The Remorse of Judas is the canvas of クリストファー・ウィリアムズ that readers open most: 800 visits in twelve months, 11% of the views. Then Paolo and Francesca と Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891). In all 7,900 visits: 1,500 on the page of the painter, 6,400 on the canvases. The light is rising: 40% more visits in 9月 2026 than in 8月 2026. 7月 2026 was the peak: 6,700 visits. Devices of the readers: computers (89%) と phones (11%). A preference shows: 思索的な (情緒的トーン) collects 38% of the visits for 11% of the catalog.
クリストファー・ウィリアムズ: the 10 canvases readers open most
This list ranks by real visits on TopImpressionists.com, over twelve months, not by catalog score. First place is the most visited canvas of クリストファー・ウィリアムズ.
The monthly figures of both charts are in the first table, above.
What do readers pick among the canvases of クリストファー・ウィリアムズ?
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
雰囲気
情緒的トーン
輝度
彩度
カラーパレット
色彩の鮮やかさ
コントラスト
色彩の調和
Show the figures
雰囲気
雰囲気
Artworks of the artist
Visits
静謐
33.3%
24.1%
クラシック
11.1%
17.2%
エレガント
11.1%
13.8%
ノスタルジックな情緒
22.2%
10.3%
ドラマチックな
0.0%
13.8%
ロマンティック
22.2%
6.9%
神秘的
0.0%
6.9%
穏やか
0.0%
3.5%
情緒的トーン
情緒的トーン
Artworks of the artist
Visits
思索的な
11.1%
37.9%
静謐
33.3%
20.7%
情熱的
0.0%
13.8%
穏やか
11.1%
3.5%
郷愁を誘う
0.0%
6.9%
ロマンティックな
11.1%
3.5%
重厚で厳かな
11.1%
3.5%
ドラマチック
11.1%
0.0%
輝度
輝度
Artworks of the artist
Visits
暗め
52.0%
42.9%
柔らかな影
20.0%
25.7%
柔らかな輝き
26.0%
25.7%
明るいバランス
0.0%
2.9%
明るい
2.0%
2.9%
彩度
彩度
Artworks of the artist
Visits
彩度低め
32.0%
20.0%
淡い色彩
20.0%
17.1%
程よく柔らかな色彩
36.0%
47.1%
鮮明な色彩感
12.0%
15.7%
鮮やかな色彩
0.0%
0.0%
カラーパレット
カラーパレット
Artworks of the artist
Visits
アースカラー
67.5%
61.0%
ダークトーン
22.5%
32.2%
ニュートラルカラー
5.0%
5.1%
パステルカラー
2.5%
1.7%
モノクローム
2.5%
0.0%
色彩の鮮やかさ
色彩の鮮やかさ
Artworks of the artist
Visits
モノクローム
36.0%
24.3%
調和のとれた
50.0%
65.7%
鮮やか
14.0%
10.0%
コントラスト
コントラスト
Artworks of the artist
Visits
静謐な
28.0%
25.7%
穏やかな
14.0%
24.3%
バランスの取れた
12.0%
4.3%
鮮やか
22.0%
21.4%
解説
24.0%
24.3%
色彩の調和
色彩の調和
Artworks of the artist
Visits
不協和な配色
18.0%
17.1%
柔らかな混色によるパレット
12.0%
15.7%
均衡のとれた調和
20.0%
11.4%
強い色彩の統一感
38.0%
28.6%
統一された配色
12.0%
27.1%
How do the favourite canvases of クリストファー・ウィリアムズ compare over the year?
Phones, tablets or computers: how is クリストファー・ウィリアムズ read?
Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.
Show the figures
Device
Visits
Share
computers
7,000
88.6%
phones
900
11.4%
Which languages do the readers of クリストファー・ウィリアムズ use?
1
The Remorse of Judas, 1911
800 visits · 11.4%
2
Paolo and Francesca, 1902
400 visits · 5.7%
3
Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), 1920
300 visits · 4.3%
4
Cader Idris and Bird Rock, 1913
300 visits · 4.3%
5
Claude Goldsmid Montefiore (1858–1938), DD, DLiH, Treasurer of the Froebel Educational Institute (1892–1920), Chairman (1917–1937), and Benefactor, who Purchased the Grove House Estate for the Incorporated Froebel Educational Institute in 1921, thus ...., 1925
200 visits · 2.9%
6
Ceridwen
200 visits · 2.9%
7
Borth y Gest, Evening, 1913
200 visits · 2.9%
8
Tangiers, 1914
200 visits · 2.9%
9
Tyrau Mawr, 1913
200 visits · 2.9%
10
Farm Buildings (Kenfig) Bathed in Sunlight beneath Luminous Clouds
200 visits · 2.9%