빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
손으로 그린 그림 구매 이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Margarete
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Alfonso Balzico (1825-1901) was an Italian sculptor born in Cava de' Tirreni, near Salerno, Italy. He initially pursued studies in literature, demonstrating a broad intellectual foundation before turning to the visual arts. His early artistic endeavors focused on sculpting in wood, which soon transitioned to marble as he honed his skills.
Balzico received a stipend that allowed him to study at the Academy of the Arts in Naples, marking a crucial step in his formal artistic training. He quickly gained recognition, winning a silver medal for his work and further acclaim for a clay model depicting “Procris dying in the arms of Cephalus,” presented to the Provincial Council of Salerno. Another prize followed for his bas-relief, “Angel escorts St Peter out of Prison.”
Moving to Rome, Balzico continued to produce significant works including sculptures such as "Flavio Gioia," "Return of Dinah and Jacob," "St John the Baptist," “Virgin of the Purity,” and “Noli me tangere.” This period solidified his technical skills and established him within the Roman art scene. However, travels to Milan and Florence in 1858 and 1860 proved pivotal.
Exposure to the artistic currents in Milan and Florence prompted a significant shift in Balzico’s style. He moved away from the strictures of Neoclassicism, embracing instead the expressive qualities of Realism and Romanticism. This transition would define much of his subsequent work, imbuing it with greater emotional depth and narrative power.
Upon returning to Naples, Balzico’s talent attracted the attention of Victor Emmanuel II, the King of Italy. This royal patronage led to commissions for statues depicting “the Naive and the Poor,” “Revenge,” and “an Owl.” He later relocated to Turin, where he received prestigious assignments.
Beyond monumental sculptures, Balzico also created “Cleopatra” and contributed designs for coins and medals. He painted several portraits and sculpted busts of prominent figures including the Crown Prince of Portugal, Prince Napoleon, and Ambassador Nigra.
In 1866, Balzico was appointed sculptor to the House of Savoy, solidifying his position as a leading artist in Italy. He returned to Rome in 1875 and continued working until his death in 1901. His statue of “Flavio Gioja” earned him a gold medal at the Exposition Universelle in Paris in 1900, a fitting culmination of his career.
Alfonso Balzico’s work reflects the artistic and political changes occurring in Italy during the 19th century. His transition from Neoclassicism to Realism and Romanticism mirrors broader trends in European art, while his commissions from the royal family underscore his importance within Italian society. He is remembered for his dynamic sculptures, particularly his equestrian monuments, which capture a sense of movement and drama.
1825 - 1901 , Italy
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유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
