아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주
      미리보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지로 전환 공유하기
      상세 정보 가이드 보기 즐겨찾기에 추가 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 질의응답 통계 정보

      Fire grate

      Discover Thomas Jeckyll (1827-1881), a British architect renowned for his innovative metalwork, furniture & Japanese-inspired designs. Explore his iconic 'Peacock Room' and unique aesthetic.

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지로 전환)

      표준 규격
      맞춤형
      CM
      INCH

      작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

      가로 너비
      세로 길이

      액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

      전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (14 11월)

      전 세계 무료 특급 배송
      프리미엄 린넨 캔버스
      배송 전 과정 보험 적용
      관세 및 수입세 환급 보장 서비스
      원본과 동일한 색상 구현 보장
      100일 이내 반품 정책 (결함 발생 시)
      100% 환불 보장
      다량 구매 할인 혜택

      총 결제 금액

      ₩ 93442

      Fire grate

      지클레 / 아트 프린트

      복제본 크기

      -

      최종 결제 금액

      ₩ 93442

      This cast iron fire grate designed by Thomas Jeckyll and made by Barnard Bishop and Barnards Ltd of Norwich is a fine example of design from the Aesthetic Movement which ran from the 1860

      질의응답

      "Fire grate"의 색상들은 빛을 어느 정도나 반사하는 것처럼 보이나요?

      "Fire grate"의 색상은 Bright Balance 정도의 휘도를 나타냅니다.

      "Fire grate"은 전체적으로 밝은 편인가요, 아니면 어두운 편인가요?

      Thomas Jeckyll의 "Fire grate"의 측정된 수치는 다음과 같습니다: 밝기 bright, 휘도 Bright Balance.

      "Fire grate"의 색상들이 서로 어떻게 조화를 이루고 있나요?

      Thomas Jeckyll의 "Fire grate"의 색채는 Discordant Palette 조화를 보여줍니다. 여기서 조화란 색상들이 서로 어떻게 어우러지는지를 의미합니다.


      작가 정보

      Thomas Jeckyll: Architect of Japanese Echoes

      Thomas Jeckyll (1827–1881), born in Wymondham, Norfolk, was a British architect whose singular vision fused Victorian sensibilities with the aesthetic principles of Japan – a movement known as Anglo-Japanese style. While perhaps overshadowed by his collaborator on the famed Peacock Room, Whistler, Jeckyll’s contribution to decorative arts and architectural design deserves recognition as an innovator who bridged cultures and elevated craftsmanship. His formative years instilled in him a fascination for geometric precision and understated elegance, qualities that would become hallmarks of his artistic endeavors. Unlike many architects of his time preoccupied with grand narratives, Jeckyll possessed a quiet dedication to meticulous detail and a profound appreciation for natural forms rendered with exceptional skill. This sensibility found its expression most powerfully in his mastery of metalwork – particularly grates and screens – where he skillfully incorporated Japanese motifs like bamboo and stylized floral patterns. These pieces weren’t merely decorative; they were embodiments of a philosophical pursuit: achieving harmony between man and nature through careful design. The pinnacle of Jeckyll's architectural achievement remains undoubtedly the ‘Peacock Room,’ conceived jointly with James Abbott McNeill Whistler in 1876 for Frederick Furness’s London townhouse. This opulent interior, adorned with iridescent peacock feathers painstakingly applied to silk panels, represents a daring experiment in color theory and textural contrast. Whistler championed Jeckyll's innovative approach to surface treatment—specifically the use of hammered gold leaf—a technique that achieved an unprecedented level of luminosity and depth. The room’s serene palette – dominated by blues and golds – reflects Whistler’s artistic vision but owes its breathtaking beauty largely to Jeckyll’s technical prowess. It stands as a testament to the transformative potential of blending Eastern and Western artistic traditions. Beyond the Peacock Room, Jeckyll undertook numerous commissions throughout Britain, designing churches, villas, and public buildings with an unwavering commitment to aesthetic integrity. His work consistently demonstrated a sensitivity to proportion and ornamentation that distinguished him from his contemporaries. He championed the revival of Gothic craftsmanship, utilizing techniques honed by generations past to create spaces imbued with spiritual resonance. Jeckyll’s legacy extends beyond individual projects; he served as President of the Arts and Crafts Guild from 1882 until his untimely death in Norwich at the age of 54. This role solidified his position as a champion of craftsmanship and artistic excellence, furthering the Anglo-Japanese aesthetic movement and ensuring that his distinctive style would continue to inspire artists for years to come. His influence can be seen in subsequent generations of designers who sought to emulate his refined taste and unwavering dedication to meticulous execution—a true architect of beauty whose vision continues to resonate today.
      Thomas Jeckyll

      Thomas Jeckyll

      1827 - 1881 , United Kingdom

      작가 정보 요약

      • Full Name: Thomas Jeckyll
      • Nationality: British
      • Date Of Birth: 1827
      • Date Of Death: 1881
      • Place Of Birth: Wymondham, United Kingdom
      • Notable Artworks: ['Harmony in Blue and Gold, The Peacock Room']
      • Artistic Movement Or Style: Anglo-Japanese Style
      • Artists Who Influenced This Artist: ['James Abbott McNeill Whistler']
      • Artists Or Movements Influenced By This Artist: ['The Aesthetic Movement']