아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주
      미리보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지로 전환 공유하기
      상세 정보 가이드 보기 즐겨찾기에 추가 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 질의응답 통계 정보

      25L

      규격
      240.0 x 280.0 cm

      Explore Alberto Tadiello’s ‘25L’ sculpture: an industrial-inspired installation of orange PVC pipes & a dark grey megaphone. Abstract, chaotic, and evocative – a unique piece for art collectors.

      Explore Alberto Tadiello's innovative art blending technology & everyday life. Discover his unconventional sculptures, installations, & sound pieces.

      이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

      이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지로 전환)

      표준 규격
      맞춤형
      CM
      INCH

      작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

      가로 너비
      세로 길이

      액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

      전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (5 11월)

      전 세계 무료 특급 배송
      프리미엄 린넨 캔버스
      배송 전 과정 보험 적용
      관세 및 수입세 환급 보장 서비스
      원본과 동일한 색상 구현 보장
      100일 이내 반품 정책 (결함 발생 시)
      100% 환불 보장
      다량 구매 할인 혜택

      총 결제 금액

      ₩ 93734

      25L

      지클레 / 아트 프린트

      복제본 크기

      -

      최종 결제 금액

      ₩ 93734

      Can a sound undermine? To hurt? Kill? Is there a sound that can ward off, reject, bump? Which vibrations and which sonic pressures are bearable by the human body? Have you ever seen an acoustic cannon? It is said to have been used against pirates. And there is talk of murderous murders and shouts capable of pushing away. Perhaps the next great war will be fought just like that. HL (2009), 25 L (2010) and LK100A (2010) are three works that differ in part due to their assumed form and used materials, but all three start from a common base: that of study and research concerning acoustic weapons. These are works that are filled with air, loading it in the compressor basins like in a big belly. They hold their breath to the limit of the possible and then release it violently, strongly. The vocal cords of the horns, solicited, vibrate. The tubes then release that forced breath, lead it and amplify it, adding strident and rustling. The final funnels, like very elegant mouths, allow the breathing with grace and decision. The download. The outburst. Until the end. Until silence. When they are silent, they can be confused with attractive shrubs. From cylindrical stems and large trumpet flowers. Resistant to frost. Prosthesis, to hit. Toxic.

      질의응답

      "25L"의 색상들은 빛을 어느 정도나 반사하는 것처럼 보이나요?

      Alberto Tadiello의 "25L"의 휘도는 Luminous입니다. 휘도는 색상이 빛을 얼마나 반사하는지를 나타냅니다.

      Alberto Tadiello의 "25L"과(와) 비슷한 느낌의 작품을 어떻게 찾을 수 있나요?

      Alberto Tadiello의 "25L"과(와) 유사한 작품들은 해당 작품의 유사한 작품들 페이지에서 모아 보실 수 있습니다.

      "25L"은(는) Alberto Tadiello의 작품 세계에서 어떤 위치를 차지하고 있나요?

      "25L"은(는) Alberto Tadiello의 다른 작품들과 마찬가지로 Contemporary Sculpture 양식과 더불어 작가의 반복되는 주제인 technological critique, echoes industrial, sound as material, sonic exploration, deconstructed forms, fragmented voice, post-war anxieties, societal breakdown를 공유합니다.


      작가 정보

      Alberto Tadiello: Sculpting the Echoes of Industry and Nature

      Born in 1983 in Montecchio Maggiore, Italy – a town nestled at the foot of the majestic Dolomites – Alberto Tadiello’s artistic journey is inextricably linked to his surroundings. His early life amidst this rugged landscape, coupled with a formal education rooted in visual arts and design at the IUAV University of Venice, has profoundly shaped his distinctive approach to sculpture, installation, and sound art. Tadiello doesn't simply create; he interrogates – questioning the relationship between technology, industry, and the natural world through meticulously crafted works that often feel both familiar and unsettlingly alien.

      His studio, an old bakery transformed into a creative haven, serves as a crucial element of his practice. This deliberate choice—working within a space historically associated with domesticity and sustenance—immediately introduces a layer of complexity to his art. It’s a juxtaposition of the mundane and the monumental, mirroring the core themes he explores: the repurposing of industrial materials, the manipulation of electronic devices, and the unexpected beauty found in discarded objects.

      The Alchemy of Materials

      Tadiello's work is immediately recognizable for its unconventional material choices. He frequently employs salvaged industrial components – PVC pipes, metal fragments, circuit boards – transforming them into evocative sculptures that defy easy categorization. These aren’t simply assemblages; they are carefully considered interventions, imbued with a sense of history and decay. The use of orange PVC pipes in pieces like ‘25L’, for example, creates an immediate visual impact, reminiscent of both industrial infrastructure and the vibrant hues of autumn foliage. This deliberate blending of aesthetics speaks to his broader interest in disrupting conventional notions of beauty and value.

      He’s not merely assembling; he's actively manipulating these materials, often incorporating electronic elements – speakers, sensors, and microcontrollers – to generate soundscapes that accompany or amplify the visual experience. This integration of technology isn’t gratuitous; it serves as a means of exploring the dialogue between human ingenuity and the mechanical world.

      Recognition and Artistic Evolution

      Tadiello's artistic trajectory has been marked by critical recognition and numerous awards, including the prestigious Furla Award in 2009 and the ALA Art Prize in 2022. These accolades underscore the growing appreciation for his unique vision and technical skill. His work has been exhibited extensively throughout Italy and internationally, solidifying his position as a significant voice within contemporary art.

      His residency programs – including stints at ISCP New York, HIAP Helsinki, and Villa Arson Nice – have provided invaluable opportunities for experimentation and collaboration. These experiences undoubtedly contributed to the evolution of his practice, exposing him to diverse artistic perspectives and pushing the boundaries of his creative exploration. The “Natura Naturans/Naturata” residency in Buenos Aires further demonstrates a commitment to exploring themes of nature and its relationship with technology.

      Sound, Space, and Disruption

      A defining characteristic of Tadiello’s work is the incorporation of sound. His installations often generate layered sonic environments that interact with the visual elements, creating immersive experiences for the viewer. Pieces like ‘Backmasking’ (2023) in Rome exemplify this approach, utilizing a megaphone to distort and amplify sounds, generating an unsettling yet captivating atmosphere. This deliberate disruption of auditory expectations is central to his artistic strategy – challenging our perceptions and prompting us to reconsider the ways we engage with space and sound.

      His exploration extends beyond mere sonic manipulation; he frequently utilizes “variable intensity rain gradient aloft” techniques, referencing early experimental audio practices, further demonstrating a deep engagement with art history and a willingness to push the boundaries of his medium. Ultimately, Alberto Tadiello’s work is a testament to the power of unconventional materials, technological integration, and a profound interrogation of our relationship with the world around us.

      Alberto Tadiello

      Alberto Tadiello

      1983 - , Italy

      작가 정보 요약

      • Full Name: Alberto Tadiello
      • Nationality: Italian
      • Date Of Birth: 1983
      • Place Of Birth: Montecchio Maggiore, Italy
      • Notable Artworks:
        • 25L
        • Backmasking
        • Chlamydomonas Nivalis
        • Flanger
        • Nenia
        • Sciolto Lo Sguardo Nel Rarefarsi Di Uno Spazio Eccedente
      • Artistic Movement Or Style: Tech art installations