横幅
高さ
額縁や壁のスペースに合わせて、ご希望の幅と高さを入力してください。プリントはカットすることは可能ですが、元の画像より大きくすることはできないため、異なる比率のサイズを選択された場合は、画像の一部が欠けることになります。印刷を開始する前に、内容を確認していただくためのデジタルモックアップをお送りいたします。このページに表示されている画像は、実際のカット後の状態を示すものではありません。実際の仕上がりはモックアップにてご確認ください。
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
Amelia Earhart
ジークレー／アートプリント
複製画サイズ一覧
-
合計金額
¥ 11070
By 1928 Earhart was living in Boston, where she worked at a settlement house for immigrants. She continued to fly on weekends and also served as a sales representative for Kinner aircraft. That April she received a telephone call that would change her life forever. Amy Guest (1873–1959), a wealthy American who lived in England, had recently bought a trimotor plane that she named the Friendship and wished to underwrite a transatlantic flight. Charles Lindbergh had completed the first solo flight across the Atlantic a year earlier, and Guest wanted to see a woman make headlines for a similar feat. Guest was going to make the trip herself until her family objected because of the risk. Instead, she offered the opportunity to Earhart. This photograph was taken in Southampton, England, after the successful completion of that flight. It features (left to right) Guest, the three transatlantic flyers—mechanic Lewis Gordon (1901–1964), Earhart, and pilot Wilmer Stultz (1900–1929)—and the local mayor.
Q&A
「Amelia Earhart」の色使いは、鮮やかでしょうか、それとも淡い感じでしょうか？
Leon Underwood作「Amelia Earhart」は、Monochromaticな色彩の強さを備えています。
Leon Underwood作「Amelia Earhart」は、明るい印象の作品ですか、それとも暗い印象の作品ですか？
Leon Underwood作「Amelia Earhart」の視覚的な明るさはbalancedです。設置する空間の光の加減に合わせて調整することが可能です。
Leon Underwood作「Amelia Earhart」の構図は、縦長、横長、それとも正方形ですか？
「Amelia Earhart」の形式はLandscapeです。複製画を飾る場所を検討する際にお役立てください。
作家プロフィール
Leon Underwood: Bridging Tradition and Innovation in British Sculpture
Leon Underwood (1890-1975) stands as a fascinating figure within the landscape of early twentieth-century British art, often overshadowed by his more celebrated contemporaries. While he may not command the immediate recognition afforded to artists like Henry Moore or Barbara Hepworth – figures who benefited from significant institutional support and whose stylistic explorations resonated deeply with the zeitgeist – Underwood’s contribution to sculpture and printmaking deserves a renewed appreciation for its quiet brilliance and profound engagement with artistic heritage.- Early Life & Training: Born George Claude Leon Underwood in 1890, he pursued his artistic education at Regent Street Polytechnic before honing his skills at the Royal College of Art (RCA) between 1910 and 1913. This formative period instilled in him a disciplined approach to technique and exposed him to influential teachers like Henry Tonks, shaping his aesthetic sensibilities.
- Travels & Influences: Underwood’s adventurous spirit propelled him eastward in 1914, embarking on a perilous journey through Lithuania and Belarus amidst the escalating tensions of World War I. This expedition instilled within him an enduring fascination with Eastern European culture and traditions – influences that would subtly permeate his artistic output.
Sculpture: A Synthesis of Form and Emotion
Underwood’s sculptural practice distinguished itself by a remarkable fusion of stylistic approaches. He skillfully blended the formal rigor of Academic sculpture with expressive gestures derived from African art – a deliberate choice reflecting his conviction that “there should be a relationship between content and form in art.” This commitment to conveying emotion through meticulously crafted shapes resulted in works characterized by dynamism and psychological depth. Notable sculptures include pieces exploring themes of human figure, often imbued with subtle nuances of movement and gesture. His students—Henry Tonks and Blair Hughes-Stanton—were profoundly impacted by Underwood’s teaching methods and artistic vision.- Notable Works: Underwood's sculptural output includes pieces exploring themes of human figure, often imbued with subtle nuances of movement and gesture.
- Teaching Legacy: Underwood’s influence extended beyond his own creations; he mentored a generation of artists who embraced his belief in the importance of intuition alongside technical mastery.
Printmaking: Exploring Rhythm & Texture
Beyond sculpture, Underwood excelled as a printmaker, particularly in wood engraving. His prints demonstrated an exceptional command of line and texture—techniques he honed during his travels to Mexico where he was captivated by the vibrant colours and bold patterns of Mexican art. Underwood’s prints are notable for their rhythmic compositions and meticulous attention to detail, reflecting his conviction that “inspiration and intuition have a value over science and logic.” His work stands as testament to the enduring power of traditional printmaking methods combined with artistic vision.- Technique & Style: Underwood’s prints showcased an exceptional command of line and texture—techniques he honed during his travels to Mexico where he was captivated by the vibrant colours and bold patterns of Mexican art.
- Recognition & Exhibitions: Underwood's work gained recognition through exhibitions at Abbott and Holder, Pallant House and The Redfern Gallery, showcasing a retrospective in 1996.
Historical Significance & Legacy
Despite his understated profile within the broader canon of British Modernism—a movement largely defined by monumental forms and abstract explorations—Leon Underwood’s artistic integrity and unwavering dedication to craft ensured that he would be remembered as a pivotal figure in bridging the gap between Academic tradition and expressive innovation. His enduring influence can be discerned in the work of subsequent sculptors like Henry Moore and Barbara Hepworth, demonstrating his role as an educator and mentor who championed both technical precision and emotional resonance—a legacy deserving of renewed scholarly attention.
Leon Underwood
1890 - 1975
プロフィール概要
- Full Name: George Claude Leon Underwood
- Nationality: British
- Date Of Birth: 1890
- Date Of Death: 1975
- Place Of Birth: London
- Notable Artworks:
- Belgian children made orphans by the war
- Temple of Olympian Zeus and the Acropolis in the background
- Artistic Movement Or Style: Modernist Sculpture
- Artists Who Influenced This Artist:
- Gaudier-Brzeska
- Jacob Epstein
- Eric Gill
- Artists Or Movements Influenced By This Artist:
- Henry Moore
- Barbara Hepworth