André Lèbre의 모든 작품 중 Abraham and the Three Angels (1675)이(가) 가장 유명합니다. 우리 카탈로그에 수록된 André Lèbre의 작품 1점 중 가장 찬사받는 1점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품에 얽힌 이야기를 함께 보여줍니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
1675년 한 해 동안 André Lèbre가 그린 모든 작품이 이 페이지에 담겨 있습니다. 가장 유명한 작품부터 만나보세요.
Abraham and the Three Angels (1675)
1629년에 태어난 André Lèbre은(는) 46세였으며, Abraham and the Three Angels은(는) 1675년의 작품입니다.
André Lèbre의 작품 1점이 카탈로그에 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
Born in Toulouse, France, André Lèbre was a painter who spent his entire life within the confines of his home city. His early years were marked by a struggle for means, as his parents were not wealthy. During this time, he was occupied with painting arabesques and foliage under floors, a task that served to stifle his burgeoning talent rather than nurture it. Despite these early hardships, he dedicated himself to the study of art, practicing his craft through constant sketching and the composition of various historical subjects. His talent was eventually recognized by connoisseurs, whose praise encouraged his continued devotion to his art.
Lèbre's technical development was aided by the guidance of François Colombe du Lys and the opening of a workshop by Antoine Durand. He was known for his ability to capture the essence of figures, particularly women, adolescents, and children, though some noted a tendency toward overly red complexions. His brushwork was described as soft and light, possessing a noble character. Beyond the canvas, he found leisure in music, specifically practicing the theorbo.
Throughout his career, Lèbre held significant positions, including serving as the painter for the Toulouse City Hall from 1691 until his departure due to illness in 1694. His oeuvre includes several religious and portrait works, some of which are preserved in various collections:
While many of his sketches and drawings were lost to an accidental fire during his final illness, his surviving works remain a testament to his skill in capturing graceful forms and religious devotion.