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통계 정보Emo Eve (Two faces)
Vibrant mixed-media portrait featuring blue hair and scattered papers by Winfred Nana Amoah (2020); discover this contemporary Ghanaian exploration of identity.
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Winfred Nana Amoah is a Ghanaian artist (b. 1996) creating mixed-media art from recycled materials. His work explores identity, community & contemporary Ghana through textiles, plastics & found objects.
이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지로 전환)
P118B ₩10
P118H ₩10
P118W ₩10
P438Z ₩10
P508JH ₩12
P508YH ₩12
P805H ₩10
P805Z ₩10
P919BZ ₩10
P919G ₩10
P919XJ ₩10
P959ZH ₩10
P968JZ ₩12
W106C ₩8
W218G ₩10
W218JH ₩8
W218Y ₩10
W307PJ ₩10
W316G ₩10
W316PJ ₩8
W316Y ₩10
W398PJ ₩8
W4111J ₩10
W500HY ₩15
W500JH ₩15
W692G ₩12
W849H ₩8
W940BG ₩15
W953PJ ₩8
표준 규격
맞춤형
CM
INCH
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
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세로 길이
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Emo Eve (Two faces)
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
₩ 94003
The Language of the Face: An Encounter with Winfred Nana Amoah's Vision
To stand before an artwork by Winfred Nana Amoah is to engage in a profound act of co-creation. His series, exemplified here by pieces like Emo Eve (Two faces), does not merely present images; it presents dialogues. The face, as the universal canvas for human expression, becomes the central preoccupation. Amoah invites us into an intimate space where smiles are questioned and stern gazes demand interpretation. He suggests that seeing a face is inherently an act of assumption—we see happiness, we assume joy—and in this very act of assumption lies the fertile ground for artistic inquiry. His work compels the viewer to become an ‘accomplice’ in deciphering the unspoken narratives etched into human features.
Material Alchemy: Transforming Refuse into Resonance
What elevates Amoah's practice from mere portraiture to vital commentary is his radical commitment to material transformation. He rejects the pristine confines of traditional art supplies, instead championing a powerful dialogue with waste. From discarded plastics and textiles remnants to old credit cards and newspapers, he gathers objects often relegated to refuse piles in contemporary Ghanaian life. This process is not simply recycling; it is an act of alchemy. By meticulously weaving these found materials into his mixed-media compositions, Amoah imbues the mundane with profound significance. The resulting texture—a collage of history, consumerism, and personal narrative—gives the work a palpable depth that speaks directly to the complexities of modern existence.
A Portrait in Contemporary Ghanaian Identity
Rooted deeply in his origins in Hohoe, Ghana, Amoah’s art is inseparable from the pulse of contemporary Ghanaian life. His exploration of identity and community belonging takes on an urgent resonance when viewed through this lens. The faces depicted are not just individuals; they are embodiments of a culture navigating rapid modernization while fiercely holding onto its heritage. When we observe the vibrant depiction—such as the striking image featuring blue hair against a backdrop of scattered papers—we see more than just aesthetic flair. We witness a dialogue between deep-seated tradition and the dazzling, sometimes chaotic, influx of global influences.
Emotional Echoes for the Modern Collector
For the collector or designer seeking art that transcends mere decoration, Amoah’s work offers intellectual depth alongside visual splendor. The emotional impact is immediate yet layered; it feels both intensely personal and universally relatable. Reproducing this piece allows one to bring into a space not just a painting, but a conversation starter—a meditation on what we choose to discard and what stories we choose to amplify. It possesses an undeniable energy, making any room feel charged with thoughtful contemplation and vibrant, resilient life.
질의응답
Winfred Nana Amoah의 "Emo Eve (Two faces)"은 어느 시대의 작품인가요?
"Emo Eve (Two faces)"은(는) Contemporary 시대의 작품입니다.
"Emo Eve (Two faces)"은(는) 누구에게 어떤 용도로 선물하기 좋을까요?
Winfred Nana Amoah의 "Emo Eve (Two faces)"은(는) Birthday을(를) 위한 선물로, 특히 Statement에 추천합니다. 작품의 복제본을 선물용으로 전하실 수 있습니다.
"Emo Eve (Two faces)"은(는) 작가의 모국에 남아 있나요?
네, 해당 작품은 작가의 본국에 보관되어 있습니다.. Winfred Nana Amoah은(는) Ghana에서 태어났으며, 원작 "Emo Eve (Two faces)"은(는) Ghana에 있는 미술관에 소장되어 있습니다.
작가 정보
Winfred Nana Amoah: Transforming Waste into Vision
Winfred Nana Amoah’s artistic journey began in Hohoe, Ghana, a region steeped in tradition and increasingly shaped by the complexities of modern life. Born in 1996, he possesses an innate understanding of both heritage and contemporary concerns—a duality that profoundly informs his distinctive approach to artmaking. Rather than relying on conventional mediums like paintbrushes and canvases, Amoah champions a radical reimagining of artistic expression through repurposed materials. He meticulously gathers discarded plastics, textiles remnants, old credit cards, research articles, and newspapers – objects often overlooked as refuse – transforming them into sculptural forms that resonate with layered meanings.- Early Influences: Amoah’s formative years were marked by exposure to the vibrant cultural landscape of Ghana, fostering a deep appreciation for storytelling and visual representation within indigenous traditions.
- Material Exploration: His fascination with recycled materials stems from a desire to confront issues of sustainability and resource consumption while simultaneously honoring the beauty inherent in discarded objects. He sees potential where others perceive waste.
- Technique & Process: Amoah’s technique is characterized by painstaking assemblage and manipulation, combining sculptural carving with textile weaving and collage methods. This deliberate process underscores his commitment to transforming ordinary items into extraordinary artworks.
Notable Achievements & Recognition
Though relatively young, Amoah’s artistic endeavors have garnered considerable attention within Ghana’s burgeoning art scene. Exhibitions showcasing his sculptures and textile installations have been praised for their conceptual depth and skillful execution. Furthermore, collaborations with local organizations promoting environmental awareness demonstrate Amoah's commitment to using his art as a vehicle for social commentary.Symbolism & Conceptual Depth
Amoah’s artistic vision transcends mere aesthetic appeal; it operates on multiple levels of symbolic significance. The selection of recycled materials isn’t arbitrary but deliberate—a conscious act of reclaiming discarded objects and repurposing them to communicate powerful ideas about consumption, memory, and transformation. Each piece embodies a narrative that invites contemplation regarding our relationship with the environment and the stories embedded within everyday life.Historical Significance & Future Directions
Winfred Nana Amoah’s contribution to Ghanaian art is significant in its refusal of established conventions and its embrace of innovative approaches rooted in ecological consciousness. He represents a new generation of artists actively engaging with pressing social issues while simultaneously honoring artistic traditions. As he continues to develop his practice, Amoah promises to further enrich the dialogue surrounding identity, sustainability, and visual storytelling—solidifying his place as a compelling voice within the evolving landscape of contemporary African art.
Winfred Nana Amoah
1996 - , Ghana
작가 정보 요약
- Full Name: Winfred Nana Amoah
- Nationality: Ghanaian
- Date Of Birth: 1996
- Place Of Birth: Hohoe, Ghana
- Notable Artworks:
- Emo Eve (Two faces)
- Dumevi (A native of the town)
- Artistic Movement Or Style: Mixed media
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