Acrylic On CanvasWallArtModern Sculpture
2012
121.0 x 70.0 cm
Chamber of Deputies
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Roberta
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Sonia Ebling’s “Roberta,” created in 2012, stands as a testament to Brazilian sculpture's enduring fascination with organic forms and symbolic representation. This striking bronze statue depicts a woman gracefully holding aloft an airplane—a juxtaposition that immediately invites contemplation on themes of aspiration, freedom, and perhaps even the delicate balance between human ambition and natural beauty.
Ebling’s artistic journey began with foundational studies in painting and sculpture at Rio Grande do Sul and Rio de Janeiro Universities, honing her understanding of material and composition. Her formative years were further enriched by a prestigious award – the Award for Foreign Travel from National Modern Art – which propelled her into Europe where she immersed herself in the influence of Ossip Zadkine’s Parisian atelier. This exposure to European modernism undeniably shaped her distinctive aesthetic vision.
The sculpture itself embodies Ebling's signature style: a blend of abstraction and organic form. Crafted using the lost-wax casting technique—a method renowned for its precision and ability to capture intricate details—the bronze surface possesses a subtle textural quality, hinting at the laborious process involved in transforming molten metal into enduring art.
Color plays a crucial role in conveying emotion. The dominant bronze hue is deep and resonant, punctuated by delicate highlights that illuminate the contours of the woman’s figure and drapery. This careful manipulation of light contributes to an ethereal atmosphere, mirroring the serene grace inherent in the sculpture's pose.
“Roberta” transcends mere visual appeal; it speaks to a deeper symbolic resonance. The woman’s outstretched arm—holding the airplane—represents not only physical strength but also unwavering determination and a yearning for transcendence. Her form is interpreted as embodying feminine divinity, suggesting a connection to mythological archetypes of protection and nurturing – an element that elevates this artwork beyond its formal qualities into a profound meditation on human potential.
This piece finds its place beautifully in interior spaces—particularly living rooms or hotel lobbies—where its sculptural presence commands attention while fostering contemplation. Its muted color palette complements neutral backgrounds, creating a harmonious balance of form and tone that aligns perfectly with contemporary design sensibilities.
Sonia Ebling (born in Taquara, Brazil in 1918, died 2006) was a prominent Brazilian sculptor and educator. She began her artistic journey studying both painting and sculpture at the Schools of Fine Arts of Rio Grande do Sul and Rio de Janeiro between 1944 and 1951. This foundational period shaped her understanding of form and material, setting the stage for her later innovations.
In 1955, Ebling received a significant award – the Award for Foreign Travel from National Modern Art in Rio de Janeiro – for her sculpture Woman and Bird. This recognition enabled her to travel to Europe, where she spent considerable time studying with the renowned sculptor Ossip Zadkine in Paris. She also benefited from a grant from the Calouste Gulbenkian Foundation, furthering her artistic development.
During her time in Europe, Ebling actively participated in major art events. She exhibited at the Salon de la Jeune Sculpture at the Rodin Museum, the Art Biennial Tri-Veneta of Padua, the Salon de Réalités Nouvelles, and the Salon des Petits Bronzes of the Museum of Modern Art in Paris. Notably, she represented Brazil at Documenta of Kassel and participated in the seventh Bienal of São Paulo, gaining international recognition for her work.
Upon returning to Brazil, Ebling continued to create impactful sculptures. She received a commission to create a relief for installation in the Palace of the Arches in Brasília, a landmark project that showcased her talent on a national stage.
Ebling was also a dedicated educator. In 1970, she taught a course in cement sculpture at the School of Fine Arts at Universidade Federal do Rio Grande do Sul. Six years later, she assumed the chair of sculpture at the same university, nurturing generations of Brazilian artists.
Sonia Ebling de Kermoal is remembered as a pioneering figure in Brazilian modern sculpture. Her experimentation with materials, particularly cement, expanded the possibilities of sculptural expression. Her work reflects a unique blend of European influences and Brazilian identity, contributing significantly to the development of abstract art in Brazil. She left behind a legacy of artistic innovation and dedicated teaching that continues to inspire artists today.
1918 - 2006 , Brazil
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