当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え
デジタル画像販売へ切り替え)
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This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
The Postman Cheval by Max Ernst (1932) is a Dadaist collage featuring a painting by Ernst alongside photographs and other decorative elements, reflecting the artist's exploration of surrealism and his critique of societal conventions.
ダダイズムとシュルレアリスムを牽引したマックス・エルンスト。コラージュ、フロッタージュなど革新的な技法を用い、夢幻的な風景や心理世界を描き出しました。20世紀美術に多大な影響を与えた芸術家です。
Max Ernst’s “The Postman Cheval,” painted in 1932 during the height of Dadaism and Surrealism, isn't merely a depiction of a postal worker; it’s an audacious manifesto against rationality and a profound meditation on human aspiration. Created amidst the anxieties of pre-war Europe – grappling with fascism, economic instability, and simmering discontent – Ernst’s artwork embodies the spirit of rebellion that characterized these artistic movements.
The painting itself presents a bizarre tableau: Cheval, the postman, ascends a monumental staircase constructed from driftwood, seemingly determined to deliver mail to the moon. Surrounding him are fantastical creatures – a giraffe, a rhinoceros, and a snail – each contributing to the dreamlike atmosphere. These animals aren’t simply decorative; they represent primal instincts and desires, symbolizing humanity's yearning for transcendence.
Ernst deliberately utilized symbolism to convey complex psychological ideas. The staircase embodies ambition and perseverance, yet its unstable construction underscores the futility of striving towards unattainable goals. Cheval’s unwavering gaze directs upwards, signifying a refusal to accept limitations imposed by earthly realities.
The inclusion of animals – particularly the giraffe and rhinoceros – speaks to Freud's theories on unconscious desires and primal instincts. They represent forces beyond conscious control, mirroring the irrational impulses that drive human behavior. The snail symbolizes slow progress and perseverance despite obstacles—a poignant reminder that even seemingly insignificant efforts can contribute to a larger purpose.
“The Postman Cheval” emerged from Dadaism, born in Zurich during World War I as a reaction against the horrors of conflict and the perceived hypocrisy of bourgeois society. Dadaists rejected artistic conventions altogether, advocating for absurdity and spontaneity as tools for dismantling established ideologies.
Ernst’s artwork embodies this Dadaist ethos by deliberately undermining expectations and challenging viewers to confront uncomfortable truths about human nature. It serves as a powerful indictment of societal values that prioritize order over creativity and reason over imagination—values Ernst believed were ultimately destructive.
Ultimately, “The Postman Cheval” evokes a sense of melancholy wonder. Its unsettling imagery compels contemplation about the nature of ambition, desire, and the human condition. The painting’s dreamlike quality invites viewers to immerse themselves in a realm beyond logic, prompting them to consider what it truly means to strive for something greater than oneself.
マックス・エルンストは、「The postman Cheval」においてAcrylic On Canvasの技法を用いています。この技法が、原画の素材としての性質を決定づけています。
マックス・エルンスト作「The postman Cheval」 の記録された数値は、明度 brilliant、輝度 Bright Balance です。
「The postman Cheval」の背景には、マックス・エルンストとSurrealism運動があります。
1891 - 1976, ドイツ
合計