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통계 정보Pulling Boat
1907
27.0 x 43.0 cm
Explore Asai Chū (1856-1907), a pioneer of Western-style painting (yōga) in Japan. Discover his Impressionist landscapes, village scenes & influence on modern Japanese art.
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)
표준 규격
맞춤 제작
CM
INCH
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
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특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Pulling Boat
지클레 / 아트 프린트
복제본 규격
-
총 결제 금액
$ 69
작가 소개
Asai Chū: Pioneer of Western-Style Painting in Japan
Early Life and Education
- Born: 1856, Chiba City, Japan.
- Asai Chū was born into an ex-samurai class household in Sakura, Kantō region of Japan. His father served as a retainer of the Sakura domain and also acted as principal of the domain school.
- He initially pursued English language studies in Tokyo in 1873 but soon became captivated by the arts.
- In 1876, he enrolled at the Kobubijutsu Gakkō (Technical Fine Arts School), one of the first institutions to offer Western-style art training in Japan.
- Crucially, he studied under Antonio Fontanesi, an Italian artist hired by the Meiji government to introduce oil painting techniques.
Artistic Development and Influences
- Asai Chū’s early work reflected a blend of traditional Japanese aesthetics with newly acquired Western techniques.
- Key Influence: Antonio Fontanesi played a pivotal role in shaping his understanding of oil painting, composition, and light.
- He embraced plein air painting – working outdoors directly from nature – a hallmark of Impressionism.
- A later trip to France (1902-1904) allowed him to immerse himself in the Impressionist school, further refining his style.
Major Achievements and Artistic Contributions
- In 1889, Asai Chū founded the Meiji Bijutsukai (Meiji Art Society), a landmark organization that brought together Western-style painters in Japan.
- He became a professor at the Tokyo School of Fine Arts (now Tokyo University of the Arts) in 1898, contributing to art education.
- Following his return from France, he established the Kansai Bijutsu-in (Kansai Arts Institute) and took a professorship at the Kyoto Kōtō Kōgei Gakkō (Kyoto School of Arts and Crafts).
- Notable Works: Include “Spring Ridge,” “Woman Sewing,” “Morning Sun”, “Le Village de Kotaba” and "Pulling Boat". These paintings showcase his mastery of Impressionistic techniques applied to Japanese landscapes and scenes.
Legacy and Historical Significance
- Asai Chū was instrumental in bridging the gap between traditional Japanese art and Western artistic movements.
- He trained numerous students who went on to become prominent figures in the Japanese art world, including Sōtarō Yasui and Ryuzaburo Umehara.
- He also tutored the celebrated poet Masaoka Shiki in Western art techniques.
- Interestingly, he served as a model for a character in Natsume Sōseki’s novel, *Sanshirō*, highlighting his cultural impact.
- Several of his works have been designated as Important Cultural Properties by the Japanese government's Agency for Cultural Affairs, recognizing their artistic and historical value.
Themes and Style
- Themes: Asai Chū frequently depicted landscapes, village life, and domestic scenes. His work often captures the serene beauty of rural Japan.
- Style: He is known for his Impressionistic style characterized by loose brushwork, a focus on light and atmosphere, and a vibrant color palette.
Asai Chū
1856 - 1907 , Japan
작가 정보 요약
- Birth Date: 1856
- Birth Place: Chiba City, Japan
- Death Date: 1907
- Influenced:
- Sōtarō Yasui
- Ryuzaburo Umehara
- Masaoka Shiki
- Influenced By: Antonio Fontanesi
- Movement: Yōga (Western-style painting)
- Name: Asai Chū
- Nationality: Japanese
- Notable Works:
- Spring Ridge
- Woman Sewing
- Morning Sun
- Le Village de Kotaba