이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
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복제본 규격
Born in Manila, Philippines, in 1983, blic – more formally known as Lee Salvador – is a name increasingly recognized within the global street art community. His work transcends mere graffiti; it’s a potent blend of urban observation, personal reflection, and a distinctly Filipino sensibility. From his early beginnings sketching on discarded paper to his current explorations of textile art and large-scale murals, Salvador's journey reflects a deep engagement with both the raw energy of the streets and the rich cultural heritage of his homeland.
Salvador’s artistic trajectory began organically, fueled by childhood memories and a desire to express himself beyond the confines of formal education. Growing up amidst the vibrant chaos of Manila, he was profoundly influenced by the iconic cartoons and television shows of his youth – a potent mix of Western animation and Filipino storytelling. This early exposure instilled in him a love for bold colors, playful characters, and a willingness to embrace the unconventional. He initially honed his skills through street art, experimenting with stickers and smaller-scale interventions before gravitating towards the more permanent medium of murals. A pivotal moment came through his connection with Cavity Collective, a group of artists dedicated to amplifying marginalized voices within Filipino society.
Salvador’s distinctive style is immediately recognizable: a captivating cast of characters that often inhabit surreal landscapes. These figures – frequently described as “monsters” or “creatures” – are imbued with a surprising vulnerability, reflecting the complexities of human experience. He masterfully employs a ‘lowbrow’ aesthetic, drawing inspiration from pop art and comic books, but infusing it with a distinctly Filipino perspective. His characters aren't simply decorative; they carry symbolic weight, often grappling with themes of identity, social commentary, and personal struggle.
A significant shift in Salvador’s practice occurred as he began to explore textile art. Moving beyond the traditional boundaries of street art, he embraced fabrics – silks, velvets, and other textured materials – creating layered compositions that add a tactile dimension to his work. This transition reflects a deeper engagement with storytelling; textiles offer a rich visual vocabulary for conveying narratives and emotions. The use of fabric also allows him to incorporate elements of traditional Filipino weaving techniques, subtly blending contemporary street art with ancestral artistry.
Salvador’s involvement with Cavity Collective is central to understanding his artistic development. This collective serves as a vital incubator for emerging Filipino artists, fostering collaboration and providing a platform for diverse voices. The group's ethos aligns closely with Salvador’s own commitment to social engagement – using art as a tool for dialogue and challenging conventional narratives. Through Cavity Collective, he has had the opportunity to exhibit his work in galleries across Manila and beyond, expanding his reach and solidifying his position within the contemporary Filipino art scene.
Several of Salvador’s works have garnered significant attention, including “untitled” (D9BU9Q), a vibrant graffiti mural featuring an alien figure amidst geometric patterns that evokes both dystopian futurism and a sense of childlike wonder. His work has been featured in exhibitions at Galerie Roberto, Village Art Gallery, and Ysobel Gallery, demonstrating his growing recognition within the broader art community. Furthermore, his contributions to the Filipino Street Art Project have ensured his visibility as a key figure in documenting and celebrating this dynamic movement.
Beyond his individual achievements, Salvador’s work speaks to a larger cultural conversation – one that explores themes of identity, resilience, and the power of art to transform urban spaces. His distinctive style, combined with his commitment to social engagement, positions him as a compelling voice within contemporary Filipino art.
1983 - , Philippines