작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 본 작품은 수작업으로 제작되므로, 요청하신 비율에 따라 작가가 그림의 가장자리를 조금 더 넓게 그리거나 일부를 조정하여 작업할 수 있습니다. 작업 시작 전, 최종 확인을 위해 디지털 목업 이미지를 보내드립니다. 이 페이지에 표시된 이미지는 실제 결과물과 다를 수 있으며, 오직 목업 이미지만이 정확한 결과물을 보여줍니다.
Shipped in a protective tube, ready for your own framer.
Above 105 cm the frame is shipped as a kit for a professional framer — read the details.
전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (2 11월). 품질에는 어떠한 타협도 하지 않습니다.
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
Explore Mortimer Luddington Menpes’ evocative painting of Japanese boys in lanterns! Impressionistic brushwork captures twilight charm & cultural detail. A serene, melancholic masterpiece.
An Impressionist master known for his Japonisme works like Kiyohime. Discover the captivating world of Mortimer Luddington Menpes today.
1855 - 1938
Born in Port Adelaide, South Australia, on 22 February 1855, Mortimer Luddington Menpes lived a life defined by movement and varied interests. He was the second son of James Menpes, a property developer, and Ann, who had moved from London to South Australia. His early years in Australia provided a foundation that would later expand into a global existence. In his early twenties, he migrated with his family back to London, where his formal training began at the School of Art in 1878.
His professional identity was never singular. While many recognize him as a painter, he was equally an author, printmaker, illustrator, etcher, and photo-colourist. He also served as a war artist during the Boer War in South Africa. This versatility allowed him to document much of the world he encountered. His travels took him through England, Japan, India, China, Kashmir, Myanmar, Burma, Egypt, France, Italy, Mexico, Morocco, and Spain.
The trajectory of his work changed significantly during a sketching tour in Brittany in 1880. It was here that he met James McNeill Whistler, who became both a teacher and a mentor. Menpes even shared a flat with Whistler at Cheyne Walk in London. Under this guidance, he learned the delicate art of etching. The influence of Whistler is visible in his later work, particularly through the incorporation of Japanese motifs and techniques.
In 1887, Menpes travelled to Japan to experience its culture firsthand. This period resulted in many Japonist works that he brought back to London for his first solo exhibition at Dowdeswell's Gallery in 1888. His fascination with Japanese design was so profound that he decorated his home at 25 Cadogan Gardens in a Japanese style. He produced more than seven hundred different etchings and drypoints, often printing them himself.
Menpes was a figure of the London social scene, known as a raconteur who hosted gatherings at his home. His social circle included a wide array of artists, writers, and prominent figures. He held several professional memberships, including the Royal Society of Painter-Etchers and Engravers, the Royal Society of British Artists, the Royal Institute of Painters in Water Colours, and the Royal Institute of Oil Painters.
His later years saw a retreat from the frantic pace of international travel. After his time as a war artist, he settled at Iris Court in Pangbourne. There, he managed Menpes Fruit Farms, where he built forty large greenhouses for growing carnations and eight cottages for his workers. He remained in Pangbourne until his death on 1 April 1938.
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